2,547 Royalty-Free Audio Tracks for "Reverb"

Korg monotribe processed by a doepfer a-100. (bbd and a-199 spring reverb)the clock source is semi-randomized by an lfo and korg sq-1. Recorded with a zoom h-5 and transcoded with ocenaudio.

Made this sound in vcv-rackhttps://freesound. Org/people/gis_sweden/sounds/430997/now i have realized that sound/patch on my modular synth. Less reverb. I use ring modulation instead of amplitude modification. All analog modular synth composing composing. . .

Took three instances of https://freesound. Org/people/mjl1551/sounds/620029/ and processed (see imgur): filter, reverb, compression/expansion. I pogo'ed the samples as well. Fx: https://imgur. Com/gallery/4mpem1q. Flp: https://www. Dropbox. Com/s/y8yuf6fqxoo780u/bass. Flp?dl=0.

Note e. Atmospheric cinematic pad. I recorded the guitar, then processed a lot of reverb and added some synth sounds. You can put it in the sampler by setting the root note to e and you will have a complete instrument. I especially like to layer on it additionally the sounds of the waves that i put on my page before.

A simple chromatic sfx i made for a title screen. Can be used for power-ups, jumps or other ideas. Normally would strictly be an 8 bit sound, but with the reverb it can pass for something from the snes era. This is part one of two. The next file is the same thing with a higher pitch.

Something i accidentally got while messing around with voxal voice changer by nch software. It was a background noise of my mom closing a door, and i decided to put it in reverse and i couldn't help but notice that it sounded like a low "whoosh" transition. So i opened it in wavepad and added echo + reverb and voila.

Extracted from camera recorded content, tidied up with audacity mono and noisegate. . . I also listen for problems and cherry pick to avoid weird sounds. . No rubbish dry sample. If you want to use these sorts of sounds (good for games or video), remeber adding reverb back is the trick to making the sound big again.

For the 2021 production of christmas carol i wanted to add some special effects. To create a ghostly voices saying ebenezer scrooge i recorded 10 different cast members, then i used audacity to add a little reverb and filter the voice using the frequency transform of a recording of wind. Then i played the voices while the wind was blowing.

Clean notes played on a home-made diddley bow. Sampled with an electric pickup and a little added reverb to make up for lack of sustain. Seasick steve inspired me to construct a diddley bow (it ain't hard). All you need is a length of wire, 4 or 5 ft of two-by-four, some timber nails, an empty bottle and a hammer.

Some generative campfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise. Everything was sent into a reverb and a stereo expander.

From a distance - sounds of a civil war reenactment. Ca. 1991 near portland or. Gunfire some canons and (rebel) yelling. This part gets cut off - sorry, this was back in the days of dat. Then more individual canon and gunfire with lots of natural reverb. Actually some of this is good for convolution if that's your thing. . . .

Recorded in my studio on my akg c-214 microphone. This is a simple guttural scream that i used for a project i was working on. It is me screaming from about 2 feet from the microphone. There is a clean version and another that is processed with reverb to make it sound like i am in a canyon.

Some venetian snares inspired breaks, apparently he uses med soundstudio, which is a sweet freeware program. Hard to figure out but coolin the same. Emily was born from some massive processing. Smokey joeand replicant a compressor, some darkware, and a touch tiny touch of reverb, and more stuff. . Ran through a mathamatical midi program. . . . 3. 14 (pi).

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

Hi guys, i'm back. For years i haven't uploaded any sounds except my news themes, (thanks to you for your nice comments and thousands of downloads)now i give you an impulse response i made to check how my mixes would sound on a typical living room audio setup (but listening with headphones). The chain: technics hifi-system, multi-cone speakers, audix reference microphone, focusrite preamps. To use it like intended, just load this file into a convolution plugin in your master insert. You'll hear your mix like sitting. . . Well. . . In my living room. It'll sound muffled to you, that's because i captured the ir and all the reflections with an omni-directional mic and i have thick curtains ;-dof course it can be used as a really, really nice and natural-sounding ambience ir, too. Use it as an aux-reverb).

