18 Royalty-Free Audio Tracks for "Swept"

The sound of a broom sweeping across hardwood, except the tempo and eq were messed around with to create a new sound. This is for a sound design class. We have to upload the sounds here in order to send them to the professor.

Variations of a broom sweeping the floor from soft to loud, and soft to hard sweeps.

Variations of a broom sweeping the floor from soft to loud, and soft to hard sweeps.

Sounds like an object is sliding.

Sounds like an object is sliding on a surface.

Broom being swept across kitchen floor.

Swept with this huge broom with huge bristles outside. Recorded on the zoom h6.

Sounds of the neighborhood in the morning. Birds, chickens, leaves being swept, mother and daughter. Tascam dr 40.

An impulse response recorded using an exponentially swept sine tone. Recorded in st andrews cathedral in sydney, australia.

Rain storm swept in over my porch. A bit of wind noise. Please rate and comment thanks.

Bits of broken glass being smashed, scraped and swept up and dumped into a cardboard box for disposal.

A "bones"-like sound that is good for game sound effects. Unfortunately i can't remember for sure how i made it. I think i swept an object across the spokes of a bicycle wheel.

I made the vcf self-oscillate at a frequency of ca 270hz then i connected a sinus wave vco to cv1 and swept all the frequencies.

Field recording of a dump truck compressing/destroying bulk trash in a desert street of a parisian suburb. Wood breaking, glass breaking, impacts, glass being swept away, truck engine in the background. Recorded with a zoom h2n in x/y stereo mode.

Sweeping beans scattered on the floor onto a plastic dustpan. You can hear the sweeping and then how the beans hit the plastic. It can work for other small objects being swept, like beads, seeds and such. It also kind of sounds like small pieces of wood or plastic rolling around a plastic container.

While recording birds at the south sutor above cromarty, black isle, highlands, scotland on may 7th 2014 about 3pm a raf sea king came along to practice cliff rescues nearby to my annoyance so recorded it instead. It hovered behind the trees nearby before heading towards the cliff did a lower and lift and then swept round in large circle before heading back over the sea to the base at lossiemouth. Recorded using a zoom h2n recorder and software provided with recorder called wavelab. No alteration or special effects used.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.