38 Royalty-Free Audio Tracks for "Sound Cue"

A sound effect of a chalking a snooker cue.

A sound effect of a snooker cue being place on the table.

This is a short transition music cue sound effect created using a clarinet. This could be used in a cartoon or a story or something. It can be used as an audio cue in between scenes.

This is a short transition music cue sound effect created using an oboe. This could be used in a cartoon or a story or something. It can be used as an audio cue in between scenes.

This is a short transitional music cue i made using a vibraphone. This could be used in a cartoon or a story or something. It can be used as an audio cue in between scenes.

These harp sound effects i made can be used in many ways such as a transitional music cue if a character is thinking about something.

A groove in 12/8 built from a slamming refrigerator sound and a cue ball hit on the pool table. At 150bpm.

A sound effect of a potting snooker balls.

Nazi voiceover sound cue designed specifically for the sound of music (performed on stage). This sound includes the dialogue of the script along with foley of footsteps and ambiance of the location (festival). 1 of 2 sounds designed for the sound of music.

A sound cue i designed in fl studio using omnisphere 2 and 3rd-party vsts. Best used during a suspenseful/dramatic moment in a movie or video game.

An old sound effect i made within fl studio. Made to be an ambiguous "ending" cue.

A generic intro sound sequence designed on 80's hardware.

This is a cue i built while sound designing the play "wait until dark". I own the right to sound design this production and therefore own the right to this cue. Please feel free to use this cue, just shoot me an e-mail when you do, i like to know what my cues are used for, only out of sheer curiosity. This is a 0:07 clip of car starting, revving its engine, and running someone over in an alley. Mixed in apple logic pro 9. Recordings made with various sdc and peavy pv8 mixer.

An old sound effect for which has the qualities of torture, agony and never ending suffering. The layering element from lifeforce combustion.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. 32 bit wav file.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. 32 bit wav file.

Sound of solid billiard balls being struck together. If you find this handy, feel free to use for your project!.

A spring assist knife opening with some reverb added. Used as a sound cue in a production of annie.

Dark and digital synth cue made in fl studio. Could also pass as a sound effect for something spacey or sc-fi.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. 32 bit wav file, normalized to (around) -20db rms.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. Separate elements also included in the file. 16bit wav file, normalized to (around) -20db rms.

An inhuman sample with a ghostly feel. The original recording is a bed-frame being it, reversed, time-stretched and filtered with a strong reverb.

A creepy cold and metallic soporific sound effect with suspenseful, slightly human tones. Same method as tunnel riser except i focused on making the sound a short suspenseful cue for music or that realization of destabilization.

An alternative "riser" with a strong suspenseful atmos and cold metallic tones. Originally edited from a stretched and filtered sound of a bed frame being hit. I imagine, however macabre, the lasting shot of a character demise or a shocking sound cue for particularly transgressive notions.

408 cc-zero sound samples culled from freesound. Org and merged into one file. Each 44k mono sound is marked with a cue point that indicates the source. All sounds are public domain and do not need to be credited, and the same goes for this upload -- but if you would like to thank the creator of a sound and/or tell them where you used it, just search for the file name found in the sound's cue point and it will take you to their page here on freesound. Important:if you intend to register a copyright with the government for an original work of yours that uses any public domain sounds, you must indicate them in the registration process, because you cannot copyright public domain sounds.

A sound cue i designed with a euphoria synth pad from garageband on my macbook pro. Track used to underscore a powerful scene between 2 residential school survivors for the theatre production called 'nicimos: the last rez christmas story'. The play ran from nov. 24 to dec. 19, 2014.

Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.

