Tight snaredrum integrated in propellerhead reason - redrum - disco kit rdk. Recorded play. Original sound is sd_disco_h1. Played with alesis q61. Recorded with audacity.
Plucking the very high, tight strings above the nut on an electric fender bass. Perfect for interesting or creepy sound design. Recorded with a zoom h4n.
Snare drum hardrock style recorded with audacity from propellerhead reason redrum and the rock kit rdk. Original name sd2_rock_h3. Played on an alesis q61.
An attempt to fill a request for the sound of rummaging through a wooden chest (trunk) filled with wooden toys. . . Tight mic placement for variation. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod, various wooden toys/items. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.
An attempt to fill a request for the sound of rummaging through a wooden chest (trunk) filled with wooden toys. . . Tight mic placement for variation. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod, various wooden toys/items. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.
Took the first two head thump sounds from benboncan and combined them. That is it. Nothing more. . . Yet. Here is the original sample http://www. Freesound. Org/samplesviewsingle. Php?id=64374.
Perfect metal kick/bass drum. Spaced wide enough for any sample tempo, comment on my website if you would like related samples, or this sample adjusted (no reverb, eq, etc. ).
A man singing with the sounds of the on coming train/ subway car, and mumbling along with the naturally amplified sound of the over head fluorescent lamps. .
A man singing with the sounds of the on coming train/ subway car, and mumbling along with the naturally amplified sound of the over head fluorescent lamps. -. Wav.
I know this isn't much yet but its the base for my chorus of my song "chrissy said. . . " i hope you can follow my page to watch the evolution of me mixing it and integrating aspects until completion. Thanks for visiting! : ). -ryan kunkel.
22" pacific kick drum. This sample has been reworked a countless number of times until i could get the most balls out of it. Great for many styles of music, maybe some slight eqing to get it in your mix.
12 closed hihat hits recorded in a reverberant bathroom. The hihat was recorded with a three microphone setup with a close mic mono and a wide-stereo overhead version of each sample. See my other packs for matching drum samples. More are on the way if anyone finds these usable.
This is a very interesting sound to make. Luckely i knew exactly how to make this sound. I used leather jacket. I twisted the jacket back and forth moving it in front of the mic. The sound is almost identical to what i wanted. This was recorded at the open window institute sound booth in centurion, south africa.
I layered three different snare drum takes to achieve this one. All three of those takes are from a ludwig black beauty. I did a close, stereo overhead, and stereo room mic configuration. Originally recorded/used for an 80s cover song i've been working on. Sounded nice in the mix so i thought i'd throw it on here. -yellowtree.
An attempt to fill a request for the sound of rummaging through a wooden chest (trunk) filled with wooden toys. . . This features various latch/locks being used for opening/closing. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod, late 1800s wooden trunk. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.
An attempt to fill a request for the sound of rummaging through a wooden chest (trunk) filled with wooden toys. . . This features the opening of the trunk and various latch/locks being used for opening/closing. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod, late 1800s wooden trunk. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.