253 Royalty-Free Audio Tracks for "Rise"

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:. Cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:. Cakewalk by bandlabreaktor 6audio editor wavosaur.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab. I use software to produce effects:cakewalk by bandlabreaktor 6audio editor wavosaur.

This is a very old, out of tune accordian (the tuning wavers way off key on the main notes as it plays). It might be useful for messing around with to create undertones for a horror or mystery with a rise-fall pattern. I recorded it on an se x1 large condenser mic. Completely free to use for anything. Cc0.

Sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

The context of this audio is as follows: the brazilian youtuber gabs was playing a game made in the rpg maker and in the game he had the option of "sleeping alone" or "sleeping with his mother" after he chose to sleep with his mother shortly after an audio of moan is reproduced wanting to imply an incest after what happened the youtuber is totally disgusted and surprised. And gives rise to this audio.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

The morning after christmas 2022 on hood canal. There was a king tide that came up over the stone wall. A king tide occurs when the sun, moon, and earth are in alignment and the combined gravitational pull causes water levels to rise dramatically. I took this recording right next to the pilings where the dock is connected. You can hear the water hitting the metal and wood as it knocks it around. The water eventually washed over the road.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

Approaching army? rising nightmare?. Wrote/recorded an eerie nightmare approaching in the distance sound. The sound starts soft and builds to a crescendo. Ezdrummer2 was used w/ a low pass eq filter. Panned left is ableton stock plugin glass cave mirror. Panned right is polar pad. Center is the ezdrummer2 w/ a low pass eq filter combined with the all alone pad stock plugin. Each track is sent to a return track w/ heavy reverb and adjusted for parallel processing. Additional notes:-13. 4 lufs integrated-2. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

English. 1. With both hands i grabbed the rain stick vertically. 2. Lift it about 4 or 5 cm from the plastic mat on the floor3. I moved it up and then down until it hit a mat. The movement was fast, which causes the internal seeds to rise and fall, hit each other, between the walls of the stick and bounce when hit on the mat. The sound was captured with a condenser microphone. It was recorded with ardour 5. Español. 1. Con ambas manos agarré verticalmente el palo de lluvia. 2. Lo levánte unos 4 ó 5 cm del tapéte de plástico que se encuentra en el suelo3. Lo moví hacia arriba y en seguida hacia abajo hasta golpear un tapete. El movimiento fue rápido lo que produce que las semillas internas suban y bajen, golpearse entré si, entre las paredes del palo y rebotar cuando se golpea en el tapete. El sonido se captó con un micrófono de condesador. Se grabó con ardour 5.

Sound effect - bass rumble tension rise (wind river movie). I've looked for this particular bass tension builder sound effect from the movie wind river since it came out!! if you've seen that film and you're familiar with the "standoff" scene, then you'll probably know what sound effect im referring to. . . In the background of that most intense ever scene of all time is this bass rumble or tension builder that gives me goosebumps every time i watch it! i've wanted the original pretty bad because its the best suspense builder(bass rumble) sound ive ever heard! although it doesn't seem to exist online even for purchase. So i tried to recreate it myself! im a movie scene editor all the way, but im less than amature at audio editing, so please excuse the flaws. There are 3 versions in this mp3. All with different tones, speed, and other details trying to recreate as best i could.

Night falls and moon rises. Made with garageband.

A repeating oscillation, with rises and falls in pitch.

*loud* and harsh glitchy thingy that rises and falls.

Temperature slowly rises. At around 70 degrees there is this funny wishling.

Building construction far away, no cars dubai.

Building construction far away, no cars dubai.

Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause

Imitating of bane from batman 3 - the dark knight rises by d3x5n1p3r.

Foaming milk in a breville espresso maker with the steamer deep inside the decanter as the foam rises up.

Cool start of a lil darkpsy song from uplead to 80bpm then rises to a bass pumping 180bpm!!!.

First upload to freesound. Recorded with a zoom h2n in mid-side mode. Sounds of our neighborhood, with construction happening a block away.

The sounds of twittering bird song as the sun rises across the mediterranean island of malta. Recorded in stereo using a roland r-05.

This is a high speed apartment building elevator as the doors open and rises with beeps recorded on a zoom h4n with an ntg-2.

I made a impression of bane from batman the dark knight with my own voice and a cup (edited with aidacity).

I made it with audacity, with my own sound and a cup and some effecs! :d.

Distant siren from a fire truck which barrels by blaring its horn. A helicopter passes and the siren continues into the distance as the continuous chirp of early summer crickets rises.

The interference produced at the low (left) end of the radio dial on a jambox set up close to a dvd burner while in operation. Sound rises and falls as the burner writes to disc.

A quick poot that dips and rises in tone with an interesting squeak at the end. Processed with audacity for a more consistent tone and volume.

Workers working on a street in porto, portugal. The workers open the street and used a digger. One guy used a shuffle. Recorded with zoom h1 and cut with adobe premier.

This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.

I like the sound of the failure of some electric devices, so i made a new pack only for those sounds. This is a piano melody, but i added a effect named laundry chorus of live 9. The melody is unrecognizable but the sound is awesome. Enjoy it!.

Recorded using only an android phone and 'recording machine' app. The recording was made on the metal jetty at london greenwich a minute or so after the ferry had departed. The sound is of the metal plates of the walkway rubbing together as the jetty gently rises and falls on the swell. Eerie and atmospheric. Strangely quiet considering it was recorded in a major city.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

This wood thrush was recorded around 7:30 in the morning in heavy woods in deep southern illinois. Unlike my earlier posting of the wood thrush singing at dusk, this morning recording has the wood thrush singing with lots of company, although he clearly rises above his neighbors. 17 seconds into the recording you hear the drumming of a woodpecker, and at one-minute 20 seconds into the recording you hear the distinctive-lonely sounding call of the huge pileated woodpecker. Recording made with good-quality stereo microphones so use headphones to get a wonderful experience.

48khz-16 bit suburban soundcsape from france on a morning in early autumn. Cold rain in the foreground and the odd solitary bird. In the distance, the sound of a destruction team pulling apart buildings mixes with the phasing sound of the ring-road. Listening positions is against a wall facing a open grassy area and about 50 meters a block of flats bounces the sound back to us. Recorded in mono in november 2014 around 11 am with a akg ck91 cardio capsule / wendt 2x / mbox2 in pt. Http://www. Radio1. Pf/cms/wp-content/uploads/2014/08/le-quartier-du-mirail-a-toulouse_scalewidth_630. Jpg />.

A short recording of construction work on a ten-storey apartment building in the blackhorse road area of walthamstow, london. General construction noises. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is some processing to this recording to ‘normalize’ the levels and light eq-ing. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.