Over 150 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them (this happens 3 times). To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

Over 250 public domain sounds curated from freesound, the internet archive, and citizen dj. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them (this happens 3 times). To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

Over 250 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them. To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. For any internet archive sounds without an address, you just need to search the public domain files for the song/video name. Use this search argument: licenseurl:http*publicdomain* and (name of file here). Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

90 beats, beeps and blurts culled from freesound. Org's public domain uploads. Also, 13 sounds culled from freepd. Com which are public domain as well. All in one file, separated with cue points that have file info. Easiest way to sort it out is to use a sound editor that can separate the files by cue points into one folder. Mono 44k and mostly 140 bpm, should be fun for rave tracks. Since these are public domain, you are not required to give credit for any of the sounds (including this collection), but if you want to thank an artist and/or tell them where you used it, just copy/paste the file name into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

A twisted sound of screeching metal and various slam sounds. Made from. . . Well you know from my previous uploads. This sample inspired by twisted metal black a car combat game which had a combination of grungy, dirty and suspensful sound designs of which compliment the downtrodden style are some of my styles of foley considering the genre of "industrial" of technology, metal, machinery and transhumanism. Applications could be used in very run down areas as a cue sound, foley/ambiance for when a person is to be trapped and face danger and/or simply a jumpscare.

Completely made in sony sound forge 10 with the fm tools. Starts off with a sine 6,000 hz to ~12,000 hz in about three seconds to emulate a camera flash warming up. For those who intend to use it as a part of a futuristic weapon in games, flashes, or movies, i also added a double beep as a "weapon ready" cue and final tone at the for an optional "locked on" which could also double as an error beep.

The origin of this recording is a hob on the highest heat level recording slightly hot. Be very careful if you are doing this as fire is obviously detrimental to organic life and the microphone does not like to be on fire. An "acidized" (marked with loop/cue flags) sample. I imagine a furnace combusting away. Rate-shifting this sample (pitch/speed) can give you variations in your daw (digital audio workstation). This sample in particular feels appropriate for use as a background furnace sound or if sped up, a flamethrower.

Over 100 environmental loops in one which are all public domain from freesound. Org. All sound info is in the cue point for each sound. These are perfect backgrounds for videos, for games, or maybe songs of your own? there is lots of different loops for everyone :). Since these are public domain, you are not required to give credit for any of the sounds (including this collection), but if you want to thank an artist and/or tell them where you used it, just copy/paste the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

An "orchestra" created with lots of freesounds. Created to sound like a bizarre orchestra with seuss-esque instruments. Most 2-second segments are loopable, enabling each section to be called on a cue for a production of sideways stories from wayside school. Sounds used:http://www. Freesound. Org/people/madjad/sounds/21679/http://www. Freesound. Org/people/loofa/sounds/23783/http://www. Freesound. Org/people/madmerv/sounds/27169/http://www. Freesound. Org/people/herbertboland/sounds/29860/http://www. Freesound. Org/people/primejunt/sounds/135642/http://www. Freesound. Org/people/thatjeffcarter/sounds/146072/http://www. Freesound. Org/people/felix. Blume/sounds/163727/http://www. Freesound. Org/people/swiftoid/sounds/184304/http://www. Freesound. Org/people/harbour11/sounds/194624/http://www. Freesound. Org/people/taniagahuape/sounds/199799/http://www. Freesound. Org/people/zott820/sounds/209576/.

This is one of the soundtrack cues that i completed for a psychological thriller, short. . . . . The director cut all music but liked it- it is a good piece for background to smooth out visual and dialogue for a darker genre.

I created this sound to add to the freesound. Org library of sound, because, to obtain use on a sound here, one of the stipulations was that i had to add a sound here at freesound. Org. I love sounds. My senses have always naturally been fine tuned to appreciate the subtle cues in sounds, although, as an artist, i am more drawn to create music or visual art, rather than sounds, but i gave it my best try here. This is a sound i have been doing for years, since a very young child actually. Basically the sound is achieved by making three sounds with my mouth. . . 1. Sucking my lips together, and then opening my mouth, 2. Bringing lips back together and forcing air out 3. And then the sound of my tongue pressed just under my front teeth, and flicking my tongue down. I do this very fast. Enjoy!.