1,431 Royalty-Free Audio Tracks for "Second"

*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU

Listen with secure stereo headphones. The first wave sounds mono; it should appear as though the sound is coming from the center of your head. In the second wave, the right channel has been inverted--otherwise identical. That should sound as though there are two distinct sounds coming from either ear.

I created a first rhythm track -> tempo 110. 0 bpm, beat of bar 3then a second pluck track in 60 midi pluck height and a steep fadei repeated the first track, driving the sound very low to give more rhythm to the sound.

Fiddling with a small wooden bead bracelet. Second half contains soft fabric movement. Occasional soft breath soz but mostly clean. Recorded on a r0de nt-1, through a ai-1 in my booth. Raw unedited audio.

Second record of a storm with rain and thunder. Good for background nature scenes. Recorded with jjc sgm-v1. You don't have to credit me anywhere but if you liked this sound effect, please let me know in the comments where you've used it. Thanks!.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

Two shots fired with a barrel gun by my own hands, the second shot is a bit distorted. I think i recorded this with a h2 zoom around 2012, it's not very clean but usable.

Theta Drumming (percussion instruments) Genre: Simple rhythms Tempo: c. 4 beats per second (w:Theta waves)

*Five-hundred-sixty-seventh harmonic on C = D♭+. Just: 567/512 = 176.65 cents. Limit: 7-limit. MIDI pitch bend: 67,88 on m2

*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58

The sound of the old rusty metal bending back and forth. Between the duration of 13 to 15 seconds, you can hear a voice that says "okay, i gotta close" and. It was recorded in an outing on january 21st, 2023 at fortwhyte alive a recreation centre in winnipeg.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

There's an arcade/shop near my place. They were selling one of those old sega consoles, and i had to tune to ch. 03 (channel 3) on my television to play it. Then i thought: wait a second!? why not record them both! it was genius!.

Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: clength: 2 seconds (120 bpm).

The reel used in my second reel play recording, a series in which i try to find out whether or not i should keep my modules. These are four guitar recordings, pretty straightforward, but i just thought they sounded nice together.

Large river rapids running strongly after winter rain. Recorded approximately fifty feet above water level. The river flows and turns through a narrow, high, partly exposed bedrock canyon which likely amplifies the sound of the rapids. The first nine seconds are unedited. The last two seconds have a fade out applied. In summer you can walk where the centre channel is in winter, so this is a lot of water moving swiftly down the cowichan river to the salish sea. Also see the companion audio posting "river-canyon-waters-edge-bottom-step. Wav" taken below the height of this recording. Recorder: zoom h1 n. Audio quality stereo 48000 hz.

A few seconds of mistaken recording in a car. I believe it's radio commentary of a sports game of some kind, but you can't tell what the man is saying.

A plastic desk clock ticking away. I placed the microphone realllyyyyy ridiculously close to the clock to try and minimize room-sound, so hopefully this will help someone somewhere! :). Also rendered the sample so it has the ability to loop easily (i think. . . To my ears and a 60bpm grid anyway). Enjoy!.

24-bit analog saw wave oscillators from the arturia microbrute. - ranges from c0-b6- recorded through a focusrite scarlett 2i4 into ableton without any additional processing- samples are recorded @ 120bpm and are 4 bars each (8 seconds). Enjoy.

The sound of footsteps while walking inside anthony gormley's metal sculpture at the white cube gallery in london, with the last few seconds recorded while walking on the concrete floor of the galley after coming out of the sculpture. The sound echoes inside the metal sculpture and sound from other people can be heard at the beginning.

Sound is me being gross! setup: mic, into eq, into stereo pedal (used as a signal splitter-- one signal went to one multi effect on a pitch-down setting, the other into a second multi effect on a pitch-up setting. ), into stereo delay (no delay added, though. ) burp. . .

No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.

This is a recording right next to water falling into a bucket while its raining. I have a second recording of it been recorded at about 5 feet away that is also uploaded. Enjoy.

Opening a big loft door from the ceiling and unfold the wooden ladder. Climbing slowly upstairs and downstairs, folding the ladder again and closing the squeaky door. A second version of climbing upstairs width man shoes is included at the end.

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

Fort denn eile (Fly them swiftly). From Die Walküre, second of the four operas of the Ring cycle by Richard Wagner. Act 3. Sung by Johanna Gadski, conducted by Josef Pasternack.

