42 Royalty-Free Audio Tracks for "Taste"

Recorded by zoom h6location: pub.

Recorded clean for a radioplay - behringer b10 on yamaha 01v/adobe audition.

What smells here like. . . ?.

Side two of cassette 1: saturday, november 26, 2011. Waterfront recording and the inside of taste of boston restaurant at ballast point.

Breaths a human would make after they take a sip of a refreshing drink. Recorded on an iphone and x-noised (waves plugin). Also is pitched up and contains reverb.

Me unwrapping a candy bar and enjoying it! effects: noise reduction, vol. Envelope, and pitch bend reduction. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Copy Taste by EPP!

Man drinking soda. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

Sipping black coffee. Love the smell and the taste !. Every time i sip black coffee, i daydream about bolivia and south america. One of my dreams was, and still is, to live a peaceful life in my own mansion there in the future. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

A rhythmically vocoded synth chord progression.

Some music i made for an ad, they didn't used.

Recorded with zoom h4n. Hi cut filter and denoising applied to taste.

My attempt to recreate the snare sound used in "ocean eyes" by billie eilish. Add reverb to taste.

The first sampleplayers often had some wobbling samples. A matter of taste. . . I took oldtime sounds from my korg synth,mixed them together and processed them with audacity.

Recorded with zoom h4n. Hi cut filter and denoising applied to taste.

Suitable for ringtones, greeting cards, notifications, windows and mac system sounds, etc. I'm sorry, i have questionable taste and worse judgement.

Recorded with zoom h4n. Hi cut filter and denoising applied to taste.

Recorded with zoom h4n. Hi cut filter and denoising applied to taste.

Recorded with zoom h4n. Hi cut filter and denoising applied to taste.

Recorded with zoom h4n. Hi cut filter and denoising applied to taste.

In this sample , i used my own taste i created another 180 bpm sound / melodieand i have put a basssline under neath it with some closed and open hats.

Percussive sombre reverb drone from a piano chord using makenoise echophon morphagene and mimeophon with erbe-verb. Rendered in reaper @ 48khz 32 bit fp. Add howling wolves to taste. Enjoy!.

Wind howls through cracks in a metal framed window. The window bangs as the wind pushes it around. Plenty of silence is included so noise reduction can be applied to taste. Recorded with a zoom h2.

Ibanez guitar, lots of reverb and delay, using glass slide in conjunction with digitech whammy pedal,marshall amp, recorded with sm57 16 bit 44. 1 mono. Plenty of space in-between movements could be used as a whole or cut to taste. Great halloween filler!.

Smooth fm chords for calm atmosphere in movie. Use fat low pass filter depending on your taste. Highs should be mostly removed, i left them there - you need to decide how much highs you want to keep. It reminds me roland sound. Optionally add roland chorus tal-chorus-lx.

Chinese flute loop from morphagene processed to rainforest atmosphere by makenoise and cortini´s strega. Strega is also being sequenced by rené. Feel free to splice into morphagene and add markers to taste. It's sampled at 48khz 32 bit. I used reaper to record it. Most of all, enjoy!.

There is a man in besiktas ferry port. He sits and plays trumpet between üsküdar port and kadıköy port. I saw him there couple times. So he belongs that place in a sense. I added flanger at two point just for my taste :) recorded by zoom h6 with internal xy mic on last quarter of 2019.

Chinese flute loop from morphagene processed to rainforest atmosphere by makenoise and cortini´s strega. Strega is also being sequenced by rené. A little harder hitting than its sister track. Feel free to splice into morphagene and add markers to taste. It's sampled at 48khz 32 bit. I used reaper to record it. Most of all, enjoy!.

There is nothing that sounds as refreshing as a soda can being opened and hearing the energetic bubbles. Open happiness and taste the feeling of coca-cola in this recording! the sound file includes the opening of a coke can, pouring into a glass, placing the can down, and drinking the soda.

