2,949 Royalty-Free Audio Tracks for "Time"

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Not gonna explain about this one much. Basicly i just made a simple patch on my virus c hardware synth which consists of 2 osc's (sine / saw), osc2 slightly detuned from the osc1. Fast pitch envelope on both osc's to get the "punch" part in the kick. Ran through virus's lowpass/bandpass filters, lowpass cutting from 100% to 0% with a speed of 1/4 beats to get a "filtering down" effect to the kick, bandpass rejecting slightly frequencies from a range of 400-600hz. Then i sampled it, many times and picked the best sample. Eq->distort->eq->distort million times and this is the result. Ofc i did some cutting and added some lowpass/bandpass filters with various mix levels @ some points and did some other shit also but basicly it's just eq & distort. Hf, its a decent kick but needs some fixing still since the punch is too separate from the bass.

A summer evening in a vineyard by the german town of freyburg on unstrut. The recording abounds with natural background noises (wind in trees, birds, insects). In the foreground, a little bird is singing, giving it all it has. I am no bird expert, but if somebody knows what species it is, i'd love to know. At 3:22 into the recording, the tower bells of the keep of neuenburg castle, located on the hill opposite, toll 9 o'clock. They do this by tolling a high bell 4 times, once for each quarter of the full hour, followed by a lower bell tolling the hour 9 times. The recorder is located on the top of the vineyard, facing across the valley between vineyard and castle. These are the rear channels of a 4ch surround recording. Recording conducted with a zoom h2, mic's set to 120° dispersion.

Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.

There are many ways to "listen" to a computer. The high frequencies are miles from what a human can hear, so you must divide and mix until you hear the computer "speaking". This one: simply placed the am mf coil close to a data cable to a pci slot. The sharp noise is not noise, but clock signals which are divided x times the rattling is caused by every move with the mouse.

Letting water inta an old metal kitchen sink:. - first several times into an empty sink with the drain open - with very audible drops on the metal sink at start and end. - then once filling the sink and draining the filled sink with some gurgling of the drain at the end. Recorded with an stereo pair of km184 into a tascam hd-p2, 48khz, 24bit.

This recording was made with an iphone 4s fitted with a tascam condenser stereo microphone in an asian restaurant in bern. We hear the sound of the restaurant with people eating and chatting while the open kitchen is busy washing and preparing dishes. One of the bus boys is singing to himself, which can be heard dimly and at some point a bell strikes a few times.

This caught my attention as an unfamiliar sound, and i actually had to investigate to learn what it was. It was the raindrops hitting some styrofoam bodyboards near a swimming pool, which at times sounded almost more like a hollow "pop" than a "drip. ". In the background one can hear thunder, rain, and the humming of a pool filtration system. Recorded with an iphone 7.

These were recorded may 26 2007, about two weeks after the first spring peepers (pseudacris crucifer) were heard in the area. A dog in a distant garden can be heard barking a couple of times in this recording, but if anyone needs a clean recording i can probably find another, similar-length section of the original without extraneous sound. Or it could probably be edited out without too much trouble.

Various operations with a hand pallet jack. Times & descriptions follow: 0-15;18 empty, l-r; 15;08-22;49 empty r-l; 22;49-30;17 various control sounds; 30;17-1:25;46 distant roll, load, move pallet; 1:13;06-1:19;38 warehouse ambiance; 1:25;56-1:45;00 loaded roll by l-r; 1:45;00-2:01;46 l-c, unload pallet; 2:01;46-end load pallet, move, drop off distant, roll by empty.

This is a nightingale in a very quiet environment, which is played 4 times slower. The gaps between the verses are removed, otherwise there would be always round about 20 seconds silence. The reverb is natural (no sound effects added), but sounds epic after slow downed with factor 4. The original 96khz/24bit-track was recorded with zoom f8 by using four rode nt1. Recording distance to the nightingale was 5-6 meter. ;-).

This is a sound i made in audacity by recording myself going "vvvvvvvvvvvvvv. . . " on two separate tracks and slowing them both down by 95% and adding a little bit of reverb. I think it's sort of convincing but i think it would be better if the pulse of the samples being copied a bunch of times kind of gives it away. Feel free to do what you like with it.

