185 Royalty-Free Audio Tracks for "Reel"

This is the audio recording of an 8mm super8 projector which includes start up and switch off.

Recorded by peter speer. Formatted for use in the make noise morphagene. Footsteps over ice and snow. Recorded in stereo on a zoom h6, december 17, 2018 in asheville, nc. This reel has been divided into 24, evenly spaced 4-second splices. I've found some great textures through playing the reel back at 1x speed, with gene-size, morph, slide and organize modulated by sequencers, random cv and cycling lfos. Time stretching the reel also leads to some fantastic new environments. Enjoy!.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

Created and formatted for use in the make noise morphagene, 24th january 2016 i was at braies lake to record the sound of ice lake.

Created and formatted for use in the make noise morphagene, 22th december 2014 i was at the top of the active craters to record the sound of etna.

Br-laser vector synthesis reel for make noise morphagene. These sounds have visuals encoded into them at high frequencies. The vector synthesis reel for the make noise morphagene is a collection of different xy samples, to show off morphagene's stereo sampling capability. The sample material can be displayed on oscilloscopes, modified vectrex game consoles, ilda laser displays or oscilloscope simulation software in xy mode. Some splices on the reel can be used as seamless loops. Here is a video to give a basic idea of the reelhttps://youtu. Be/cxxb9veyq6w. The collection of vectors was arranged by bernhard rasinger and includes vector contributions from artists listed below. An important part of this reel is to put the spotlight on working and performing artists utilizing sound signals to draw images as vector art. Alberto novellohttp://www. Jestern. Com. Andrew duffhttp://andrew-duff. Co. Uk/. Bernhard rasingerhttps://www. Br-laser. Com/. Chris kinghttp://videocircuits. Blogspot. Com/. Derek holzerhttp://macumbista. Net/. Douglas nunnhttps://vectorhackfestival. Com/guests/nunn/. Hansi raberhttp://youtube. Com/hansiraber. Ivan marušić klifhttp://i. M. Klif. Tv. Jerobeam fendersonhttp://oscilloscopemusic. Com. Jonas bershttp://jonasbers. Com. Joost rekveldhttp://www. Joostrekveld. Net. Philip baljeuhttp://instagram. Com/pbaljeuhttps://www. Youtube. Com/channel/ucudrl_q3_cnsj0ta2k7saha. Philipp haffnerhttps://www. Instagram. Com/philipp_haffner/. Robert henkehttp://roberthenke. Com/. Roland lionihttp://www. Akirasrebirth. Com. Ted davishttp://teddavis. Org. Vector hack festivalhttps://vectorhackfestival. Com/. All of these artists, working in the vector synthesis realm are creating these vectors with a different set of tools. These tools include pure data, max4live, oscistudio, axoloti, modular synthesizer, video synthesizer. Https://oscilloscopemusic. Com/oscistudio. Phphttp://write. Flossmanuals. Net/pure-data/introduction2/http://www. Axoloti. Com/https://www. Ableton. Com/de/live/max-for-live/. For introductory oscilloscope and technique tutorials please enjoy jerobeam fenderson´s tutorial series. Https://www. Youtube. Com/playlist?list=plfgouhnvmlro45p9uur18wofljeavcfvv.

Here is a simple yet usefull reel for your morphagene. I sampled various noise source from various modules to be used into my shared system, as this instrument does not contain any classic one. This reel is arranged like this:splice 1 : left = white noise / right = pink noisesplice 2: left = metallic noise / right = digital noisesplice 3 : left = tuned noise 1 / right = tuned noise 2splice 4 : left = tuned noise 2 / right = tuned noise 3splice 5 : left = tuned noise 4 / right = tuned noise 5splice 6 : left = tuned noise 6 / right = tuned noise 7splice 7 : left = downsampling noise sweep / right = fluctuating random noise sweep. Most sound comes from the verbos electronics random sampling module. The tuned noises are made of white noise fming the verbos harmonic oscillator, each are one of the eights harmonics being recorded. Enjoy !.