I uploaded a forlorn sounding hound sound, but this is more like it. It's not a racoon, though, it's the fedex truck. My second dog is an oversize pointer, and i'd never once heard him bark. His is the very last, louder, quite different bark at the end.

Idea for a base for a radio bumper. I found another track in which someone had said, "du bist der hörer. Wir sind das radio. " so i recorded myself repeating these sentences, which translate from german into english as, "you are the listener. We are the radio. " i also overlaid it over a track of generated sine waves, one in each channel (l-r), chosen to be discordant (like a radioactive effect). Sine waves are 10. 5 seconds, i left 4. 5 seconds at the end to overlay your content (maybe an ident or whatever). Have fun!. Created for my online radio station (sscr tampa), but released in the public domain/creative commons zero/"copyleft" to the maximum extent allowed by law. Voice is my own, tones generated on my computer.

Recording on board a train, journeying from bangor to belfast, northern ireland, uk, 21st february 2018. Contains mostly on-board voices in various languages and recorded announcements in english. Last 44 minutes 10 seconds.

This was the second clap for carers in the uk, which took place at 20:00 on 2nd april 2020. The focus was on showing appreciation for the nhs and other key workers. A couple of dogs and a blackbird joined in. The recording is in essex. Recorded with a zoom h5 on a tripod with some editing in audacity.

I need about 6 seconds underwater sound, but no breath sound from scuba, for this animación:https://www. Youtube. Com/watch?v=f9c4f-oo1us. I combine tim-verberne's "underwater-movement 2; 7; 10; 11; 13" (but not that order) for create this sound. 2019. 09. 10 15:30.

New pencil inserted, electric pencil sharpener sharpens for five seconds, pencil removed, motor dies. Sennheiser me-66 shotgun condenser into sony mz-r70 minidisc, transferred into adobe audition at 44. 1khz/16bit through edirol ua-20 usb audio interface. Noise reduction via adobe audition.

A mobile phone recording of a jalousie flapping in a window at a library. It made an irresistible sound. The recording technique, or something else, added a glitchy extra sound. Very welcome! the sound is edited in audacity. The original sound was in mono, and i wanted some stereo effects. It’s a 6 second loop.

Rubber bands stretched evenly between drawer handles being twanged, producing a high pitched melodious tone. From an old cassette, recorded 1985. Another upload of the same recording to remove a click from the first few seconds, using the audacity removal tool.

An old unfinished loop i made in fl studio (version 6 at the time i believe). It contains some dark ambient drones in the second half that adds a bit of mysteriousness to it. Perfectly loopable and free to use wherever you want!.

quiet noon, cars passing by ambience. Recorded from a second floor balcony using zoom h4n built in stereo microphones.

Second long recording of multiple paces of walking and running (in place). There is another similar recording with less "sandy" footsteps. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.

A thunderstorm outside my house in nashville. Recorded on at2020-usb microphone, from various angles. Includes a brief couple seconds where i talk (just before the audio spikes). You'll probably not want that in your mix.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Enormous pumps running at at tva hydroelectric facility at elder mountain, tennessee. Very loud machine sounds, good for factories, jet airplanes, and other heavy industry situations. There is some talking at the beginning, but after 20 or 30 seconds, it's a very clean recording. Made with an iphone.

I did create this sound with cubase daw. It consists of two tracks:grand piano plus changes in studio- and graphic eq plus reverb and chorus. Second track is e-piano plus reverb plus multi delay. Samplerate: 44100 khzplease use it how and for whatever you like, it's free to use.

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2

Three cigarette lighter strikes, flame runs for a few seconds. After. Six dead strikes (flame doesn't light). Sennheiser me-66 shotgun condenser into sony mz-r70 minidisc, transferred into adobe audition at 44. 1khz/16bit through edirol ua-20 usb audio interface. Noise reduction via adobe audition.

Electric garage door opening, with a few seconds of outdoor ambience at the end. This is the mechanized kind of garage door that bends and rolls up in the ceiling of the garage. Nady scm-2090focusrite saffire pro 24 interface/preampmacbook prorecorded in logic at 16/44. 1normalized in soundtrack prono other processing.

The quiet before a thunderstorms with distant car alarm. Recorded on june 08, 2021 from the second floor window of an nyc apartment building. This recording was made with the on-board x-y microphone of a zoom h4n pro recording device.

An obnoxious black crow calls as traffic passes and wind blows through the fall leaves. The leaves clatter on the pavement and a second type of bird with a higher pitch call joins the party, then another.