2,992 Royalty-Free Audio Tracks for "Time"

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.

Watch our beautiful travel video about tokyo here: https://youtu. Be/qcgmpwx4dxq. Leave a comment and tell me for which project you used it!! :). If you want to support me and my work or acknowledge that i provide my soundeffects for free - how about signing up to epidemic sound via the following link: http://share. Epidemicsound. Com/floepidemic sound offers a massive library of sound effects and music and by using my link you not only get the first 30 days for free but you can also cancel anytime! thus, if you only have one project right now you can literally get their entire sound library for free and basically earn me 30 bucks without paying anything yourself. Either way, i hope you have a good time with my sounds and can make your project work! all the best, florian!.

This is my impression of a flatulent arachnid, or "spider fart" which if referenced by a woman in an old-timey southern mansion, might be pronounced as "spidah-faht". This seemingly odd spelling and like-wise pronunciation, perhaps worthy of explanation, would be on account of their ". . . Well known and often satirized dropping of "r's" in times when they precede another consonant or pause, which has the effect of elongating the pronounciation of the vowel before it. " as ray kooyenga explains it. Delving deeper, according to j. Fought who seems to agree, this was a originally a "southern english dialect associated with priveledge and prestigem" and in certain geographies of the southern and south eastern united states migrants "clung to such speech through its association with the influential proprietors of the southern plantation agricultural system. ". The use in "faht" has also another common southern linguistic trait of what the preceding gentleman might term a "confederate a". And so this, is the "spidah-faht" or "spider fart" if you prefer, as performed by ray anthony mimicking the fairly common species "arachnid flatulence gigantous".

This recording is inspired by alienxxx http://freesound. Org/people/alienxxx/sounds/345510/made a little patch on my modular, still missing its (main) oscillators. I let the patch sound thru a pair of cheap computer speakers that i use as monitors. In an adjacent room, close to an open window, i put my phone and record. This is the unedited outcome. The recording was made 09:00 (16-05-11). Unfortunately nothing happened outside the window. Even the birds was quiet. I think there is a hint of feedback in the sound? first i planned to record with an old tape recorder, but i couldn’t find it. . . I think this recording should be listened to with low volume. May by it was a mistake to amplify the sound in audacity? but i think there is a nice room ambiance to the recording. Ideas for next time. Use guitar amp. Find old tape recorder. Don’t put recording device to close to window.

This one was also made in sylenth1, its a pretty dirty gritty sounding patch i made. Has a bit of the 'decimate' bitcrusher (sylenths', and i also added a bass amp in logic to fatten the sound up, its played in g. I always name my loops with the first letter on its key hence the name ghost chord=) , and is a loop made at 128bpm. Feel free to use it in any of your works + more importantly let me know why you like it?i take quite some time into adding details in my sounds. I find making a loop can be very good for tuning your ears & production techniques, because like an artist if your painting something small u add a lot more detail. No need to credit me but its always nice(the more u do this the more u get i say=)enjoy. Dw.

Recorded on a small olympus device, set next to an open sleeve of stale saltines. You can hear her in the plastic packaging grabbing mouthfuls and chewing the crackers all up. She dips into the sleeve of crackers 3 or 4 times in this recording and smacks her chops after eating it all. Sorry about her collar chiming as dog's tags tend to, i just had to record that big mouthed crunch. I've removed the loud plastic rustling sounds, to focus more on the crunching sounds as she munches on snack crackers. Great for dog food or puppy chow commercials or for a film of a beast eating at charred crispy remains. If you use it for a film put a link to your work in the comments below, i'd love to see how you use this audio of a big mouthed cutie pie cruncher dog.

This sound or sounds was created through the help of vst's, time shifting, parametric eq, cutting, sampling, layering and many other methods of sound manipulation. Follow me on youtube for future tutorials and music. Https://www. Youtube. Com/channel/uc3f2acuv1q0hsuaxqqwotrq-------------i make sounds for freesound. Orgi obviously don't get paid anything for uploading and the premise of using freesound. Org is to share sounds for free to everyone. If you could help me make this a sort of go fund me donation so i can continue doing what i love. Any amount donated is greatly appreciated and words can't show how much i appreciate you. Thank you for reading. Https://paypal. Me/pools/c/81iraceqx0.

Hey!. I've made this for a friend's project. But the project is now stalled, so i decided to release my work to the world. The sound is created with multiple layers of zynaddsubfx digital synthesizer. Sequenced and rendered using lmms. This was my first serious attempt at creating high-quality game sounds. I've spend quite some time refining and adding detail to the sounds, so they are rich and convincing. I hope this is a production at top level, that could be used in a commercial motion picture. Have i reached my goal?. If you want to use them, you'll need to edit it by yourself :). There are several different firing sounds, laser beams, discharge, sounds of plasma projectiles hitting a wall etc. . . Have fun and don't forget to give me a credit and link to this page!.

