58 Royalty-Free Audio Tracks for "Cue"

A short guitar solo that can be used as some random sting or cue. Made in beepbox with the distortion guitar preset.

A sound effect of a chalking a snooker cue.

A sound effect of a snooker cue being place on the table.

A groove in 12/8 built from a slamming refrigerator sound and a cue ball hit on the pool table. At 150bpm.

A sound effect of a potting snooker balls.

Billiards, pool break. Opening shot. I recorded this in my home with an olympus ls-14 digital recorder and edited it in audacity.

A dramatic suspense cue for action,fantasy,science fiction, or cartoon.

This is a short transition music cue sound effect created using a clarinet. This could be used in a cartoon or a story or something. It can be used as an audio cue in between scenes.

This is a short transitional music cue i made using a vibraphone. This could be used in a cartoon or a story or something. It can be used as an audio cue in between scenes.

This is a short transition music cue sound effect created using an oboe. This could be used in a cartoon or a story or something. It can be used as an audio cue in between scenes.

This is a music track i made using reason propellerheads 4. Playing with the arpegiator´s velocity, it has a heart-attack feeling perfect for creating and maintaining dramatic climax. . ! enjoy and comment if you like.

Sound of solid billiard balls being struck together. If you find this handy, feel free to use for your project!.

An old sound effect for which has the qualities of torture, agony and never ending suffering. The layering element from lifeforce combustion.

These harp sound effects i made can be used in many ways such as a transitional music cue if a character is thinking about something.

A generic intro sound sequence designed on 80's hardware.

An inhuman sample with a ghostly feel. The original recording is a bed-frame being it, reversed, time-stretched and filtered with a strong reverb.

Dvw500 in standby-off mode, idling. This sample is part of a set featuring the interior of a sony dvw500 digital video tape recorder with a tape loaded and performing various playback operations. Recorded with a pair of soundman okmii mics inserted into the unit via the cassette-slot.

Bizarre - Kevin MacLeod

A music cue for the play the veldt by ray bradbury. Created with mono analog synth.

A sad musical cue. Random notes played on a yamaha keyboard as seemed good, can't remember which musical instrument setting it was on.

Getting older.

A sound cue i designed in fl studio using omnisphere 2 and 3rd-party vsts. Best used during a suspenseful/dramatic moment in a movie or video game.

Suggested by a freesound user. Audio cue to indicate time running out.

3 beeps. It helps voice actors/actresses that their line is coming up.

Compound edit to make a buzz. . . Crack! created for stage play requiring audible power failure cue.

An old sound effect i made within fl studio. Made to be an ambiguous "ending" cue.

Someone giving a non verbal affirmative cue, pitch shifted mid-high.

Nazi voiceover sound cue designed specifically for the sound of music (performed on stage). This sound includes the dialogue of the script along with foley of footsteps and ambiance of the location (festival). 1 of 2 sounds designed for the sound of music.

Someone playing pool hitting ball with cue and sinking one in the pocket.

This is a cue i built while sound designing the play "wait until dark". I own the right to sound design this production and therefore own the right to this cue. Please feel free to use this cue, just shoot me an e-mail when you do, i like to know what my cues are used for, only out of sheer curiosity. This is a 0:07 clip of car starting, revving its engine, and running someone over in an alley. Mixed in apple logic pro 9. Recordings made with various sdc and peavy pv8 mixer.

Quick double wooden clack, almost like striking a wooden cue ball. May be dropping wooden-handled knife onto kitchen counter.

Waldorf micro q into fairchild/neve/ln1176 emulations on the uad, waldorf dpole filter and space designer ir of an api preamp were the components for this cue.

A spring assist knife opening with some reverb added. Used as a sound cue in a production of annie.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. 32 bit wav file.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. 32 bit wav file.

Morphagene reel made with ni reaktor the void a drones & textures - rhythm stepper. The cue markers were made with a python script from https://gist. Github. Com/ferrihydrite/d7602f94c0aa940ba63f4fae809a2385.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. 32 bit wav file, normalized to (around) -20db rms.

Dark and digital synth cue made in fl studio. Could also pass as a sound effect for something spacey or sc-fi.

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. Separate elements also included in the file. 16bit wav file, normalized to (around) -20db rms.

A creepy cold and metallic soporific sound effect with suspenseful, slightly human tones. Same method as tunnel riser except i focused on making the sound a short suspenseful cue for music or that realization of destabilization.

A sound cue i designed with a euphoria synth pad from garageband on my macbook pro. Track used to underscore a powerful scene between 2 residential school survivors for the theatre production called 'nicimos: the last rez christmas story'. The play ran from nov. 24 to dec. 19, 2014.

A self generated cue for a musical. I ha imagined a kite in flight, subsequently caught and destroyed by a nearby tree. I used a stock wood crack, and source files from robinhood76 and aust_paul, plus effects. Completed in pro tools 10.

An alternative "riser" with a strong suspenseful atmos and cold metallic tones. Originally edited from a stretched and filtered sound of a bed frame being hit. I imagine, however macabre, the lasting shot of a character demise or a shocking sound cue for particularly transgressive notions.

408 cc-zero sound samples culled from freesound. Org and merged into one file. Each 44k mono sound is marked with a cue point that indicates the source. All sounds are public domain and do not need to be credited, and the same goes for this upload -- but if you would like to thank the creator of a sound and/or tell them where you used it, just search for the file name found in the sound's cue point and it will take you to their page here on freesound. Important:if you intend to register a copyright with the government for an original work of yours that uses any public domain sounds, you must indicate them in the registration process, because you cannot copyright public domain sounds.

Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.

90 beats, beeps and blurts culled from freesound. Org's public domain uploads. Also, 13 sounds culled from freepd. Com which are public domain as well. All in one file, separated with cue points that have file info. Easiest way to sort it out is to use a sound editor that can separate the files by cue points into one folder. Mono 44k and mostly 140 bpm, should be fun for rave tracks. Since these are public domain, you are not required to give credit for any of the sounds (including this collection), but if you want to thank an artist and/or tell them where you used it, just copy/paste the file name into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

Sounds recorded on a summer night, in 2005, west of redmond oregon (see geotag). Made with a jvc digital camcorder, it got some interesting sounds of frogs, coyotes howling in the distance and the reaction of a very nervous jackass. The audio quality isn't all that great but, it's not like i was able to recreate the same ambience again, on cue. . .

Over 150 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them (this happens 3 times). To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.