124 Royalty-Free Audio Tracks for "Round"

University of aberdeen new library, ground floor. Leaving special collections exhibit through electrically operated glass doors with warning beeps before they open into noisy reception area, turning round, re-activating doors and returning into special collections exhibit area.

While recording birds at the south sutor above cromarty, black isle, highlands, scotland on may 7th 2014 about 3pm a raf sea king came along to practice cliff rescues nearby to my annoyance so recorded it instead. It hovered behind the trees nearby before heading towards the cliff did a lower and lift and then swept round in large circle before heading back over the sea to the base at lossiemouth. Recorded using a zoom h2n recorder and software provided with recorder called wavelab. No alteration or special effects used.

Standard halogen (not the new energy efficiency) bulb being thrown in a plastic trash can in an 8' x 6' room for the reverberation effect. Recorded with a tascam dr-07 mkii handheld device at 16-bit 44. 1 khz.

Walking round the grounds of kirby hall and there was one particularly vocal peacock. Only had android phone with me. Have removed wind interference with eq. There are no other fx on the edit. What sounds like a bit of reverb is from the natural ambience.

Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.

Several cracks of thunder, with a long booming echo. Recorded with sony pcmd100 on early saturday morning, january 11th 2020. The temperature during this round on wind-driven rain was 56 degrees. Still feels strange to have march weather in january.

This is a solo acoustic slide guitar noodling round with a country-ish melody. I've added some splices here and there to make it easier to navigate. Quite good fun to modulate the position and gene size to create some eerie rhythmical effects. Have fun!.

A busy supermarket car park with lots of traffic coming and going. Cars driving round looking for places to park. Doors opening and closing, people talking. Olympus ls-5, internal mics, 15hz low cut.

4 of 4. Sound of the tires squealing as i drive my car round the microphone a couple of times. Some distortion is present in the recording. Car is a 1996 3. 5l v6 chrysler lhs. Recorded with a rode ntg2 into a zoom h4.

Combeloup, grenoble. On field recording in a forest of autumn falling leaves, round 1 p. M. Of monday october 20 2014. I seated on path border, under the tree of the photo, trying don't move. Better headphone listening. Binaural recording: zoom h4, soundman okm ii klassic, wav 24 bit, 48 khzduration 3'.

Just a simple drone inspired by doom (psx) soundtrack, quake or anything similar. 2 samples, 2 synth used. No this is not me breathing, its a monster thats right round the corner in front of you (behind you, if you arent cautios !). Now you can decide to continue walking forward, or stay where you are. ;).

Dare 31 signature soundhttps://www. Freesound. Org/forum/dare-the-community/35630/this is my signature sound. It’s the ambience of an airport (got) recorded with my mobile phone. In audacity i amplified, phase shifted and time stretched it a little. I wanted an all round strange ambience sound. Made a 12s loop. This sound will be used and recognizable in the forthcoming three dare submissions from me.

This is a nightingale in a very quiet environment, which is played 4 times slower. The gaps between the verses are removed, otherwise there would be always round about 20 seconds silence. The reverb is natural (no sound effects added), but sounds epic after slow downed with factor 4. The original 96khz/24bit-track was recorded with zoom f8 by using four rode nt1. Recording distance to the nightingale was 5-6 meter. ;-).

Honestly, this is one of the coolest things ever. Just drag this impulse response into your ir reverb plugin and it will make everything sound like it's in a space suit / glass helmet. Really handy for an astronaut speaking, for example. I bought a massive, round, glass fishbowl to record this. Recorded with a zoom h4n. If you are as blown away as i was with this, give me a sub and like on youtube!. Fractanimal.

Here is a morphagene reel made out of a free yocto sample pack, originaly released on my label concrete collage. It is a "round robin" sample pack, meaning there is a few hits of every instruments (kickdrum, snare, etc) to make it feel a little bit more "alive" than usual drum mahcine samples. This is a morphagene ready version of the original pack that you can find here, alongside a few tracks made with it:https://concretecollage. Bandcamp. Com/album/concrete-808-compilation-sample-pack.

24/48 mono recording of the sound of a fnx. 45 acp being shot slowly in a gun range 9 times. During the recording there are a couple shell casing that can be heard hitting the floor. There is a long break after the final shot before the target is recalled on the automatic rail system. There is a slightly echo-y natural reverberation to the gun range. Other than that the recording is very quiet in-between shots and each shot sound was allowed to dissipate before another round was fired.

