407 Royalty-Free Audio Tracks for "Reaper"

Experimental grinding and moaning using strega and 0-coast sequenced by 0-ctrl by makenoise. Rendered @48khz 32 bit fp in reaper with markers for all you moaning morphagene fans out there. Stop moaning and enjoy!.

Twilight ambience recorded in the back yard at sunset. First addition to my ambiences pack. Recorded with zoom h6 recorder and rode ntg-2 shotgun microphone. Cleaned with reaper. Feel free to leave a link to the project that you used this sound in. Would love to see and hear how you used the sound. :).

Generation of clicks ticks and cycles in makenoise xpo and karplus-strong in mimeophon. Good for musique-concrete, etc. Cycling up until breakpoint. Rendered @48khz 32-bit in reaper. For all you morphagene fans out there. Feel free to place your own markers. Enjoy!.

Small waterfall in alexandria park (bila tserkva, ukraine)field recorded with olympus vn-732pc recorder (on built-in mic)recording was done from few points (2,5 meters from waterfall on groundfloor level, 3 meters on 1 meter from ground, 4 meters on 1 meter from the ground). Mixed with some reverb and little echo in reaper.

Honking cars pass through the street, celebrating a turkish wedding. Recorded through a roof window from the second floor of a house. Recorded with a zoom h6 with the xyh-6 capsule. Recorded october 7th 2017. No montage, just a fade in and fade out and a little equalizing done in reaper.

Was out for a walk next to a bridge while a train went by, the rattle of the empty cargo containers contrasted rhythmically with the ones that were full. This is a loop so you can have an infinite train roll through your soundscape. Recorded on my cellphone and cleaned up in reaper. Production-now. Com - shout-outs welcome.

Wavefolded byinstruo athru plaits percussion. Bias modulated by øchd, folding by maths. Markers set in reaper (mono). Came across this by chance as i was just noodling with athru for the first time. Let me know what you think of the set. Note. This is the second upload attempt, since the first didn't register (sorry admin).

Series of mixes of bells and marching percussion. Like listening to bells at the approaches to hell or hades. Like a computer game mix. Rendered @48khz 32bit fp in reaper for all you morphagene fans out there. Now you know where to go. . . Enjoy!.

Driving rhythm created by dpo mapped through qmmg in lo-pass mode. Special effects through mimeophon erbe-verb and echophon. X-pan shifts the pan (before the sh-t hits it). Recorded and rendered into reaper at 48 khz 32 bit fp because i know you want it in morphagene. Sock it to me. . . And enjoy!.

Using internal suboscillator to fm modulate the frequency of xpo wavefolded low frequency outputs (stereo). Sequenced by 0-ctrl. Rumbling beats. Suitable for underlying deep trance and stuff. Rendered in reaper @48khz 32-bit fp with markers for all you morphagene fans out there. Enjoy rolling in the rumble!.

Sound created using the wooden rod inside of my coat closet, and recorded on a zoom h2 recorder. This effect was used to create a sort of dungeon ambiance in a musical track. A decent down some steps, some creepy creaking, a little chain movement action, and it all seemed to fit ok. Check it out here: first trackhttps://brookinthebirchwood. Bandcamp. Com/album/disarm-the-mighty. Edited on reaper.

What do you do with graveyard bells? the semantics of cemetery chimes and so on. Mimeophone qmmg 0-ctrl 0-coast and friends up there doing the business. Rendered at 48khz 32 bit fp using reaper. Markers placed for morphagene and granularity grit. Enjoy the grind!.

Chanting drone partly tantric monks vocals with bell tones. Strega o-ctrl and o-coast easel output fed into mimeophone. Bells from karplus-strong (mu). Panned in x-pan. Totally synthetic track rendered @48khz 32 bit in reaper and with markers for all you morphagene fans out there. Enjoy!.

Recorded in kanawha state forest in west virginia on a dr70r with shotgun mic. Some clean up and noise reduction with rx8 in reaper. It's a small mountain creek but it's pretty prominent in the sound, i'm about 10 feet away. I also have a version where i bring down creek noise, check the profile.