The sound of a ninja going, “hi-yaa!” along with various other sounds among them. Performed by me while in the bathroom. Short reverb effect, as if it was in a small or medium room. Audio cut up and normalized.

Sorry for the lack of uploads. (you probably don't care, but i'm just sayin'. ) i'll try to be more active on this site from now on. But anyways, here's a realistic gun shot sound i made. I made it by recording a huge firework explosion, speeding it up, adding a little bit of modified reverb, and some amplifying. I made this in audacity.

Small waterfall in alexandria park (bila tserkva, ukraine)field recorded with olympus vn-732pc recorder (on built-in mic)recording was done from few points (2,5 meters from waterfall on groundfloor level, 3 meters on 1 meter from ground, 4 meters on 1 meter from the ground). Mixed with some reverb and little echo in reaper.

I made changes in the impulse response of the fisher k-10, i used a demo of the fisher spacexpander on youtube that had a warmer sound, i did eq match using small sections of the video where the audio is dry or wet, i did this sin several times and the result was fantastically similar. The reference used: https://youtu. Be/17x9fqbjbfw.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

Sound remixed fromoriginal audio:circuit breaker 2 dp. Wavsribubba. Added it to simpler, put it in c# i think, added a filter, plus some echo and reverb, added to a one shot and resampled it to this. Hope you like the noise and can use it.

Friend núk (นุก) read name of level 1 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 3 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 4 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 5 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

This is an attempt to recreate the sound of a gunshot. At a distant and medium distance. The sound consists of two layers. In the synthesis, white noise with different filtering by layers was used. Reverb was not used. The final processing is equalization and a bit of overdrive.

A tiny 126. 5 bpm loop made from a few of my own synthesized perc samples:https://freesound. Org/people/saltbearer/sounds/486744/https://freesound. Org/people/saltbearer/sounds/534630/https://freesound. Org/people/saltbearer/sounds/534636/. All created from scratch and arranged on my phone within sunvox:https://warmplace. Ru/soft/sunvox/.

Recorded a thunderstorm using my camera, and mixed this existing sample of a thunderstorm with it. . Http://freesound. Iua. Upf. Edu/samplesviewsingle. Php?id=2523. Also used a few patches from a symsynth to build the thunderclap and some of the rain effects. Added some delays, reverb, compression and eq as well as splitting several tracks and offsetting them to create a spacial soundscape.

Format: wav - 24 bit, 48khzdescription:a generative music piece with changing key signatures. Features a subtractive synth type sound with added reverb. Made with january. Cc - the interactive flash app by disasterpiece. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this upload is cc0 and in the public domain, so use to your heart's contempt.

I am sitting in the lobby of national theater for music in minsk, belarus. During preparations for our show i take a rest. Sombody is practicing the piano and some women are preparing a buffet a floor underneath. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

The sound of me banging on a metal folding chair after i reversed it and added reverb to it. I also made another layer of the same sound un-reversed underneath it so it would not be too abrupt. Ah, the things you can do with an ordinairy metal folding chair! made with audacity and an ordinairy metal folding chair.

i'm hiding. Can you find me? says this ghost. Good for use in horror movies, cartoons, and thrillers. Please tell me where it's being used, if you want. (because i'm curious to see how this sound effect is being used. ). I used a vocoder to make my voice whisperey. Then i put reverb on it. If you'd like, i'll post the original unvocoded sample.

Electrical hum created by my guitar lead resting on the table top while connected to a line 6 box going into my laptop. The line 6 software was also giving it lots of 'cavernous hall' reverb. Quite stereo too. It is a g as far as i can tell but slightly sharp so try shifting the pitch to get it in tune with other instruments.

Recorded with an iphone 4 with tascam stereo condenser mike, waiting for my train to paris at the liège guillemins train station. We hear the size of the space at first then a passenger announcement and eventually trains letting off compressed air, trains arriving and departing and more announcements. Finally, some passengers passing by can be heard speaking.

Swimming Pool Summer Ambiance recorded at indoor aquatic center. Sound recorded by Stephan and is in the public domain.

The original description of the audio by piermic provided from the source: I have performed this improvisation with my plastic "Sopranino" recorder in my house in Rome, Italy, 5 October 2015. I recorded with a Tascam DR-05 and I added a bit reverb with Logic Pro X.