For this sound, i generated a sine wave at a frequency of 440 hz, an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- tremolo2- repeat (x2)3- fade in (half of the sounds)4- fade out (the other half of the sounds)5 -studio fade out6- cut a part7- repeat8- cut to have the song 3 times. After all this effects, the sound is like an alarm.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

I created a chip track to which i added a reverbation effect. I copied it and then rendered both onto a new track. Reusing the same sound , i lengthened the tempo and increased the pitch on the second one. I then reused it a few times to imitate the sound of the ball bouncing off the table, speeding up the tempo and adding a fade out effect. Descriptiftypologie selon pierre schaeffer - x"masse: groupe de sonstimbre harmonique:secgrain: lisseallure: pas de vibratodynamique: l'attaque est abrupte.

This emulates the ambient noise of a planet sized computer and its associated gargantuan processes. I aimed for a "what if" scenario. What if v'ger could speak to other similar artificial entities of enormous size and complexity. Originally recorded on zoom h2. The sound was originally a styrofoam take-out container which i pressed down on and released several times. I then filtered it.

Dark background sound in place of background music. I recorded this in my booth, using audacity and my cad e100s. The higher sound is a pen tapping on the bottom of a metal cup. I used various effects to stretch, raise pitch, and a few others. I also layered the higher sound 4 times to get the "harmony". The low sound was my voice. I lowered pitch, speed and stretched the wave, as well as a few other effects as well. Enjoy.

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

This mp3 contains a series of sounds that can be divided into individual elements if needed. I set down a full, unopened can of beer several times on a hard surface. Then i opened the can of beer. Then i placed it down again and flexed the aluminum a bit. Finally, i took a long gulp of beer and let out a satisfied "ahhhhhh!" now i'm drinking the beer as i upload this file. Mmmmmm. . . Beer.

The sound of me hitting my hand against a padded mouse pad and moving it around on the surface a couple times. //used this for a short animated film where a girl reaches up and hits a table and moves her hand around a table looking for something. It fit pretty well. . . . If you use it feel free to link me to where! credit is not required. Commercial and non-commercial use. Basically use it however you need to.

A recording of my sharpening a machete that we would use to chop drift wood for a beach fire at an island art residency. Between times, you can hear my being offered and resisting advice on how best to sharpen the blade, and my requesting a 'grown up gummie bear'. Also, my then eight-year-old updating me on their search for a pencil sharpener. I used the recording for a sound design commission and as a sort of white noise component of an uplifter for a pop song.

This is a foghorn-like sound that i created using an accidentally recorded poot from a friend. I stretched the sound bite a few times while lowering the pitch, added a couple different reverb effects, and then finished it with some parametric eq, raising the bass, and using a low pass filter to cut out the high frequencies. If you would like the original poot sound, i have also uploaded it as fart sound 1.

This was recorded from my windowsill facing onto a tarmac driveway in august 2012. There is the occasional tinkling sound of raindrops hitting a metal gate, some traffic noise, the occasional bit of thunder, and some shouts of people getting wet. At the end, raindrops start falling onto the recorder. This is fairly heavy rain by oxford standards; we probably get something like this only a couple of times a year. This fall turned into hail a bit later. Recorded with a marantz pmd661.

This was in our backyard and i have no idea why the birds were doing this. I couldn't see them in the thick bushes and i couldn't tell how many there were. They just went on and on and i never heard them like this before except for maybe one or two squawking away at times. A bit of wind came up and a few background noises. Recorded on my yamaha pocketrak and edited in sony sound forge. Please comment on what you will use it for. :^).

Recording of clothes in the dry cleaner for a bit longer than one hour. I recorded this in order to use for my newborn to be able to fall asleep as white noise sound. Works pretty fine because of the repetition;at the end of the recording, the machine stops and restarts a few times for a few short cycles. Recorded with zoom h4n in mp3 format. Reduced background noise in audition. Exported to ogg because of large file size.

Title striking a Bell (15cm large) Artist stephan Original mp3 data Length:1:01 minutes (1.4 MB) Format:MP3 Stereo 44kHz 192Kbps (CBR) User tags Bell, chiming, ringing, striking, tolling Type Single Subject, Natural PDSounds record number 517 Comment Striking a bell in 4 times different manner. The bell is aprx. 13cm in diameter and 15cm high and i think of bronze. It has an engraving saying "Qui me tangit vocem meam audit", which i guess means "who strikes me hears my voice".

