3,800 Royalty-Free Audio Tracks for "Song"

May the best muezzin call to prayer song i recorded. Because the mosque is facing a wall of modern hihgrisers there are spectacular echos. Recorded at around 6. 30 pm in abu dhabi. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

Wrote this while watching the rain outside my window. I was thinking about a friend who is going through a hard time. I couldn't come up with anything to do with it but maybe you can. No credit necessary but i'd love to see what you can do. Send me your youtube link for fun! you can find me there too.

Rock short 24wrote/recorded a guitar, simple bass, simple drums at 160-bpm. Guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Additional notes:-12. 3 lufs integrated-0. 9 db true peak max. Notes: e, b. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

A hip-hop/rap loop made in fl studio. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the pad synth line, created in Arturia's Jupiter 8 softsynth.

Song: "La morocha" (tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Singer: Ada Falcón, Orq: Francisco Canaro.- Rec. Odeon 165980B, Buenos Aires, 1929 Tema: "La morocha" (tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Cantante: Ada Falcón, Orq: Francisco Canaro.- Grab. Odeon 165980B, Buenos Aires, 1929

Song to the Moon from Antonin Dvorak's 1901 opera Rusalka as performed by the United States Navy Band. Recorded at the Hylton Performing Arts Center, Manassas, Virginia in May 2015. Conducted by Captain Brian Walden. Orchestrated for band by Senior Chief Musician Scott Silbert. Featuring soprano soloist Musician 1st Class Susan Kavinski.

This song is an instrumental version of the Internationale voiced by a member of the Organization of Struggle for the Emancipation of the Working Class. It was released on a cassette tape prepared by group and released in Iran circa 1980.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the bass line, created in Arturia's Jupiter 8 softsynth.

Song: "Ay, ay, ay (Reminiscencias cuyanas)".- Author: Osmán Pérez Freire (1880-1930).- Interpreter: Carlos Gardel & José Razzano.- Rec: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tempo: vidalita Tema: "Ay, ay, ay (Reminiscencias cuyanas)".- Autor: Osmán Pérez Freire (1880-1930).- Interprete: Carlos Gardel & José Razzano.- Grab: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tiempo de vidalita.

Acoustic snare sample ripped from the stock fruity loops loop "pendulus" mixed in with a click transient from a free goldbaby sample pack. Resampled and compressed multiple times. Tape saturated. Hope you download! btw if you want, please show me what song you used it in! i'm quite curious to see what magical things people can do with this stuff.

My try to "sing" for the user zostar. It's the german version of silent night. I don't think i'm a good singer but i wanted to help her so much! :)no attribution needed. But if you send me your project where you use this or parts of it i will be very glad! ;)made with my voice and recorded with a cheap microphone in audacity.

Mid morning bird song from the 50+ house sparrows that use our side garden to eat from the feeders, perch on the hedges and generally don't go too far away before coming back for another meal. The recent garden birdwatch survey has been published which shows sparrow numbers have increased but are still down from where they were when i was a lad. I'm 72 so that's a long time ago!.

Crikey the cricket was chirping in a leafy bush in portland, oregon, around 11 p. M. In early september. The original recording had some ambient noise, but it has been cleaned up for use in. . . A film?. . . A song?. . . Or raw material for mangling into a sound design element? this is the. Wav version; there's also an. Aif should you prefer that. It has not been down-sampled.

Wasn't going to upload this, but it was pointed out to me that it sounds like the intro to a song in a minor key. Not sure i see that, but the suggestion is that some composer will seize on it as an opening to an instrumental that fits it. I want to see if that will happen. If that's not practical, i feel sure someone will find a use for it.

A sort of renaissancey version of the first two lines of ding dong merrily on high, composed on cubase with samples from the edirol orchestral plug in (a bit of harp, french horn, alto flute and violin with kettle drum and sleigh bell percussion). This was for the intro to a radio sketch but hopefully could be useful for other theme setting. Sorry in advance for not doing the whole song.

Distant gaggle of brent geese with wading bird song. Recorded on a windy winter afternoon near skippers island, hamford water nature reserve, essex, uk. Recorded with a zoom h6 msh-6 stereo mic on a windy winter (january) afternoon.

Taps played on the bugle by a member of the U.S. Army Band. It is played by the U.S. military nightly to indicate that it is "lights out". Taps became an official component of military funerals in 1874. The song accompanies a funeral procession at Arlington National Cemetery, and is generally present at most funerals.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 4, the drum machine, created in Arturia's Spark.

Song: "Mi Buenos Aires querido".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32189 Bs83559, 30/JUL/1934. Tema: "Mi Buenos Aires querido".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32189 Bs83559, 30/JUL/1934.