Noticed there was only one voice line for headshot on this site so i made one myself. Just a low and to the point voice saying "head shot". May make other versions later or on request. No credit needed to use but you could credit me as ax entity or my youtube: https://www. Youtube. Com/channel/ucod3x4qw8rlob_xxqhhzpxa. Have a good day!.

A solo violin sample from edirol orchestral was used a base, using pitch bend and then layering against pitch shifted copies of the original. Then lots and lots and lots of reverb and maybe other effects. I spent way too long on this for no certain outcome but actually it was perfect for the radio drama i was theoretically producing it for.

A random sound i created for one of my animation. I really don't know what kind of sound do you call it but it is usually used when having a "dramatic" label. Well, whatever that is. Nevermind. Feel free to use it. This sound was achieved by recording myself pounding my table once and slowed it down in audacity while adding a bit reverb to it.

Soundscape in the cacique hall, a huge chamber in the spanish karstic system ojo guareña. This was recorded in total darkness. Many drippings can be heard here and there in a nice stereo. Is it an oppressive atmosphere or a relaxing background?. Recorded with sony pcm-d50.

Some goa synth i created in fl studio a while ago using the pro 53 vst synth. Basically a saw wave form with glide or portamento, this nice lfo lpf in fl studio called fruity love synth, slight hpf, slight distorition (blood overdrive), a little compression, a little pannomatic, the right amount of delay and reverb. Presto!.

This is a variation of a hyper-popular wilhelm scream. Since it's 2017 outside, using wilhelm causes everything turn to a comedy. This one sounds fuller, richer, up-to-date. Will suit any type of production (film, commercial, game). Feel free to pitch it, expand it, shorten it and throw a reverb on it. It was recorded by a russian actor sergey smirnov in 2017. Hope you find it useful!.

Free sounds. . . Use it with much reverb. . Echo. . . Chourus and so far. . . Cut and paste to the right place. I have done it just for expriments and for free. Please let me know if you done something with that. So i help you with your track and you help me to work with my voice always and again. Thank you!.

Stereo sound made by csound where we reproduce a sound that has been previously worked on, in which you hear a glissando that oscillates from one channel to another covered by white noise and we work on it, putting a butterbp filter to be heard more by one channel than another, a reverb and an interaural time delay. All this reflected in a score that our sound sounds 5 times in delayed time intervals.

Sophie merrit's recording in a suppermarket for the yarmonics sound library. Supermarket in great yarmouth recording put through a dub delay. Part of the yarmonics sound library. Sounds of great yarmouth recorded as part of the yarmonics sonic arts festival sept 2018 by various contributors. Festival organised by the norfolk and norwich sonic arts collective and originalprojects. Www. Yarmonics. Com.

I was showing my 1 year old my recording studio. He was laughing and talking so i recorded him to play it back. His reaction was as wonderful as i could have hoped. This was recorded in my home studio, on a cad e100s microphone. Recorded in audacity, i copied the clip, lowered the pitch, stretched, added reverb, and reversed the audio. I also normalized to -3db.

I'm trying to create an intense plasma burst for a project i'm working on, and i found two great sounds from users chipfork (https://freesound. Org/people/chipfork/sounds/73226/) and john129pats (https://freesound. Org/people/john129pats/sounds/147908/). I decided to take the charge from chipfork's and slow it down and the burst from john129pats' and give it a bit more bass and some reverb, resulting in exactly what i need.

A sound of a tightening wrench (a bike repair kit) being spun around to produce its distinct ratchet like sounds. Foley fun: put to 25% of its rate and you get convincing metallic gear sounds, apply a tiny bit of reverb, maybe layer it with some screeching sounds from other users (or me, your choice) or a slow gate shutter to get a nice mechanical door opening sample.

I made this using an alto recorder and then adding reverb to it. I have made it longer or shorter by just adding or taking away pieces in the middle. It was made to convey a sense of foreboding. I hope you like it. I am grateful for all the sounds i have found and used in freesound - feels good to finally be able to give back and contribute!.