This recording was made in the path of totality of the august 21st 2017 eclipse, in the woods surrounding devil's kitchen lake in southern illinois. It's a stereo extract from a longer, 88 minute b format recording. The purpose of making the recording was to see how the eclipse affected the sounds produced by insects and birds. In this extract, totality occurs exactly 10:00 minutes in; and ends at exactly 12:38. This mirrors the time totality occurred at devil's kitchen lake: from 1:20:27pm to 1:23:05pm central time. Mic: core sound tetramicrecorder: zoom f8. Panorama of the recording site: https://photos. App. Goo. Gl/t2m3esbcm71l4wzza. With thanks to jay needham for being a good host, and guidance on where rattlesnakes like to hang out. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Made from a tom drum i created with xfer serum in reaper. Rendered the instrument as audio, then, sampled a small section of the tom and looped it infinitely to create a static frequency. Then i added the reapitch vst and created a smooth automation curve down to -24 semitones. Lastly, i added a short fade in and long fade out.

Here's another loop created with my experimental one string dulcimer using an old casstte player head as a pickup. This one's a long ambient loop that can be used as a backing track or chopped up. The sound was created using numerous vst effects in reaper. If you download this and use it in a track please send me a link to the track. It's always great to hear what other people create too :0).

Someone walking in a trampoline, includes landing from a very high height, landing, and the steps themselves. To separate them, use an audio editing programyou can use the sound in any of your projects, it was created and produced by me. I actually used a plugin to make this this time, this time, it was in audacity, sounds in the future will be made with reaper or audacity.

Muffled muddy balim sound created with interplay of 2 o-ctrl (thanks walker!) through strega and o-coast. Echophon, mimeophon and morphagene heavily involved along with the haible tau phaser. X-pan plays the stereo. Rendered in reaper @48khz 32 bit fp with 14 markers for all you morphagene fans out there. Enjoy the mud!.

Rings chimes passed through strega both seqeunced by 0-ctrl. Effects, haible tau phaser, erbe-verb, qmmg in "both" modus, maths envelop, triggered by 0-ctrl. Mimeophon, seqeunced karplus-strong by 0-ctrl. Panning by x-pan. Lots of audio spaghetti, but rough and al dente. Something to get your teeth into. . . For morphagene fans - rendered in reaper with markers placed. Enjoy!.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Second version. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. X-pan fully engaged this timewant to know more? get in touch.

By manuel de falla. Not the complete song. I love this song on a classical guitar,(and i love to fish) but wanted to try it my way. No set tempo with some fermatas. Recorded with my squire telecaster and squire mini-bass through the focusrite interface and walrus slo pedal on 'dream setting. 'guitar is triple tracked and bass is single track. Edited in reaper. Please comment on what you may use it for. Thanks. :-).

Tropical frogs night mating calls. Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. Want to know more? get in touch.

Recorded around midnight in mount saint francis woods in southern indiana on the kentucky border on a dr70r with shotgun mic. Not loopable as the wind picks up over time and is noticeable when you loop back to beginning. Light editing in reaper (eq down some wind sounds, splicing out distant traffic). Individual bullfrog chatter sounds also on profile.

25 footsteps (walk) on different surfaces. You can find : dirty ground (x5) // tile (x5) // barefoot water (x5) // average depth water (x5) // snow (x5). More footsteps sounds : https://freesound. Org/people/nox_sound/packs/29889/. Unity devs, footsteps - essentials sound pack for free in the assets store: https://assetstore. Unity. Com/packages/audio/sound-fx/foley/footsteps-essentials-189879. You can edit it with reaper/audacity/etc. Gear : rode ntg4+ // tascam dr-05file: 48khz, 24 bit, mono, wav.

Original sound captured using a zoom h5 recorder and a rode nt5 microphone. Cut and reversed in ocenaudio. Timestretching and filtering (pro-filter, talk wah) applied using reaper. It started here:http://freesound. Org/people/cabled_mess/sounds/352069/http://freesound. Org/people/cabled_mess/sounds/360734/. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Recorded this on a sunny evening at the cote d'azur, near toulon. Two iphones approx 4 meteres apart (it was all that i had). Syncronized and merged to a stereo-wave in reaper. The moderate waves move the stones of the beach and create an awesome sound. It was practically windstill, so i did not use a lowcut. Enjoy and tell me if you use it! that would be awesome.