Shaking the dust out of a tshirt multiple times. Could also be used for a video game character landing on the ground, or for wings or flying as a flapping sound effect. Recorded on iphone. Processed with audacity to convert from m4a, with slight noise removal. 𝗟𝗜𝗖𝗘𝗡𝗦𝗘:this sound is 100% free to use for personal/commercial use, no attribution required. 𝗕𝗘𝗙𝗢𝗥𝗘 𝗬𝗢𝗨 𝗚𝗢:⬇︎ take a quick break! try my free game! ⬇︎. .

The sound of a bright march morning featuring cardinals, robins announcing their territory, and wrens. The temperature was right at 50 degrees with no wind. I made this recording with my marantz pmd661 using two samson co-2 microphones. , pointed 180 degrees apart to gather as much sound as i could. The sound was sometimes a cacophony as it seemed all of the neighborhood birds were so happy that spring is finally here, many times they were all singing at once. !.

A field-recording taken at a local animal park (germany). It was an early morning in spring and there were hardly any people there yet. The area, where we sat down, was surrounded by trees. Numerous birds were chirping and crows were cawing. A few farm animals like sheep can be heard in the recording at times as well as a one of the caretakers starting a vehicle in the distance.

[knocking_on_screen_01. Wav]. Knock knock, a screen being knocked at two times!. This sound can for example be used in games, for example when the player is afk, the npc knock's at the player's television/computer/smartphone/tablet-screen! - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

A fascinating recording of a warm, humid mid august day in the midwest. This recording was made on sunday august 11th, 2019 near a popular dog park in a small southern illinois town. In addition to the gentle droning of the insects, and occassional birds, you will hear some dogs barking at various times toward the end of the piece. I personally love the tremendous echo on this recording. Equipment used: sounddevices mixpre-6. Microphones: left channel, sennheiser mkh416right channel, rode ntg-2.

Today i was cleaning the house on a leisurely sunday, and came across a piece of thicker paper by my printer. When i picked it up to put it in recycling, it was rather loud. There have been many times on jobs where i needed such a sound, and thought it would be a good asset to record and share. Hopefully it comes in handy for others needing this element. Recorded in stereo with 2 at-2020s. Lots of variety in handling and plenty to pull from. Enjoy!.

1st track :generate a pink noisedelete frequencies up to 2khz with the equalizershape a crescendo - decreshendo envelope. 2nd track :generate few very low frequencesmake it alternate four times betwin high and low strength with envelope toolapply a compressorput a decrescendo envelope. 3rd track :generate a 300hz sinusput an envelope with an agrssive attack and a rapid end (0. 1s length)make it correspond with the end of the second low echo (track 2)generate the same sound, lower, with a 600hz and 1200hz sinus, corresponding respectively to the third and the fourth low echo.

In my vague times, i wonder what the sound of small pieces of wood in the middle of the vastness of the forest, the sound of the trees beating with their different leaves, pity that is just an illusion of my mind, a citizen of the big city where vehicles and crowds make everyday noise. The drum sound and cuica met was really cool to ambient music and sound effect with reduction and increase in volume.

This was created with paul's extreme sound stretch program, my voice, and audacity. I whispered a couple of times into the microphone and slowed it down a good bit in paul's stretch program. I think the result is pretty creepy! leave a comment and let me know if you plan on using this!. Edit -- 8/23/10 -- whoa, did not know that the file size was so big. Sorry about the huge file size, i'll try not to have them that big in my future sounds.

This good boy is not good player. I think he used bad keyed text recorded in keying memory. I heard him more times and always with the same punk keying. "the rl was founded 1937 and we are proud to celebrate our 75th anniversary". . . Says web http://www. Rlx. Lu/lx_awards_files/rl_75. Htmbut operator cannot be proud of his keying. Old good radio luxembourg 208 m use to be much better radio http://www. Offringa. Nl/radioluxembourg. Htmlater i found that lx7rl is station of lx amateur radio society anniversary celebration.

I used to work security at an apartment in a major college town so i had quite a few opportunities to catch some action. I'm not going to reveal the name of the city or town i was in for obvious privacy reasons. This was one of my best catches. Her sexy moans makes her sound like a porn star and if i'm not mistaken, i think she was getting anal. It sounded like she said "fuck me in the ass" at least twice, maybe three times throughout the recording.

