58 Royalty-Free Audio Tracks for "Cue"

Over 250 public domain sounds curated from freesound, the internet archive, and citizen dj. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them (this happens 3 times). To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

The origin of this recording is a hob on the highest heat level recording slightly hot. Be very careful if you are doing this as fire is obviously detrimental to organic life and the microphone does not like to be on fire. An "acidized" (marked with loop/cue flags) sample. I imagine a furnace combusting away. Rate-shifting this sample (pitch/speed) can give you variations in your daw (digital audio workstation). This sample in particular feels appropriate for use as a background furnace sound or if sped up, a flamethrower.

Over 250 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them. To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. For any internet archive sounds without an address, you just need to search the public domain files for the song/video name. Use this search argument: licenseurl:http*publicdomain* and (name of file here). Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

A twisted sound of screeching metal and various slam sounds. Made from. . . Well you know from my previous uploads. This sample inspired by twisted metal black a car combat game which had a combination of grungy, dirty and suspensful sound designs of which compliment the downtrodden style are some of my styles of foley considering the genre of "industrial" of technology, metal, machinery and transhumanism. Applications could be used in very run down areas as a cue sound, foley/ambiance for when a person is to be trapped and face danger and/or simply a jumpscare.

Completely made in sony sound forge 10 with the fm tools. Starts off with a sine 6,000 hz to ~12,000 hz in about three seconds to emulate a camera flash warming up. For those who intend to use it as a part of a futuristic weapon in games, flashes, or movies, i also added a double beep as a "weapon ready" cue and final tone at the for an optional "locked on" which could also double as an error beep.

An "orchestra" created with lots of freesounds. Created to sound like a bizarre orchestra with seuss-esque instruments. Most 2-second segments are loopable, enabling each section to be called on a cue for a production of sideways stories from wayside school. Sounds used:http://www. Freesound. Org/people/madjad/sounds/21679/http://www. Freesound. Org/people/loofa/sounds/23783/http://www. Freesound. Org/people/madmerv/sounds/27169/http://www. Freesound. Org/people/herbertboland/sounds/29860/http://www. Freesound. Org/people/primejunt/sounds/135642/http://www. Freesound. Org/people/thatjeffcarter/sounds/146072/http://www. Freesound. Org/people/felix. Blume/sounds/163727/http://www. Freesound. Org/people/swiftoid/sounds/184304/http://www. Freesound. Org/people/harbour11/sounds/194624/http://www. Freesound. Org/people/taniagahuape/sounds/199799/http://www. Freesound. Org/people/zott820/sounds/209576/.

Over 100 environmental loops in one which are all public domain from freesound. Org. All sound info is in the cue point for each sound. These are perfect backgrounds for videos, for games, or maybe songs of your own? there is lots of different loops for everyone :). Since these are public domain, you are not required to give credit for any of the sounds (including this collection), but if you want to thank an artist and/or tell them where you used it, just copy/paste the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

This sounds as if it were staged by hollywood, but it actually did happen, i swear! birds chirp away to set the scene, but a beefy thunder roll intrudes. Soon after, raindrops begin to fall as if on cue. Theres a little handling noise click in the begining that is easy to crop out if you like. The recording is unedited. At 1:35 i move the mics closer to the deck so you can hear the splashing. At about at 3:10 i you’ll hear a different timbre as i move away from the rain and under an awning. About 3:45 the rain settles down and the birds start chirping again. Hopefully there are some useful segments in here. Recorded with a dead cat on a tascam dr-05 at 48khz 24 bit, then compressed with “lame --preset insane --scale 10” to make up for the low gain i used (i was afraid a thunderclap would engage the limiter). Cheers.