I recorded this quick improvisation with my built-in laptop microphone and track monitoring on in reaper, which resulted in it sounding washed-out, warped, and screechy in the high end. At the beginning you hear the distorted wail of a left click initiating the recording. Somebody walks into the living room at the end and we share an exchange. I didn't add any effects or edit this audio in any way, it's just a fun experiment. Let me know if you use this for something!!!!!.

From frederick noad's book: 'idiots guide to playing the guitar. ' noad plays it so beautifully, i could never match him, but i just wanted to try it with the electric instead. Recorded with my squire tele and squire bass into the focusrite interface. The guitar went through the walrus slo pedal on 'dream' setting with editing done in reaper. (shout out to kenny gioia for the tips). Bass was run through my behringer bxl 1800 bass amp and through the interface. Both instruments were triple tracked. Please comment on what you may use it for. Thanks. :-).

A sample that was made completely by accident. I was recording outside my local park and trying to capture the bird calls (with a semi-successful effort - too much motorway noise is a bit of a bummer) one morning and aimed my uchó pro at the ground as i stood on a sludgey leaves and wet sticks with the input too high - overdriving it but also somehow making a gore sound effect. When i imported it to reaper, time-shifting it - i spotted the unique flavor of crunchiness and wetness it gave.

A morphagene-formatted reel of typing and tapping sounds on a vintage apple iie desktop computer. These sounds were recorded using a zoom h6 and cut into splices using reaper. Download, retitle the file as mg1. Wav (or whatever number is next available on your morphagene's sd card) and start patching!. For more information on the morphagene, check out its manual on our website: http://makenoisemusic. Com/modules/morphagene. . . . As well as a playlist of morphagene videos on our youtube channel: https://www. Youtube. Com/playlist?list=pl0jgfc0fwqshzzpzdtucojgcrgy4h0jsr. Happy patching!.

I made a waveshaper in the js audio language that applies random math operations to the signal. The original signal is liteon's (of reaper forums) lorenz attractor synth, which is then run through the waveshaper, then that signal controls the pitch of a soundwave. Later on i waveshape the resulting soundwave but i don't think it has the best results (dc offset city). A lot of the cooler sounds/series of pitches are made by changing the number of operations on the fly, or shuffling a new set of operations for the waveshaper to use.

I've put this sound as public domain (cc0) so i (and you) don't have to fiddle with figuring out the minutiae of various cc licenses. Go crazy! use it for anything you like, but do drop me a line and tell me how you're using it! i'd love to hear. Dropping a metal finger band ring 3 times onto my wooden dining room table. Could be interesting for musical applications e. G. Textures in a drum loop, or even foley work. Recorded at 24bit 48k into reaper on a macbook promicrophone: zoom h4n through the onboard stereo mics. Processing: only a gentle highpass at 50 hz.

Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.

Five minutes of rain, artificially created. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal done. Recorded some basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. Convolution reverb was added for a fairly realistic set-it-and-forget-it option. I've uploaded a dry version as well.

Five minutes of rain, artificially created. Same mix as my other "five minutes of rain" upload, but without the reverb in case you want to add your own. Process:. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal applied. Recorded basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. .

In broekhuizen, near arcen, lies the old ferry named grubbenvorst, dying on the river maas. It has been replaced by a newer one. The old one lies rotting away some hundred metres away from its old trajectory. It was very windy that day and the carcass of the ship was mildly rocking back and forth resulting in this beautiful creaking. The occasional thud is the boat hitting the construction it is lying in. This recording was made with a zoom h2n on 4 channel mode. It was then further edited and processed using reaper. It was recorded on april 3rd 2018. The zoom was protected by a rycote windshield and my own cap as an extra windbreaker.

