109 Royalty-Free Audio Tracks for "Timbre"

Builds quickly, sustains and gradually fades. C minor arpeggio stretched from 11 seconds to 1 minute using the paulstretch effect on audacity. Low-fi recording with tablet and hi-q app.

Couverts s'entrechoquant contre du métal. Typologie:x'' (iteratif complexe). Morphologie:*masse: son unique (répété neuf fois). *timbre harmonique: métallique. *grain: strident. *dynamique:entrée du son franche et agressive.

Wind rustling in the trees while a bike tire turns and clicks very slowly. Very dense at high frequency and a granular timbre with smooth overtones. Recorded on stanford university campus, ca.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

College classroom environmentstudents in class, whispering and writing. Chairs and backpack zippers are heard, the bell rings. Ambiente aula escuela. Alumnos en clase, susurran y escriben. Se escuchan sillas y cremalleras de mochila, suena el timbre.

This is a very short excerpt of carnatic music. This sound is basically used for a demonstration of the importance of loudness and timbre in melody. A synthesized melody sound and a monotonized version of that sound will be soon linked here in the description.

Masse:groupe tonique d'accords. Timbre harmonique:éclatant. Grain:rugueux à cause de la distorsion authorisée. Vibrato:non. Dynamique:grande attaque. Profil mélodique:plutôt scalaire. Profil de masse:on entend la guitare acoustique sous la forte distorsion.

Masse:son seul complexe. Timbre harmonique:ondulant. Grain:lisse. Allure:vibrato. Dynamique:forte attaque mais pas violente. Profil mélodique:serpentine. Profil de masse:effet whawha et petit écho qui couvrent la note de départ.

Cicadas of south city at summer night recorded from a window. Hi-pass filtered of various car sounds, and so timbre is not so natural — but maybe it’s what you are looking for?. Recorded by nokia 700, processed in audition.

This sound is a synthesized sound where the loudness and the timbre (weights) of the harmonics are derived from a short excerpt of carnatic music. The original sound from where these parameters are derived will be soon linked here in the description.

I dont know the name of this instrument but it is a flute that you control with a stick while blowing in it. Often heard in older cartoons :). Enjoy and it would be fun to receive links with your application of the sounds!.

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

/////description de base ////////. A bubble explosion. //////////typologie (p. Schaeffer)///. V' : impulsion variée. ////////morphologie////////////. - masse:son seul / varié. - timbre harmonique:éclatant. - grain:le son paraît rugueux. - allure:pas de vibrato. - dynamique:son composé uniquement d'une attaque violente. - profil mélodique:variation scalaire. - profil de masse:présence d'un filtrage des sons graves.

/////description de base ////////. Crackling fire sound. //////////typologie (p. Schaeffer)///. X : continu complexe. ////////morphologie////////////. - masse:groupes de sons : nodal. - timbre harmonique:clair, éclatant. - grain:pas de grain. - allure:pas de vibrato. - dynamique:attaque abrupte et redondante (multitude d'attaque). - profil mélodique:variation scalaire. - profil de masse:étouffement des sons graves.

Low, metalic drone in f# made by time-stretching some voice sample ran through vocoder (using paul's extreme sound stretch). It has some digeridoo timbre, but just a little bit :) enjoy.

I recorded my voice, layed it out on the track and increased the pitch quite drastically. I layered this with a chirp track so as to contrast the downward rhythm with an upward one. Descriptiftypologie selon pierre schaeffer : vmasse: son "cannelés"timbre harmonique: ternegrain: lisseallure: contient un aspect "vibrato"dynamique: l'attaque est abrupteprofile mélodique: serpentine.

This is a synthesized melodic contour of a short excerpt of carnatic music. This sound is basically used for a demonstration of the importance of loudness and timbre in melody. The original excerpt from where the pitch was extracted and the monotonized version of this sound will be soon linked here in the description.

A sizzling effect made from close proximity xy (diaphragm) recording of oil on a high heat dropped onto a heated frying pan. Careful doing this, as this spits very hot oil back at you. It however will also create this rather high timbre sound very suited to those get scalded.

120 original sounds made exclusively for this sound pack, using synthesizers and effects to create timbres in high-quality samples that will help you in your productions be it for film or sound, for various genres and styles. The acquisition of this sound pack enables its use in the way you need.

College environment students in classroom, teacher enters, goes to his desk and sits down, while students remain silent. Ambiente clase escuelaambiente escuela alumnos en aula, suena el timbre, abre puerta y profesor entra, va hasta su mesa y se sienta, mientras los alumnos guardan silencio.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

This sound was recorded halfway up to the castle santa barbara in the city of alicante. Signal that carries a connotation of alert. His tone and timbre are characteristic of this element. "possessed by almost all modern cities and whose use is reserved for that fateful day when the sound will be followed by the disaster. " (schafer, 2013). Recorded by a zoom h5 recorderrecorded in 48khz 24bit wave. .