This is not a complete composition. This is a loop i created for people who play d&d or any rpg or game thats similar. It will loop perfectly. It is not diverse enough in composition to be considered a finished track, nor is it dynamic enough to be a finished song, it is a 3 min 30 seconds loop with the midi used on 2 different synths so it doesn't get more boring than it already is. This is not a complete composition. It's a loop. Meant to be looped. I used 2 sounds, the tiger roar and thunder from two other users. They described it is okay to do so in their description. Https://freesound. Org/people/noisenoir/sounds/238302/https://freesound. Org/people/videog/sounds/149190/. Here are the links to the other sounds used here. I created everything else. (note: it's not a complete song, just a loop, variations of the same loop, and it's meant to be looped).

Pieśń z muzyką Władysława Tarnowskiego do wiersza Ludwiga Foglára pt. "Ob du nun ruhst " (wydana w Wiedniu r. około 1870, wydawcą był V. Kratochwill.) Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 16:44, 10 February 2016 (UTC)). Pieśń była dedykowana Melanie Foglár-Deinhardstein, żonie Ludwiga Foglára, zarówno przez męża-poetę, jak i przez kompozytora. "Ob du nun ruhst " - song to poem by Ludwig Foglár and score by Władysław Tarnowski, (ed. V. Kratochwill, Vienna, ~1870); accompaniment and instrument instead the voice by Marcin Tarnowski.

The Fighters of Korea (traditional U.S. Air Force songs including "Will You Go Boom Today" [a.k.a "If you fly"], "Itazuki Tower" [a.k.a. Air Force 801, set to "Wabash Cannonball"], and "Jet Combat" [a.k.a "Song of the Sabres" or "The Mission"] performed by the Concert Band of the United States Air Force Band. Track 10 from Heritage to Horizons (2007). Previously published as track 4 from United States Air Force 40th Anniversary (1987).[1][2][3]

The military song "Genkō" written and composed by Kenshi Nagai. Sung by Tamaki Tokuyama and the JVC Male Chorus, performed by the JVC Brass Band. By JVC, October 1937. The "Genko" part of the original sound.日本語: 永井建子作詞・作曲の軍歌『元寇』。歌唱は徳山璉・日本ビクター男声合唱団、演奏は日本ビクター吹奏楽団。ビクター、1937年10月。元音声の『元寇』の部分。

A roar for a kaiju style creature. Lions, tigers, bears and a hint of whale song. Most of the sounds (a couple of bass instruments, several animal roars) come from garageband, along with some recordings of a human made on a zoom h1. All mixed together in final cut pro x with some pitch and reverb effects thrown on top for good measure. For attribution, please credit www. Laughingwiththestorm. Net.

A musical santa plush with old, half-used batteries that i recorded 16 years ago. Sorry for the loud sound, the bitrate and the sound quality. I thought the file would still be usable. I don't even remember the equipment used for the sound recording, i think it was an old caraoke microphone connected to a pc with the means at hand.

Perfect song for something intense, or a great suspence, like the beginning of a nascar race. . . Or maybe walking into a mcdonalds to let them know they got your order wrong. . . Like seriously, mcdonalds needs to step up their a-game, they cant even get an order of fries right. . . And not to sound so harsh and all but the people who work there really just dont give a damn. . . Wendys is better,.

The song "Windham" by Daniel Read; piano reduction. Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpretr: Carlos Gardel; Guitar: José Ricardo; Rec: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Carlos Gardel; Guitarra: José Ricardo; Grab: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918

Song: "Me dejaste" (El poncho del olvido).- Author: Music: Osman Pérez Freire (1878-1930) & Lyrics: Andrés Cepeda (1879-1910).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T594, Side B, Buenos Aires, 1913. Tema: "Me dejaste" (El poncho del olvido).- Autor: Musica: Osman Pérez Freire (1878-1930) & Letra: Andrés Cepeda (1879-1910).- Interprete: Cantor: Carlos Gardel.- Grab.: Columbia, T594,Lado B, Buenos Aires, 1913.

Song: "Pordioseros".- Author: Guillermo Barbieri (1894-1935).- Interpreter: Singer: Carlos Gardel; guitars: José María Aguilar, Guillermo Barbieri (1rst guitar) and Angel Domingo Riverol.- Record: Odeon, 18823 5814, Buenos Aires, 28/JUN/1930. Tema: "Pordioseros".- Autor: Guillermo Barbieri (1894-1935).- Interprete: Cantante: Carlos Gardel; guitarras: José María Aguilar, Guillermo Barbieri (1ra guitarra) y Angel Domingo Riverol.- Record: Odeon, 18823 5814, Buenos Aires, 28/JUN/1930.

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This track is the stepped pad, was made with the free OB-Xd synth and the Volume stepper applied on stem 7 (Send).