I had downloaded two mechanical keyboard sounds from this site one that fell under creative commons: https://freesound. Org/people/dasgoat/sounds/361703/. And the other that uses attribution: https://freesound. Org/people/mattruthsound/sounds/561681/. The very free one had to much background for my taste, while the attribution one required, well, attribution. So i made one for those just looking for a free sound. Enjoy. (although checking out my bad videos on youtube is always appreciated).

All sounds were made with eastwest quantum leap instruments (hollywood strings, etc. ) there is a duduk for a taste of another world! edited in logic pro x. Check out more music at www. Empyreanma. Com/music-licensing. Credit me "joshua empyre" in your work. Don't hesitate to send me your game, video, or whatever you do with my music! i'd love to see them and potentially share them on my facebook page (empyrean media arts, llc)!.

Large metal sheet and ornamental metalwork gate to village cemetery opened and shut, creaking on it's hinges. Recorded around midnight to avoid bird and insect calls - despite this precaution there were birds calling in the distance. On arrival i saw there was a house adjacent to cemetery. Fearful of waking the non-dead i didnt hang around for more than two bad takes. I've added this not so impressive recording to give a taste of what i hope to record of this wonderfully vocal gate in the future.

Just a mysterious chord setting the tone to something sinister, mysterious and horrific. I made it in garageband for something called victors crypt. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horne, dance & hail satan!.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

A 39 sec. Loop of maxheadroom's wonderful "field-recording of a real live horse galloping on hard dry ground with some heavy snorting. Not a gallop past, but a constant gallop around the mic. " thanks max! i needed it to be longer for our podcast, so i figured i'd share this. I will warn you, it's pretty obviously looped due to the horse's breathing being repetitive. I was working with a 4-5 second clip. If you like it, please give me a rating!. Check out our comedy podcast "in poor taste" at http://bit. Ly/inpoortasteeps.

I took my snare drum into the wonderfully echoey parking garage of my building to record the reverb. Included are samples recorded from varying distances and positions. Also included are dry versions, recorded in a living room and a super-dry elevator. When used in a production, try mixing in the heavily reverbed snares against the dry ones to fit your taste. Also the reverb snares work well mixed under even unrelated percussions to add a neat ambiance. The same goes for my "stairwell foot stomps" sample set. Recorded 24-bit stereo with a sony pcm-d50. Assisted by matt mcgowin.

I sampled the bell tree at our church. After seeing how much the instrument costs at the music store, i opted to not buy one. The long version of this moves from left to right, and has the single sample repeat twice. So it begins on the left, has a delayed start in the center, then finally a third repeat starts on the right. Add liberal amounts of reverb, to taste. If you use this in a film, or game, or in music, could you please let me know in the comments? i don't mind sharing stuff for free, but the compensation i get is learning about people using and appreciating the sounds. Thanks!!.

A little dark tune i made in garageband for something called victors crypt. It's a melody that gets more intense. Starts out a bit laid back but soon it gets bigger with more drums, bass and eerie sounds. Think it would fit perfect to anything dark. Maybe a pod, film, shortfilm or whatever. . . . . Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Note: the high-pitched squeaks are artifacts from freesound's preview and aren't present in the actual recording. 10 minutes of a thunderstorm, recorded september 7th, 2019 from my apartment window in seattle. This is the raw recording straight from my zoom h5. Levels were kept low to minimize the chance of clipping. A few thunder sounds were still too loud, but luckily the h5 has a backup function that recorded an identical track 12 db quieter. I've uploaded that as well, so you can splice the two together to taste. Eventually i'll release a processed version with the two combined, plus compression and eq, but i wanted to upload the source material in case you'd prefer to diy it.

