120 Royalty-Free Audio Tracks for "Sonic"

Around 2010, i circuit-bent a motorola cellphone and added a control surface to control the bends. Then i added an atari paddlewheel so its big potentiometer could be used to do pitchbends, and the result is an instrument i called the "sonic electronic ball breaker". It's got knives, quarterstaves, thor's lightning, sharp sticks, nuclear machineshotguns, and even some claws that come out to jab 'em. In this sample i'm going through and playing with the controls to see what i get. These sounds are pretty abrasive, but they work well when run through a bunch of effects.

This is old and my memory not what it used to be. However, i do recall hitting a steel ruler against an empty paint tin and making some sort of popping sound with my voice. Then exposing it to terrible amounts of electronic torture until it melted with sonic extacy!.

Sound create use fm synthesis and use 16 bit for high quality. Create sound use c program. Sample have different frequency (power 2) and length. Last several sample have wave frequency above nyquest limit 48000 hz/2 = 24000 hz. Some effect sound like effect in game strider hiryu (ストライダー飛竜) from capcom 1989 (robot gorilla in level siberia) and sonic hedgehog 1 from sega 1990 (sonic jump in large ring at level end if have more than 100 ring). Algorithm:• one carrier and modulate pair• modulate frequency 1. 4 of note (carrier frequency)• modulate amplitude (β) change from 0. 0 to 10. 0 across note• hill envelope with top at 0. 1 of note length.

A sonic texture that you can chop up and reverse to make open hi hat sounds. It's just this cymbal plus some filtered white noise: http://freesound. Org/people/dtrostli/sounds/316874/original cymbal sound is public domain and so is this sample, feel free to use for any purpose without attribution.

No good, isolated tree branch impact sounds on freesound. . . So i thanos'd it and did it myself! no need to credit me, this is free to use, because what am i gonna do, get famous off of my attribution? no, we came here to share freely, so let's share freely! when we all rise, we all rise. If you really appreciate the work that went into this (cutting tree branches, getting them into my basement, setting up the mic, recording, post-production processing, cleaning up, uploading. . ) then please check out/review/follow/subscribe/drop a like on my podcast, sonic realms (it would help a lot)!. If you like ttrpg roleplaying combined with cutting-edge sound design, you'll like sonic realms. There's nothing else like it!. Thanks! i hope this is useful to you.

In this record you can hear the noise of the chain of one bicycle being pedaled. Is like a hum. It is a sound object used in the sonic ensemble soundscape for the sound creation lab project. It was recorded using a zoom h4 recording device at roc boronat street, barcelona. The recording was edited with a fade in and out effect.

This is me reading a list of numbers to type in to create a sonic effect on my computer. (think -514. 0001. ) i first reversed it and added reverb to it and reversed it again. Then i duplicated it two times and changed the pitch of the duplicates by five semitones up and down. Enjoy, and above all, don't be creeped out! made with audacity.

This sound is a recording of the bell of a bicing bike. It is a sound object used in the sonic ensemble soundscape. Called percussive due to its impact characteristics. It was recorded using a zoom h4 recording device at roc boronat street in front upf campus, barcelona. Recorded for the sound creation lab project. The recording was edited with a fade in and out effect.

After many months- and a trip to san clemente, ca and back- my qu-bit nebulae v1 is working! this is a snippet from qu-bit’s own double bass sample, run through a mimeophon and qu-bit’s own fdn reverb, with lashings of modulation wherever possible. My wonder at the sheer madness of the sonic experience here is only matched by my joy at having a working granular processor at last.

I recorded more than 10 sounds while cooking food. I used one recording from inside a train and finally i recorded sounds on a bridge while cars were driving by. With these sounds, software, effects and ways i have discovered studying at sonic college denmark, i created these 3 sounds. I am studying to become a sound designer and if you like sounds like this i have very many in my soundbanks. 100 % made by me.

Samples of the vintage korg mini pops 45 drum machine. No processing applied here but a very gentle fft based noise reduction. After all, i figured background noise was part of the machine's sonic identity. No patterns here, since that would have taken forever, just the individual sounds. Some of them alone, some of them combined. Recorded mono with a zoom h2n thru the machine's "amp" output.

It's nearly impossible to find sound effects of someone handling an instrument and not playing it. . . At least it was until i uploaded this!. This was an acoustic guitar, but can be pitched up or down for similar smaller or bigger instruments. There's rubbing, knocking, and gliding fingers over the strings. No need to credit me. Just use the sound and focus on being creative!. If you really appreciate it, i would appreciate if you checked out my podcast, sonic realms.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

I couldn't find any good giant wings flapping here, so i made my own and am now sharing them so nobody else has to! screw paying for sounds! made from a combination of pizza box lids, sheets, and a bit of sound design. You don't even have to credit me because i mean. . . Who even does that? and why? who's gonna track down a foley artist from the credits of a show for a random sound? just check out the sonic realms podcast if you like audiodramas and role playing games; there's nothing else like it. That's something i would appreciate. But only if you feel like it. Enjoy and use the hell outta the totally free sound!.

As already stated, he term, "pyew!" does not refer to a funky smell. Think of it as the sound bernadette (from big bang theory) makes when she's playing video games and trying to phonetically approximate the single shot of a ray gun or laser weapon. This file contains a whopping 17 different individual sounds each separated by 3 seconds of silence, and each with a different lengths and sonic qualities. Everything you need to go totally pyew-wild!. *all sounds by realtheremin are genuine theremin recordings; they are provided dry, without effects of any kind, allowing you to add reverb, echo, pitch shifts, phlanging, etc. , and edit them in any way you choose. Every effort has been made to eliminate/reduce hum and distortion (unless intentionally noted).

I'm trying to create a sound that resembles captain america's shield from the marvel movies. I took a recording of a metal garbage can ringing and brought it into iris 2. I cut the attack from the envelope and added light amplitude sine wave modulation. I also set a short decay. I also layered a clean sine wave underneath the recording sample in order to give the recording more umph and body when it resonates. This is the base of captain america's shield. Layer this with metal impacts and sub sonic stings and you're all set. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.