Created and formatted for use in the make noise morphagene by walker farrell. Morphagene reel created for the video "tape & microsound drome machine" avialable at https://youtu. Be/mohhxtlr0-q. Includes field recordings of a classic pin art toy, a couple of thunder tubes, a toy claw, a drum, a lamellophone, and pouring ginger ale.

Electro-magnetic field readings from a number of devices around the make noise shop. Created and formatted for use in the make noise morphagene. Demonstration video: https://youtu. Be/yzwbox6hk4g. Https://makenoisemusic. Com/modules/morphagene.

The lo-fi mode on the jellyfish by plankton elektronics processed by make noise erbe-verb, elektron analog heat and sputnik modular sprectral processor. 23 slices in total. Normalized.

This is a "reel" for the make noise morphagene that was used as the basis for the 6 improvised live-looping performances found on the "anagrams" ep by kolyder. ( https://kolyder. Bandcamp. Com/album/anagrams ). It is ready to be used in your morphagene and you are free to use those sounds in whatever way you want. You're also very welcome to record your own "anagram" with it and send it over !.

Created by hainbach aka stefan paul goetsch, formatted for use in the make noise soundhack morphagene. "i call it noir, since it is has a vibe of film noir to it. I made this with scoring for picture or theatre in mind, recording piano, percussion, synths on a telefunken m15 and nagra iii and playing that back on half speed. All music is harmonically related, so it should not grind too much when switching apruptly. I left some space for new splices in the end, as i feel that makes it more playable. ". Https://www. Hainbachmusik. Com/.

This is an excerpt from slow decay, a project commissioned by istimrar 2021 - an irtijal festival initiativedrumming by nadia daou playing various percussions on a steel metal plate.

Very loud, close recording of an old, partially functional wallensack reel-to-reel tape recorder. Recording includes the tape motor in operation and a piezo mic being dragged across the surface of the tape recorder. The recording has a fair amount of both background noise, and hum from the machine itself.

A button on a kodak projector being pushed.

Ww2 siren from a mellotron sound fx reel played on a mellotron m400. Let me know how you use it!.

Created and formatted for use in the make noise morphagene. Released in 1985, the casio sk-1 was a battery powered sampling keyboard that has become something of a cult favorite. We have reformatted its classic built-in rhythms (as well as their fill-in variations) as a reel of splices for your morphagene! download them today and transform them into something new!. Http://makenoisemusic. Com/modules/morphagene.

Remaster of makenoisemusics sk-1 reel. This is made with twice as many splices. Original: https://freesound. Org/s/499589/. Quote:"created and formatted for use in the make noise morphagene. Released in 1985, the casio sk-1 was a battery powered sampling keyboard that has become something of a cult favorite. We have reformatted its classic built-in rhythms (as well as their fill-in variations) as a reel of splices for your morphagene! download them today and transform them into something new!".

Morphagene reel from modular synth. Audio signal and wavefolder from mn maths processed in mn lxd lpg plus some reverb and delay.

I picked up a home-grade reel to reel machine at a thrift store and and this is the tape which was in it. A father sends messages from home to his son in the u. S. Navy during the vietnam war, including fatherly advice about cars and shopping overseas and anxiously awaiting his sons return. He provides sample fodder at 14:19 about musical gear lust and otherwise provides an insight to the times. As no parties in this recording are explicitly identified, and while i did not record this, i am the de facto owner of the recording at this point and think it best to preserve it by posting it here as cc0. 180hz notchfilter(60x3)otherwise untouched.

Created by anthony baldino for use in the make noise morphagene. "somehow making electronic music lead me to creating trailer music and sound design so it seemed fitting to make reel with a wide array of sounds from both types of music. This reel includes repurposed and re-mangled sounds that inspired music and sound design that have found their way into such trailers as interstellar, jurassic world , alien covenant, suicide squad, star wars: rogue one and others as well as glitchy beats and ambiences from upcoming electronic releases. In this reel you'll find impacts, processed orchestra, synth ambiences, modular beats and other noises that will hopefully inspire morphagene users to explore new music of their own. " - anthony baldino.