Created for an upcoming film, this is the audio from a nightmare a character in the film has about the terrible 1966 aberfan, wales disaster. He sees himself in a hallway at pantglas school then hears the coal tip land slide coming, then sees it crash through a distant wall and come rushing at him. I put it together from the following freesound samples:. 94114__tim-kahn__rumble126323__klankbeeld__horror-zombie-hell-atmos147239__matiasezcurra__mud-and-rocks-river-iruya-northwest-argentina168777__robinhood76__03792-children-screaming198095__cell31-sound-productions__earthquake-interior-metalrattling-2244501__hutsvoid__nervous-children249907__klankbeeld__horror-kids-01338721__rogerboyx69__inside-a-tornado379906__kevint1001__water-flood-enhanced402016__ylearkisto__ikkunoita-rikotaan-kepilla-breaking-windows-with-stick415608__rtb45__mud-volcano-field-salton-sea456806__breviceps__hot-bubbling-mud514381__zatar__earthquake3343130__inspectorj__ticking-clock-aand145801__mrbriandesign__kids-screaming-2. This was a very difficult piece of sound design to construct because of my emotions about the disaster and how the national coal board responded: 500 pounds sterling maximum to each grieving parent for each dead child, and with questions such as, "how close were you to your child?" if the answer was somehow not close enough for the panel, no money was awarded. The film scene will be handled with taste and respect, and no dead children will be depicted.

[[this sound pack contains 8 sounds total, and this is # 4 of 8. ]]. Note: this sound (as all my sounds on freesound. Org are) is **public domain**. Use it, sell it, do anything and everything with it. No need to credit me. I only hope it's useful for someone! however, i'd love to hear about any projects you use my sounds with!!. Abstract, creepy sounds i recorded after watching this video on hans zimmer's creation of the score to the original dark knight soundtrack:. Https://www. Youtube. Com/watch?v=r-l1rctgtoe. (fascinating video, give it a watch! :d). - i found an old rusty razorblade (if it ain't rusty it ain't emo, amiright? amiright? oh god that's in poor taste)- and just started scraping it over the copper-wound strings of my seagull s6 acoustic guitar in which i've installed an electronic pickup. - recorded into reaper on my mid-2014 macbook pro, via direct in through a zoom h4n in audio-interface mode. Only processing: gentle eq highpass at 95 hz. And some slight gain reduction. These sounds remind me somehow of creepy film scores where the strings do that erratic pizzicato thing that sends tingles up your spine. Tell me what you come up with, i'd love to know!!.

El furruco o furro es un tambor con cuero y una varilla, suele utilizarse en la música tradicional navideña, así como en la gaita zuliana y los aguinaldos. Tambien se utiliza, en algunos pueblos, en la parranda. Está constituido por una caja de madera, cilíndrica y ligeramente cónica, está cubierta por una membrana de cuero seco, vibrante. Fijada al tambor con tirantes metálicos, de modo de poder templarla de acuerdo a las necesidades y gusto del intérprete. En el centro de la membrana va fijada una espiga de madera, de poco más de un centímetro de diámetro, cuyo extremo, romo, va engastado en el cuero, y es atado fuertemente por el lado opuesto de la membrana. Dicha espiga de madera, de unos 7 centímetros de longitud, tiene forma cónica, y va aguzada en la punta. Esto tiene por objeto el que en el extremo libre va colocada una varilla de caña, de unos 125 centímetros de longitud. Esta caña es la pieza que apropiadamente manipulada por el ejecutante vibra con la caja de resonancia, produciendo un sonido ronco, profundo, de registro grave, de gran sonoridad. Pudiera decirse que el furro es el bajo en la ejecución de la gaita y de la parranda. Este sonido fue grabado como parte de una entrevista realizada por rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "the furruco or furro is a drum with leather and a rod, it is usually used in traditional christmas music, as well as in the bagpipes of zulia and christmas bonuses. It is also used, in some towns, in the parranda. It is made up of a wooden box cylindrical and slightly conical, it is covered by a vibrant, dry leather membrane. Fixed to the drum with metal braces, so that it can be tempered according to the needs and taste of the interpreter. At the center of the membrane is fixed a wooden dowel, a little more than one centimeter in diameter, the blunt end of which is set in the leather, and is tightly tied on the opposite side of the membrane. Said wooden dowel, about 7 centimeters long, has a conical shape and is pointed at the tip. The purpose of this is that a cane rod, about 125 centimeters long, is placed at the free end. This reed is the piece that appropriately manipulated by the performer vibrates with the soundboard, producing a hoarse, deep, low register sound, with great sound. It could be said that the furro is the bass in the execution of the bagpipes and the party. This sound was recorded as part of an interview conducted by rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.