/////description de base ////////. A galloping horse//////////typologie (p. Schaeffer)///. X'' : itération complexe. ////////morphologie////////////. - masse:groupes de sons / nodal. - timbre harmonique:terne. - grain:présence de grain. - allure:vibrato dans l'allure. - dynamique:attaque graduelle. Le son est de plus en plus fort. - profil mélodique:variation en escalier. - profil de masse:filtrage des aigus.

/////description de base ////////. A sound of a futurist guitar. //////////typologie (p. Schaeffer)///. V : variée continu. ////////morphologie////////////. - masse : groupe nodal. - timbre harmonique : acide. - grain : lisse. - allure : allure naturelle qui necomporte pas de vibrato. - dynamique : l’attaque est douce et graduelle. - profil mélodique : les variations sont glissantes. - profil de masse : calibre.

A mid-sized waterfall flowing into a gentle stream. This is near the road by the grand prismatic spring in yellowstone. The timbre of this smaller fall is higher than the roar of the large waterfall. And you can just make out the gurgling of the stream. But, in general, this kind of thing sounds a bit like static. Sorry it's so short, there was a lot of wind and people talking. Recorded on a dslr and edited in audacity. Production-now. Com - shout-outs welcome.

Description :sound of audacity : pluck. N' : itération tonique. Morphologie :- masse : son seul tonique- timbre harmonique : net et clair- grain : pas de grain texture lisse et rigide- allure : pas de vibrato- dynamique : attaque franche et dure, le son commence au plus haut. - profil mélodique : variation scalaire- profil de masse : équalisation des son aigus. .

Sound of the button on the tv with an increase of the sound. V' : impulsion variée. Morphologie :- masse : son seul complexe- timbre harmonique : terne et claquant- grain : un peu de grain, son rugueux- allure : un léger vibrato- dynamique : attaque abrupte et graduelle. - profil mélodique : variation scalaire- profil de masse : bruit seul hauteur son augmenté.

/////description de base ////////. Key sound of cellphone. //////////typologie (p. Schaeffer)///. N'' : itération tonique. ////////morphologie////////////. - masse : groupe tonique. - timbre harmonique : eclatant. - grain : grain rugueux. - allure : allure qui comporte un vibrato dans le son de chaque 'bip'. - dynamique : l’attaque est violente pour chaque 'bip'. - profil mélodique : les variations sont en forme d'escalier. - profil de masse : site.

/////description de base ////////. Vapor train which is passing. //////////typologie (p. Schaeffer)///. X'' : itération complexe. ////////morphologie////////////. - masse : son « cannelés ». - timbre harmonique : terne, étouffé. - grain : grain d’itération. - allure : allure mécanique qui ne comporte pas de vibrato. - dynamique : l’attaque est abrupte. - profil mélodique : les variations sont en forme d’escalier. - profil de masse : impression qu'il n'y a pas d'aigu.

A raw audio recording of a sword being slowly drawn from a leather sheath. (this is a replacement audio for a sound i had made earlier, with the background noise at the beginning and end taken off. ) see timbre's noise reduction remix of the sound for a much cleaner version without background hissing noise - https://freesound. Org/people/timbre/sounds/417194/#comments.

Sound of water flowing from a tap with fades in and out created with audacity. X : continu complexe. Morphologie :- masse : son cannelés mélange de sons complexes et de sons toniques- timbre harmonique : éclatant et clair- grain : son rugueux- allure : pas de vibrato- dynamique : attaque douce et graduelle. - profil mélodique : variation glissante sans séparation nette- profil de masse : calibre : equalisation.

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:-ifrequency scaling factors= [0,1,1,0. 6],ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

I modified the attack and cut the silence at the beginning and the end. Masse:groupe tonique. Timbre harmonique:clair et creux. Grain:assez rugueux. Allure:pas de vibrato mais la cuillère vibre un peu dans le fond. Dynamique:attaque progressive et redescente pour finir. Profil mélodique:pas de mélodie mais un rythme irrégulier. Profil de masse:changement des niveaux au début et à la fin.

Amplified fake silence. Enregistrement avec un micro d’ordinateur portableamplification : +15dbfondu en ouverture et en fermeture. Typologie : x, continu complexe. Morphologie :. - masse:son « rappeux » et présence d’un parasite continu aigu. - timbre harmonique:tendance inharmonique…. - grain:beaucoup de grain, texture « rappeuse ». - allure:bruit continu. - dynamique:attaque finition en courts fondus mais son continu abrutissant. - profil de masse:du bruit, un aigu mais peu de basses. .

Output sound obtained after frequency scaling and stretching of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Transitional sound we termed a "quick zoom" sound. Sounds like something slowing down or powering down. Created with this tool:http://www. Superflashbros. Net/as3sfxr/and this sound:http://www. Freesound. Org/people/timbre/sounds/109213/. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

The bronze temple bell of the byodo-in temple in the valley of the temples cemetery just outside kaneohe, hawaii. The bell was cast in japan and had been installed in a free standing bell tower, as is customary in japan, and can be rung by anyone who passes by. It's timbre and sound reminded me very much of the bronze bell in hiroshima called the peace bell, which is in a tower directly across the river from the technical school ruins.