A rifle being dropped on the floor 3 times. Very metallic-y sounding drop sound with tons of bass. This one was sort of a happy accident. I was recording some ak foley with an airsoft gun i had when i accidentally dropped it. The sound it made turned out so good that i ended up using it for this. I actually really like how this turned out. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

[knocking_on_screen_02. Wav]. Knock knock, a screen being knocked at two times!. This sound can for example be used in games, for example when the player is afk, the npc knock's at the player's television/computer/smartphone/tablet-screen! - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Shell casings being dropped onto a tiled floor. I got some shell casings from a local shooting range and recorded the sound of various sized casings bouncing on a tiled floor. I used a usb condenser mic (samson co1u pro) with audacity. The section of floor i dropped the shells onto was surrounded by acoustic panels to dampen the echos. A couple times the casing bounced into the mic stand, but i've left them in because they're still useful. There was some background noise caused by my computer which i removed with audacity.

24/48 mono recording of the sound of a fnx. 45 acp being shot slowly in a gun range 9 times. During the recording there are a couple shell casing that can be heard hitting the floor. There is a long break after the final shot before the target is recalled on the automatic rail system. There is a slightly echo-y natural reverberation to the gun range. Other than that the recording is very quiet in-between shots and each shot sound was allowed to dissipate before another round was fired.

It's an all synthetized sound, created on audacity. I wanted to recreat a basic emergency alarm, which can be use for cops, firemen or ambulance. I started by creat a track, then i add chirps. After, i duplicated the track and make a stereo of both. After, i copy and stick multiples times my sound. After, i chossed to raise the speed of the track, twice. I also modified a little bit the height. Then, i normalized the track. _______________________________________________________________________________je pense que c'est un son répété formant un groupe tonique, au timbre harmonique éclatant voir acide, dynamique et au grain lisse.

- reading audio file(stereo sound)-the audio is played with the sharpen function diskin; at a speed 5 times greater;-noise filtered for 8 seconds; in which the butterbp filter is applied so that it can be heard more in one channel on another: in this case, more is heard on the right. During the first 8 seconds you hear the filtered noise with the audio at higher speed. During the next 7 seconds the wav audio is heard only on the right channel and the last 15 seconds the wav audio is heard. For the left channel.

Segments of speech concerning the present situation in the world. Captured daily speech updates concerning the health and well being of citizens of the country. All addresses to the general public by politicians are in the public domain and are not copyright protected. May we all see the day when peace, joy, prosperity and health are with us again!"do all the good you can,by all the means you can,in all the ways you can,in all the places you can,at all the times you can,to all the people you can,as long as ever you can. "john wesley.

This sound was recorded with a cm25 mkii condenser microphone, connected to a focusrite scarlett interface. The daw in which it was recorded is ardour and a guitar effects vst was used to add some distortion and delay. It was created with a photoresistor and a led lamp. The microphone was placed pointing towards one of the edges of the monitor, so as not to emphasize the treble and to balance more with the mids. At times it can sound like a guitar with floyd rose doing dive bombs. Translated with www. Deepl. Com/translator (free version).

I had a little job which involved a cat drinking. . But first i had to record the bowl being put down. . . I placed the bowl down a few times - captured with correct room sound required. . To my amazement my cat decided to do somethign useful and actually came up to the bowl and started drinking the water. . . . . . Unfortunately i wasnt close mic'd - but my little booth is pretty quiet. . . . So thankyou oscar! you finally got a job to help pay for all those biscuits! technically he was no where near the large diaphragm cap mic , focusrite pre or motu 2408 :p.

Mid range field recording of the area in front of the new york times building in new york, taken from opposite the building on the corner of 8th ave and west 40th st. Cars can be heard driving by, horns are honked, brakes are trodden etc. A sweeper vehicle features sometimes. People can rarely be heard, as the recording was done at about 6 am on a saturday morning in march 2012. Recorded with a zoom h2, mics set to 90° dispersion.

Interesting (but painful) sounds made with a zoom h2 (front mics, low gain) connected to a laptop via usb. The signal was piped to old creative sbs250 spekers with 16ms of latency (i'm using jack audio connection kit and linux). That's how my feedback loop came into existance. I turned up the volume and started to move the mics around, geting a lot of different sounds ranginf from simple tones to strange lfoish sounds. The sound touches 0db one times, but is rather undistorted (at least digitally). Recorded with audacity @ 48khz/16-bit and saved as flac.

[retro_adventure_vibe_02. Wav]. Retro adventure vibe! short but effective, and can be used effectively. Reminds of games from back in the days, times when games like golden axe and altered beast were popular. This sound can for example be used in games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.