Made from taking two large atx (the form factor, the chassis) computer panels (that i havent used in quite some time), rubbing the entirety of them together quite brashly (one is on the ground), keeping the recorder on xy setup in my other hand in unison then dropping them onto each other. Inside of reaper, i begin changing the rate and pitching them down and applied saturation, distortion and reverberation gave them a very clean effect of a decrepit gate shutting down. Good for trapping your enemies in a battle to the death for which the title is inspired from; one of those tension moments a person in a film/game finds themselves in.

During my exchange semester i took a class called "sound and electronics in theater". We had to do an editing project where i had to make a 30 second sample of the sentence “a large monster charged a whole group of people. Many people died, but then one man grabbed a machine gun/knife and gunned down/chopped up the monster. ”i only used sounds from freesound. Org and edited and aranged them with reaper. This is what the result sounds like. (well in this uploaded version i removed the ripped spoken quotes from terminator because they were not from this website here :p). Used sound files:30279_thanvannispen_scream_group_women85847__mwlandi__meat_slap_385849__mwlandi__meat_slap_59429_thanvannispen_women_scream_aaa19312__martian__classic_double_swwosh_22350_studiorat_scream_boom_0127980__erdie__rubbing_metal0133447_dobroide_20070407. Slaughter. 0433568_erh_grod_11_animal_535716_analogchill_scream35984__hardpcm__wood02537822_the_bizniss_beast_breathing40158__sagetyrtle__crash43603__freqman__object_falls_5_48673_sea_fury_monster_2 render 00148673_sea_fury_monster_250724__rutgermuller__footsteps_metallic_muffled_louder_www. Rutgermuller. Nl_58793_syna_max_death_scream66113__spazzo_1493__knife_chop22698_dj_chronos_loop_233629__themfish__bulb_smash55234__slykmrbyches__splattt21324_cdrk_scream_02.

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

This is from a recording session trying to create laser weapon sounds. I just used the same technique as ben burtt used in wall-e (with the slinky and the contact mic). This is unprocessed, no eqs, compression, reverb or anything was added. I used a long piece of curled up aluminum wire which i hung from a tall structure at my house and the main object i used to oscillate the wire was a drum stick. For the recording i used the blue icicle and recorded into reaper. The contact mic is my own creation from a diy i found online (roughly €5 to make). I hope you find this useful! please feel free to use it, whenever and however you want to. If you create something awesome and you're proud of it i'd love to see it!.

The samples of these different types of hickory drumsticks was recorded with reaper and m-audio firewire 410 sound card. All these sounds was picked-upped by akg d5 microphone. There are these samples of. Wav 16 bit 44. 100 khz sound quality:. 1. Pro mark l. A. Special dc hickory march drum sticks2. Pro mark l. A. Special hickory drum sticks 5 a;3. Lutner woodtip hickory drum sticks 7 b;4. Pro mark l. A. Special hickory drum sticks 5 b;5. Lutner hickory drum sticks rock nylon;6. Lutner hickory drum sticks 2 bn;7. Pro mark l. A. Special hickory drum sticks 5 bn;8. Pro mark l. A. Special hickory drum sticks 2 bn;9. Pro mark l. A. Special hickory drum sticks 2 b;10. Lutner hickory drum sticks 5 a.

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.

[[this sound pack contains 8 sounds total, and this is # 4 of 8. ]]. Note: this sound (as all my sounds on freesound. Org are) is **public domain**. Use it, sell it, do anything and everything with it. No need to credit me. I only hope it's useful for someone! however, i'd love to hear about any projects you use my sounds with!!. Abstract, creepy sounds i recorded after watching this video on hans zimmer's creation of the score to the original dark knight soundtrack:. Https://www. Youtube. Com/watch?v=r-l1rctgtoe. (fascinating video, give it a watch! :d). - i found an old rusty razorblade (if it ain't rusty it ain't emo, amiright? amiright? oh god that's in poor taste)- and just started scraping it over the copper-wound strings of my seagull s6 acoustic guitar in which i've installed an electronic pickup. - recorded into reaper on my mid-2014 macbook pro, via direct in through a zoom h4n in audio-interface mode. Only processing: gentle eq highpass at 95 hz. And some slight gain reduction. These sounds remind me somehow of creepy film scores where the strings do that erratic pizzicato thing that sends tingles up your spine. Tell me what you come up with, i'd love to know!!.