This wave file is prepared as a morphagene reel 48khz, 32 bit with markers (splices) for each sound. They're all tuned to c, they're stereo and have some reverb. It basically turns your morph into a synth voice that responds very well to 1v/oct. I am sure you're going to have fun with it.

Space bleeps from a mellotron sound fx reel played on a mellotron m400. Let me know how you use it!.

This sound is piece of night atmosphere i recorded years ago with reel-to-reel nagra4 and mkh416. You can hear night ambience of large hangar with lot of silent insects flying directly to electronic trap light and burn in very close detail. Another detail sound comes from hiting the metal body of film light.

A morphagene-formatted reel of typing and tapping sounds on a vintage apple iie desktop computer. These sounds were recorded using a zoom h6 and cut into splices using reaper. Download, retitle the file as mg1. Wav (or whatever number is next available on your morphagene's sd card) and start patching!. For more information on the morphagene, check out its manual on our website: http://makenoisemusic. Com/modules/morphagene. . . . As well as a playlist of morphagene videos on our youtube channel: https://www. Youtube. Com/playlist?list=pl0jgfc0fwqshzzpzdtucojgcrgy4h0jsr. Happy patching!.

Pulling out and letting go of a metal tape measure so it slaps back into its housing.

Reel that was created and used for the episode 'universe in a drop of water' available on youtube.

The sound a fly fishing rod makes when casting and the line stops dead at the reel.

Insert of a super 8 tape into a eumig 610 projector. Start and complete run until the end of the tape.

All right, my first contribution and i hope i will be able to help you with some more good sound effects on the way. Here's a sound effect of a cassette tape being rewound in a tape recorder, although i kinda tweaked with the effect. Hope you like it, fellas.

Some birds who live in a reverberant chapel inscribed "my words will not perish from the earth", pre-spliced.

This is a ready-to-go morphagene reel with markers for the fantastic make noise module. It contains a bunch of different recordings i made with an iphone and the mixpre iii. Just download, rename to suit a morphagene, and. . . Soouuunnd!.

Four sounds from listening exercises on the make noise youtube channel. Formatted for use in the make noise morphagene.

Formatted for the make noise morphagene. This reel consists of a spliced breakbeat. The final splice is the whole loop without any splices. Trashy drum kit, recorded by me, re-sequenced with elektron octatrack and played through a crappy speaker.

A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.

Rhythmic pattern interspersed with transients, formant sounds. 21 splices in the reel formatted and oven-ready for morphagene. Enjoy!.

The sound of a "super8/single8"-projector working. Sometimes you can hear a little extra rattling from the rotating reels. Recorded in a studio with a canon eos600d. Enjoy the sound, credits are not necessary but always appreciated.

This file has two different wavetable sets (from waveedit website), spliced per wave and saved in morphagene format. Once loaded, you can skip waves with the shift button, create a two voice synth, morph between l/r channels (e. G. With xpan), modulate l with r channel, etc. Changing morph, gene and size cv can dramatically ruin the sound.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:23:6

Reel made for the makenoise morphagene. These are sampled from noodles/self generating patches i've made on the the nord modular g2.

Reel made for the makenoise morphagene. These are sampled from noodles/self generating patches i've made on the the nord modular g2.

They told me it was okay, so i took some time and cut a tiny snippet outta every track and assembled it into a reel for the pleasure of all to mangle.

Reel made for the makenoise morphagene. These are sampled from noodles/self generating patches i've made on the the nord modular g2.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.

20s of hiss dithered to 16bit 48khz. Level it much lower to maybe between -40dbfs and -80dbfs and you will have a nice dub or tape noise.

Recording only the mechanical noise from a uher 4200 report stereo. The recording tools: sennheiser mkh 416, spl frontliner, rme babyface,cubase 9. 5 pro. No postprocessing!.

Bell and howell model 253 rv recorded with a cad gxl2200 microphone. The sounds are the projector being turned on, the bulb being switched on and the film reel started. The process is reversed at the end.

Welcome to hell again. How its feels returning to a desk job. Morphagene reel with markers at 48khz 32 bit fp. The usual suspect effects. Enjoy!.

Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.