A short cat conflict (he wants - she not) ;-). . . While birds are singing in the trees and a rooster is crowing then and when. Recorded in the early morning hours at round about 4:00 am. The spatial impression is best if headphones are used. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)https://www. Sounddevices. Com/product/wave-agent/. _________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).

Lazer sound. I made this lazer sound with the use of operator in ableton as well as adding a few effects to help round it out. I started with a basic sine wave and then began to adjust the frequency range to cut out some of the low end of the sound and enhance the high end to make it more realistic and movie accurate. I also had to shorten the decay time so it is more of a short zap sound than a prolonged note. Another step was giving it an initial high pitched sound and this was achieved by having the sound start higher up the scale with semitones and then dropping down giving the effect of shooting and something traveling from the source sound.

Playground at the edge of a wood along a small lake. Boys (right) play a spy game in a wooden fort. Other kids (left) are in a merry-go-round driven my a mother. Girls on the slide. Recorded ijzeren man, vught, holland. Zoom h1 recorder, xy90. When you use this sound it would be nice if you spent a voluntarily donation to freesound. Remind that this is not a must. You are free to skip this request. Please credit/attribute me and freesound. Org if you use this sound. Please do it like this: sound from http://www. Freesound. Org/people/klankbeeld/do not use an indirect link.

This was recorded in the centre of oxford, near the junction between broad street and turl street, on 23rd february 2013. I was facing west along broad street with turl street, and the pavement, to my left. There are many different sounds on this recording including bikes being parked (i was standing near a bike rack) and ridden, cars lurking for a parking space, dropping people off and turning round (broad street has a car park in the middle of it), plenty of different people walking past and talking, and a big issue seller. There is the occasional bit of wind noise, but not as much as i'd feared (luckily the wind was behind me). Recorded with a marantz pmd661 with built-in microphones.

Rec by eric strausser_fireworks near launchpad_tascam da-p1_neumann rsm 191. This recording was made in the parking lot of a church. On the other side of a line of trees was the launch pad for the towns fire work show. The mic is angled at the sky. Along with the big round booms and flat smacky booms you can also make out the swish as rockets swirl through the air. In between booms, whistles and fizzles you you can also hear the sound of the debris from the cardboard shells falling around me. Sometimes they were on fire, though you can't hear that quality in the audio. It's good for fireworks and is pretty easy to eq for more of a distant quality. I find it's more fun using it to sweeten weapons. The full recording is 29 minutes.

This is a collection of public domain sounds for easy transfer onto pocket operator po-33 sampler. (the po-33 splits one sound file into a kit of 16 sounds. Hence why a sample pack like this is appreciated). All sounds found here on freesound. Org under the cc0 / public domain licensing. Https://freesound. Org/people/bxyorna/sounds/410335/ round splashhttps://freesound. Org/people/14fpanska_nemec_petr/sounds/420227/ stone splashhttps://freesound. Org/people/hard3eat/sounds/387347/ 80s hathttps://freesound. Org/people/mafon2/sounds/371878/ water drip/drophttps://freesound. Org/people/mafon2/sounds/371270/ water drip/drophttps://freesound. Org/people/mafon2/sounds/371266/ water drip/drophttps://freesound. Org/people/tripjazz/sounds/506989/ tomshttps://freesound. Org/people/shpira/sounds/323606/ low tomhttps://freesound. Org/people/ainigmat/sounds/404841/ shaker. A bit of processing was done to normalize the sounds and adjust levels, i recommend downloading the original sounds if you're going to use them for none sampler projects. Hope you enjoy :).

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.

A peaceful ambiance of some pine trees in early, early spring. The predominant, lower-pitched background is the strong south wind blowing through the tops of healthy pine trees. . . An unwavering "swooshing" that cuddles and curls around the flexible, thick-resin-filled pine needles. Also, from time to time, you hear the sound of the wind rattling some dead and brown oak leaves; oak leaves which are still stubbornly hanging on to their parent tree. I purposely did only a very bare minimum of post-processing on this sound so as to keep it as realistic as possible. Yes, there are quite a few wind rumbles that i toned down just a little bit. I did not totally get rid of the wind rumbles. I did this on purpose so you the true feeling of " being there " on that mild, but still raw cold day of spring could still be felt. At 4:35 into the soundscape the trilling of a pine warbler is heard---a warble of warm-sounding notes fighting back stubborn winter. At 9:33 that hardy year-round resident, black-capped chickadee starts tweeting about. Recording made on saturday march 25, 2023 using a sound devices mixpre-3 series ii and only one microphone. I used a sennheiser mkh 8070. Enjoy this soundscape of winter slowly losing its grip, as told by pine trees and brown, crackly oak leaves.