223 Royalty-Free Audio Tracks for "Seventh"

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*Greater just minor seventh on C = B♭. 9/5 = 1017.60 cents. Limit: 5-limit.
Author: Hyacinth
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*Harmonic seventh on C = B♭. 7:4 = 968.83 cents. Limit: 7-limit. MIDI pitch bend: 3,54
Author: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 3,54 for 968.823242 cents rather than 1000.
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4-26 (minor seventh chord) tetrachord on C
Author: Hyacinth
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4-28 (diminished seventh chord) tetrachord on C
Author: Hyacinth
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4-20 (major seventh chord) tetrachord on C
Author: Hyacinth
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4-27A (dominant seventh chord) tetrachord on C
Author: Hyacinth
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4-24 (aug. seventh chord) tetrachord on C
Author: Hyacinth
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Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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*Greater 59-limit seventh tone on C = ?. Just: 59/58 = 29.59 cents. Limit: 59-limit. MIDI pitch bend: 60,73
Author: Hyacinth
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Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.
Author: Hyacinth
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Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.
Author: Hyacinth at en.wikipedia
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Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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*Lesser 59-limit seventh tone on C = ?. Just: 60/59 = 29.10 cents. Limit: 59-limit. MIDI pitch bend: 39,73
Author: Hyacinth
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*Pythagorean diminished seventh on C = B--- (Ben Johnston's notation). 32768:19683 = 882.40 cents. Limit: 3-limit.
Author: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 2,79 for 946.923828 cents rather than 900.
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*Supermajor seventh on C = B/C. Equal-tempered: 223/24:1 = 1150 cents. MIDI pitch bend: 0,80 Preceded by:
Author: Untitled
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Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).
Author: Hyacinth
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Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.
Author: Hyacinth
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*Pythagorean augmented seventh on C = B♯+++ (Ben Johnston's notation). 531441/262144 = 1223.46 cents. Limit: 3-limit.
Author: Hyacinth
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*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.
Author: Hyacinth
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*Undecimal neutral seventh on C = B↑♭- (Ben Johnston's notation). 11:6 = 1049.36 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) using Sibelius 5 with midi bend on Bb on ~87,79.
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Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.
Author: Hyacinth
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*Tridecimal neutral seventh on C = B♭-. Just: 13:7 = 1071.70 cents. Limit: 13-limit. MIDI pitch bend: 120,86
Author: Created by Hyacinth (talk), 17 December 2017.
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Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.
Author: Untitled
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*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 75 for 1034.375 cents rather than 1035. New version a m7 on 26,75 for 1035.009765625 cents rather than 1035.
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Seventh augmented eleventh chord on C.
Author: Created by Hyacinth (talk) using Sibelius.
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Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.
Author: Created by Hyacinth (talk) using Sibelius 5.
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*Subminor seventh on C = B. Equal-tempered: 219/24:1 = 950 cents. MIDI pitch bend: 0,80 Preceded by:File:Seventeen quarter tones on C.mid
Author: Created by Hyacinth (talk) using Sibelius 5.
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*Septimal neutral seventh on C = BLb- (Ben Johnston's notation). 64:35 = 1044.86 cents. Limit: 7-limit. MIDI pitch bend: 45,78
Author: Created by Hyacinth (talk) 19:40, 15 December 2009 using Sibelius 5 with midi bend on Bb on ~51,78.
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*Septimal supermajor seventh on C = C. Just: 35 : 18 = 1151.23 cents. Limit: 7-limit. MIDI pitch bend: 50,80 on M7
Author: Hyacinth
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Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.
Author: Untitled
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*Acute minor seventh on C = B♭+. Just: 729/400 = 1039.10 cents. Limit: 5-limit. MIDI pitch bend: 66,76
Author: Hyacinth
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Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.
Author: Untitled
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*29-limit seventh tone on C = C (Ben Johnston's notation). Just: 58/57 = 30.11 cents. Limit: 29-limit. MIDI pitch bend: 81,73
Author: Hyacinth
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*Just major seventh on C = B. 15:8 = 1088.27 cents. Limit: 5-limit. MIDI pitch bend: 31,60
Author: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 60 for 1087.5 cents rather than 1088.27. New version a m7 on 32,92 for 1088.28125 cents rather than 1088.27.
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*Lesser just minor seventh on C = B♭- (Ben Johnston's notation). 16/9 = 996.09 cents. Limit: 3-limit. MIDI pitch bend: 96,62
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 96,62 for 996.093750 cents rather than 1000.
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Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.
Author: Hyacinth at English Wikipedia
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Seventh sharp nine chord on C. Created using Sibelius.
Author: Hyacinth at English Wikipedia
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Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.
Author: Hyacinth
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*Just diminished seventh on C = B- (Ben Johnston's notation). 128:75 = 925.42 cents. Limit: 5-limit. MIDI pitch bend: 17,72
Author: Created by Hyacinth (talk) 05:49, 5 January 2012 (UTC) using Sibelius 5.
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*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73
Author: Hyacinth
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Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.
Author: The original uploader was Hyacinth at English Wikipedia.
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Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.
Author: Hyacinth
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Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.
Author: Hyacinth
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*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67
Author: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 16,67 for 1109.765625 cents rather than 1100.
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Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.
Author: Hyacinth
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Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.
Author: Untitled
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Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.
Author: Hyacinth
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