How i did it? --------------------------generate a wistle sound (sinus) at 440hz, 0,8 db, 1 secapply effects : fade in, repeat x3. How can i describe it? (french)----------------------. // typologie (cf. Pierre schaeffer) :n + x’. // morphologie (cf. Pierre schaeffer) :. 1- masse: son cannelé2- timbre harmonique: terne3- grain: lisse4- allure: simple5- dynamique : attaque douce6- profil mélodique: pas d’hauteur différente7- profil de massesite : une seule hauteur de soncalibre : pas de filtrage ni équalisation.

It's a sound you usually can hear in a horror movie. It makes your blood freeze if it wasn't ice already. It has medium attack and very long decay. The sound's timbre is similar to what a metal gong could do when hit inside a cathedral. Synthesized with zynaddsubfx inside lmms. Rendered as 96khz/32-bit. Edited and normalized in audacity.

Recorded during riding by attaching a zoom h4n at my left leg. The xy-microphone pointed vertically direction to the seat/engine, so no spectacular stereo-sound, but different sound timbre on l/r. The exhaust had a rusted hole so it's not the original vespa-sound but more rough. Different styles of driving. Including starter and switching off. No sound editing was made, so maybe you like to filter away low frequencies (some little wind was behind the shield).

Output sound obtained after frequency scaling and stretching along with time scaling of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) using transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,0. 6, 1. 5, 1. 2].

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

This is just a simple four to the floor kick drum pattern at 120 bpm. I created the kick itself by layering various synth timbres in rob papen's albino plugin. Processing was also applied such as compression, eq and using subtle distortion in specific frequency areas to get it sounding like this. For anyone that would like to hear my music:https://soundcloud. Com/mattcmusic.

A sound that resembles a magical whistle could be described as a high-pitched, ethereal tone with a delicate and enchanting quality. It might have a mystical quality, as if it were summoning a spell or invoking a mystical creature. The sound may be soft and subtle, yet still manage to capture one's attention, drawing the listener closer in a hypnotic trance. Its otherworldly nature might conjure images of fantasy and wonder, and its timbre could be compared to that of a wind instrument, such as a flute or a panpipe. Overall, a sound that evokes a magical whistle would be both enchanting and mystical, capturing the imagination and inspiring wonder.

This sound is completely analog. I recorded the sound of my key ring and tried to extract just the sound of the key. In this purpose, i used the effect “noise reduction”. I tried to avoid distortion but after several attempts we still hear the sound of the voices in the background. Descriptif selon la typologie de schaeffer :code : v''précisions morphologie :- masse : son cannelés (nœuds + toniques = mélange de note et de bruit)- timbre harmonique : acide éclatant- grain : microstructure- allure : chevrotement- dynamique : l’attaque est douce et graduelle- profil mélodique : serpentine- profil de masse : site : hauteur parmi d’autres.

The supernatural sound of a group of kids being sucked into a nonexistant classroom (for a production of sideways stories from wayside school). Sounds like a power-down sound. Lots of bass. Created from these sounds:http://www. Freesound. Org/people/timbre/sounds/109213/http://www. Freesound. Org/people/stewdio2003/sounds/238367/http://www. Freesound. Org/people/bareform/sounds/237558/. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

It's an all synthetized sound, created on audacity. I wanted to recreat a basic emergency alarm, which can be use for cops, firemen or ambulance. I started by creat a track, then i add chirps. After, i duplicated the track and make a stereo of both. After, i copy and stick multiples times my sound. After, i chossed to raise the speed of the track, twice. I also modified a little bit the height. Then, i normalized the track. _______________________________________________________________________________je pense que c'est un son répété formant un groupe tonique, au timbre harmonique éclatant voir acide, dynamique et au grain lisse.

This sound is completely analog. I recorded the sound of a person who was walking on the street. I chose to leave the noise of the street so that we understand that the person walks outside. I used the effect "amplification" to reduce the noise of the street and increase the sound of step. I made a fade in opening and closing, so that we have the impression that the steps are moving towards us then moves away. At the same time, i played with the pitch of the sound to accentuate this effect. Descriptif selon la typologie de schaeffer :code : x''précisions morphologie :- masse : groupe nodal / complexe- timbre harmonique : terne- grain : rugeux- allure : ne comporte pas de vibrato- dynamique : l’attaque est douce et graduelle- profil mélodique : scalaire- profil de masse : le son paraît plus calibré.

Marsian « toc toc ». Générer un click track. Garder une seule partie en sélectionnant les notes identiques. Effet « répéter » pour avoir six notes, et couper entre les deux répétitions pour ne pas avoir trop de blancchanger la hauteur à 113%changer la vitesse, pourcentage de modification : 10%. Typologie : x’’, itération complexe. - masse:son répété, identique, avec une pause entre chaque note. - timbre harmonique:clair. - grain:un léger grain sur le début de chaque note. - allure:un léger vide entre chaque note. Cinq répétitions de la première. - dynamique:entrée du son douce. .