13 Royalty-Free Audio Tracks for "Semi Tone"

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

Semi tuned bell tones. All tones are derived from one bell.

Room tone - bathroom with vent fan on (recorded semi-close to fan).

An 80s fixed car phone ringtone, but a semi-tone higher pitch.

Webern's String Quartet Op. 28 tone row, composed of three tetrachords: P I RI, with P = the BACH motif.

A semi-looped snippet/edit from a field recording i did of a farm. Birds chirping distant airplane, etc.

A short section of electronic music created in logic with sculpture soft synth, mastered yet fully dynamic and ready to go. Enjoy! 16bit. Wav 44100.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Small stapler shortly pushed half-way down and released. Sure beta mic, transposed -2 semi tones.

A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".

Swelling ambient sound. Could be used for ambient sounds in an industrial setting. Source sounds:washing machine pitch shifted by 6 semi tones then slightly stretchedeq applied accenting low endreverbcompression with a ghost snare side chained to it to create the swell. Enjoy.

Another series of unintelligible goblin-talk, chattering along in different moods. Recorded on zoom h2, only effect: raised voice by three semi-tones. Feel free to add any effects you need to make it a real goblinish experience!.