366 Royalty-Free Audio Tracks for "Synthesis"

I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.

This is a synthetic car crash using granular synthesis created by nbt project members for sound creation lab course on upf. We also used a car crash sound taken from freesound:. Http://freesound. Org/people/musicmasta1/sounds/131385/.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

Stochastic synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Stochastic synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

Cut up recording of moving a box of glass jars. Hardware used: zoom h5, rode nt-5software used: ocenaudio, reaper + plugins. Might be useful as a building block for layering or some sample-based synthesis.

Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

Monster noises made using heavy granular synthesis, formant and pitch-shifting on a female voice.

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

This is a sample of howling wind created in logic pro x using a few of choruses, flangers and fm synthesis. It isn’t the most realistic recreation of wind, but i think it’s a great layer to put under actual wind recordings. This is also suitable for horror:esc sounds.

Little loop, simple melody, reminding the early zelda. Childish, at 80bpm, made in fl. Made with one of my sound, granular synthesis of a hammer sound: https://freesound. Org/people/xkeril/sounds/620593/.

My coffe-machine (a senseo) went bezerk last tuesday. I added some madness to the recording using granular synthesis and revers. The result will end up in one of my compositions, it is the power-of-fracture. To be honest, i like this kind of madness. . .

This is made by feeding homemade images to audiopaint 3. 0 while its oscillators are tuned to randomly-selected scales. Some of them use sine waves, while others use custom waveforms.

Originally made with an alesis ion synthesizer and then processed through absynth 5 with additional sound effects, mainly consisting of reverberation and granular synthesis. *i'm open to take requests for certain sounds or music you may need for any project*.

I'm getting to know a comparator. Why haven't i used it before?here i'm using, let's say, 2,5 comparators. Extremely electronic. Yes!look at those waves i'm creating!no filter! this is addative synthesis. Long loop.

This is a free sound design. Sound picture of a room with machines. A sound experiment with samples that were created previously in different ways and ways, as well as samples created for this piece. A lot of granular synthesis and filtration, equalization and convolutional reverb.

Created and formatted by walker farrell for use in the make noise morphagene. Utilizing a make noise modular system to create short recordings of pulsar, glisson, and trainlet synthesis, and recorded into the morphagene for modulation, layering and re-sampling. Video demonstration here!.

Synthetic, simple ui sounds. Created using the synthesis engine of the electribe 2. Cut in ocenaudio. Very short. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Created with granular synthesis. Something related to a spaceship, engine room, another drone sound; could be a distant low end for a pad, as it is tonal (a note). Will loop if you crossfade between start and end. Enjoy. Https://soundcloud. Com/vospi.

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:-ifrequency scaling factors= [0,1,1,0. 6],ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

This is a wave of some sounds that remind me of what sound design for the rugrats cartoon backing music. I made the sounds using an fm synthesis patch on the ios application "addictive synth" on my ipod touch and recorded the audio within the app. No post-processing was done to the audio. Here's a link to synth app http://itunes. Apple. Com/app/addictive-synth/id455651228?mt=8.

A bunch of weird and hopefully interesting noises. Created using the korg electribe 2 synthesis engine with alot of modulations and asynchron patterns. Post-processing in cubase. It's always nice to hear what projects you use these sounds for. Let me know. ;-). One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

Format: wav - 24 bit, 48khzdescription:. A completely synthesised emulation of a fighter jet fly-by. Used ni massive to generate the sound and then processed with various modulations and outdoor convolution reverb. Note: the artefacts you hear in the sound is from freesound's own transcoding, please download to hear the audio in it's full unadulterated glory. -------------. If you like or dislike this sound, please comment on your thoughts :). .

This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.

Here are some drums i made, on the synthesizer again. In order they are: parallel compressed kick, regular kick, snare, closed hi-hat and open hi-hat. The set before the break is mastered, while the set after the break isn't (i did throw a little limiter in there though just to boost 'em up a bit easily, but they're still not mastered). Enjoy. Credit is appreciated but not at all needed, i just like synthesizer-ing.

Warning! this is an extremely unpleasant sound if you're a headphone user. You know that noise from chrono trigger when lavos cries out as it breaks out of the ground, or in dragon ball z, toward the end(yeah right) of the fight between frieza and goku, when the lightning storms begin as planet namek is breaking up. Like a cross between an earthquake and a lightning strike. Yeah, that sound. This is the result of me trying(and failing?) to make that happen with soundforge's fm synthesis.

Short stabs on a scale c,d,e. . . To. . G,a,b. Fm synthesis. One sinewave oscillator output gets mashed by a another that's outputting a triangular wav. The oscillators are fed back into themselves and each other and 40 voices unison added to create a ubiquitous growl/yoy sound. On large speakers, or a decent pair of buds, the sinewave osc fundmental can be heard as sub-bass. Flstudio was used to host the synthmaker vsti oscillators and render the wav file.

Residual output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.