366 Royalty-Free Audio Tracks for "Synthesis"

Starting into the modular-world of eurorack. Fascinating electronics!. Feel free to use it and send me a link of what you did with it, if you want. Thanks!.

Automation underwent 17 parameters in the modulation matrixsynthesizer toxicbiohazard (image-line).

Preset 24 dimensional sawtooth, lead sample of alphatron oscillion, a polyphonic subtractive synthesizer in vst, vst3 and audio unit plugin format for windows and mac.

This is a processed waveform of an engine. I made it with fruity loops granulizer. Enjoy :).

Part of a series. Used reaper's parameter modulation magic on aalto and recorded some of the fun. Could easily be chopped up for all sorts of sfx.

Whitney music box, variation 6. In this variation the 48 dots are arranged to trigger microtonal pitches in one octave. Music generated using my own syd synthesis software. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v6.

Made up by layering 3 additive synthesized spectrum sounds ran them through several stages of different audio dsp configurations. Fl studio 20. 8 used in the process.

Preset 2 double sine force, lead sample of phasewaver, a polyphonic phase distortion synthesizer (vst, vst3 and audio unit plugin).

This is a synthetic car crash using granular synthesis created by nbt project members for sound creation lab course on upf. We also used a car crash sound taken from freesound:. Http://freesound. Org/people/musicmasta1/sounds/131385/.

Pattern 6 hold back the clams. . . Simple graphic score. Fun. Not that obvious. Pattern 6 is here: https://www. Instagram. Com/p/bml3wfka8lg/?taken-by=gis_sweden.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

This sound is made using the op-x synthesis with some added reverb.

I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.

Stochastic synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Stochastic synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

This is a "happy birthday to you" rendition to celebrate the 15th freesound birthday (april 5th 2020). The sound has been made by researchers of the music technology group of universitat pompeu fabra (i. E. Where freesound happens!), and voctrolabs. The sound uses choir synthesis technology developed for the trompa eu project. This means that what you hear are not real singers but synthesized voices generated by a computer! the score adaptation for choir is based on a score published in the choral public domain library. Hope you enjoy it and. . . . Happy birthday dear freesound!.

Crazy alien talk original granular excerpt akaized 150% time factor madness, royalty free, do you!ambience field recordings, used granular sythesis and then akaized to get the final results.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

Sampling the afm (advanced fm) operators of yamaha sy99 synthesizer. My purpose was to recreate the waveform shapes mathematically in serum formula parser.

This is a raw sound-design sci-fi piece i made with a modular system using 4ms ensemble oscillator, mutable instruments clouds, strymon magneto & intellijel polaris.

Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.

Cut up recording of moving a box of glass jars. Hardware used: zoom h5, rode nt-5software used: ocenaudio, reaper + plugins. Might be useful as a building block for layering or some sample-based synthesis.

This is a sine-wave that sweeps from low to high. Cassette emulator is added and some reverb. A long high pitched tail is at the end, which i forgot to remove. Inspired by the film "wavelength" by michael snow.

Monster noises made using heavy granular synthesis, formant and pitch-shifting on a female voice.

By using a frequency filter by setting its oscillations in variable arrays on the piano preset - i was able to make most of these sounds. Also vocoding and feedbacks and feed throughs were happening. Then they were altered in audacity.

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

Electronic folk experimental ethno world modern music flute vocal drone synth drum surround. 120bpm.

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

For a computer game the robot sound, reminding the well-known r2d2 was necessary. To create such sound it turned out similar means (a compound of synthetic and natural soundings in processing).

Phrum ye olde norse spinna, from proto-germanic *spinnaną. Not to be confused with a spinnina or spinning banana, especially not a bosonic bananaqua.

My coffe-machine (a senseo) went bezerk last tuesday. I added some madness to the recording using granular synthesis and revers. The result will end up in one of my compositions, it is the power-of-fracture. To be honest, i like this kind of madness. . .

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

This is a sample of howling wind created in logic pro x using a few of choruses, flangers and fm synthesis. It isn’t the most realistic recreation of wind, but i think it’s a great layer to put under actual wind recordings. This is also suitable for horror:esc sounds.

Little loop, simple melody, reminding the early zelda. Childish, at 80bpm, made in fl. Made with one of my sound, granular synthesis of a hammer sound: https://freesound. Org/people/xkeril/sounds/620593/.

Synthesized string ensemble short. Long decay, wide stereo image. Made to help you build tension in your amateur movie. Synthesized with zynaddsubfx inside lmms (96khz/32-bit). Edited and normalized with audacity, then saved as 24-bit flac.

File recorded in goldwave, buzzer portion generated by formula, don't even ask me. . . Speech synthesizer used was innoetics john. File might be useful as part of a project or in a game, or audio production. Light flanger applied to speech. Slight reverb applied to entire project.

This is a free sound design. Sound picture of a room with machines. A sound experiment with samples that were created previously in different ways and ways, as well as samples created for this piece. A lot of granular synthesis and filtration, equalization and convolutional reverb.