Song: "Claveles mendocinos".- Author: Alfredo Pelaia (1888-1942).- Interpreter: Singers: Carlos Gardel & José Razzano; guitars: José María Aguilar & Guillermo Barbieri (leader guitar).- Record: Odeón 18801 5155/1, Buenos Aires, 31/DEC/1929. Tema: "Claveles mendocinos".- Autor: Alfredo Pelaia (1888-1942).- Interprete: Cantores: Dúo Carlos Gardel & José Razzano; guitarras: José María Aguilar & Guillermo Barbieri (1ra guitarra).- Grab.: Odeón 18801 5155/1, Buenos Aires, 31/DIC/1929.

Song: "Sus ojos se cerraron".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor BVE-89225/1, New York, 19/MAR/1935. Tema: "Sus ojos se cerraron".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor BVE-89225/1, 19/MAR/1935.

Song: "Desdichas" (tango). Author: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interpreter: Singer: Carlos Gardel; Guitars: J. Ricardo y G. Barbieri.- Rec. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923 Tema: "Desdichas" (tango). Autor: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interprete: Cantor: Carlos Gardel; Guitarras: J. Ricardo y G. Barbieri.- Grab. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923

An emulation of the classic "rewind and stop" sound performed by djs to add tension before the drop. Made after tens of trials using fl studio's fruity scratcher on a sample i don't remember. Le: i'm happy this sample from 10 years ago helped so many people, cheers to all!. If you liked this sound you might also like my oriental song, check it out!https://soundcloud. Com/miles-under/bazar.

I used the "the challenge. Wav" base (id: 561988) and made a simple melody with a synth, added effects and some beats. I used some fl studio effects: reverb, echo, distortion, equalization, amplify, low-fi effect, low-pass, drums and synthesizer. Amazing challenge as always, thanks badoink.

This is a link to my instrumental song only from my soundhttps://youtu. Be/iqddwaji3s0?t=16. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

This is just a simple bass line i was using for a song i made. Its not much but i figured someone might find use for it. This is free to use but i would love to hear or see what anyone does with my sounds on here so feel free to message me with links and if you would like to give credit "blaink saint" is what i prefer.

3d diy binaural dummy head recording. Intended for headphone listening. Assorted birds singing away in my garden at sunset. Best 'bee/blackbird/crow action' around -02:40 -> -01:30. Best on headphones, but works quite well on stereo speakers. Roland quad capture to pc.

My grandma recently gifted me a music box that was given to her by her mother, but it unfortunately doesn't work right anymore. It starts and stops unnaturally and can't make a loop, it requires constantly turning the wind-up mechanism to continue playing. This is the 1st of 2 recordings of me trying to get it to play.

Song: "El día que me quieras".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32458 Bve89229, 19/MAR/1935. Tema: "El día que me quieras".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32458 Bve89229, 19/MAR/1935.

Was practicing "yandere" laugher. Inspired by rena ryuugu's laugh from "higurashi no naku koro ni". Echo effect added, too. I'm thinking about using this in a song cover, but feel free to use for your own personal projects! if used, please credit me! arigato gozaimasu!. Timbre did a clean up of this sound ----> http://freesound. Org/people/timbre/sounds/215134/#comments. If you want all the hiss gone, please use that link!.

Here is a nice loop for every electric or goa or trance song. Let me know if you used it or let a comment below if you like it. You can also ask me for producing for you if you let me know what you want. I´ll try my best! thank you and i hope you like it!.

The song Fantasie on scenes that are brightest, arranged and played by alto saxist H. Benne Henton. It is originally from the third act of William Vincent Wallace’s grand opéra Maritana. Das Lied Fantasie on scenes that are brightest, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es stammt ursprünglich aus dem dritten Akt von William Vincent Wallaces Grand opéra Maritana.

A 30-second loop i made (part of a larger song) experimenting with house and funk, and trying to fit in as many sounds as possible with no regard to the norms of good audio quality. Influences drawn from kool and the gang's "stand up and sing" and the jane remover remix of "4ever" by that kid. Anti-copyright. Feel free to use, alter, bootleg, pirate, and distribute however you see fit.

This is a warm up thing i do its derivative of thunderkiss '65 by white zombie its really funky and fun to improv with that little riff they got going on in that song. Not the best but i wanted to test the direct recording of my new focusrite, if you have any requests please let me know i'm trying to challenge myself as a new guitarist so if you have something in mind let me know.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Song: "Una rosa para mi rosa".- Author: Saúl Salinas (1882-1921).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933. Tema: "Una rosa para mi rosa".- Autor: Saúl Salinas (1882-1921).- Interprete: Cantante: Carlos Gardel; Guitarras: Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933.