Français:fond sonore avec tension permanente. Musique que j'ai créée avec music maker jam. Musique courte pouvant être répétée à la suite autant de fois que souhaité sans perturber la continuité de façon brutale. Un rythme rapide pour l'effet tension en continu. A utiliser de préférence en musique de fond pour des vidéos de type creepypasta. Volume à régler en fonction de vos besoins via un logiciel audio. English:background sound with permanent tension. Music i created with music maker jam. Short music that can be repeated as many times as desired without disrupting the continuity in a brutal way. A fast rhythm for the continuous tension effect. Best used as background music for creepypasta type videos. Volume to be adjusted according to your needs via audio software.

I've recorded the first chapter of a story created in a manner called one-word-at-a-time in freesound forums. Read the original here:http://www. Freesound. Org/forum/off-topic/34658/. Captured using a zoom h2, edited with audacity. Compressed with sc4 and eqd with audacity's built in rich eq. The compiled text without commentary:. 1 - once. . . 2 - upon3 - a time4 - in a small town called pandora5 - there was a database. 6 - containing vital information7 - collected and controlled by the government. 8 - nobody knew what the database, called pandorabox, contained, yet the popularfolklore went thus:9 - that every word, written, spoken or thought was in the database. 10 - though the question still remains,. . . 11 - how does one12 - hack the database? more importantly, why does one, or who intends to, hackthe database?13 - the question puzzled many but one young outcast searched for the answer forhis special organization called the. . . . . 14 - chaos code. 15 - within this organisation one thing was certain. . . 16 - , they were all looking for the same thing. For all they knew pandoraboxcould hold vital information for there cause that they could use against thecapital or it could hold deep dark secrets about them and the capital that wouldneed to be destroyed and taken advantaged. 17 - but,18 - nothing is ever easy19 - for20 - the chaos code. 21 - now time is running short as few are left to face the enemy22 - , although without even knowing who the enemy really was, the "crusaders" -the hackers - knew they were against something big. . . And that something wasagainst them as well. The first step, then, was to know whom or what they wereup against. 23 - they set to prepare some reconnaissance - to better equip their knowledge. 24 - when they got there they secretly spied the territory and discovered thatit was worse then they predicted and it would be hard getting in and out withoutbeing noticed, they will probably have to fight there way in and out or sneak inand then fight there way out. 25 - since they knew that either outcome meant the destruction of their plansbefore even starting, they decided they'd have to retreat and find an insiderfirst.

This is a recording of myself sleeping, beginning ~ 1:00 am local time (~ 3hrs after going to bed) on january 10th, 2020 (which i later discovered was a full moon). I was in the midst of experimenting with recording myself all night long out of curiosity, using a laptop placed near the head of my bed. This particular recording was the only anomalous one (the rest consisting mostly of just breathing or snoring with occasional sleep-talking). This ~2 hour recording has several interesting properties, which make it hard for me to believe that these sounds were actually going on while i was sleeping. On the other hand, i don't have a memory of editing this file if i did. Either way, i find it unsettling. I found the file in oct 2021 while organizing my samples. As far as i can remember, this is the original raw recording. On further inspection, i discovered that it has some additional peculiar properties that make it even harder to believe i could have made it without remembering doing so. The audio spans almost exactly 118min (7080s). There’s a frequency sweep with a cycle-length of 6480ms that repeats throughout the entire recording. Dividing the 118min by 6. 48min (60 cycles) results in 18 parts containing exactly 60 cycles and a remainder of 12 cycles. If you think you know the source of the strange sounds or if you've ever heard anything similar, please let me know in the comments or email me at storyofthelie@protonmail. Com. I collected the most interesting bits into this pack:https://freesound. Org/people/storyofthelie/packs/33653/. Approximate times of weird stuff:. 25min - stretched cough41min - voice & sounds45min - metal hit & voice47min - call response55min - door latch1hr 3min - portal1hr 7min - more portal1hr 11min - open portal1hr 20min - echo voice1hr 23min - echo voice, tones, portal1hr 36min - stomp into breathing1hr 51min - echo voice1hr 53min - cycle tone change into crazy.

A long recording on board the "green car" of the jr tokkaido line from atami to shinagawa. A "green car" refers to the first class cars on some long distance local trains. The ride is smoother and the cars are generally much quieter. The cars are generally empty but, this was at the end of a 3 day weekend, so the car was actually quite active (i'll try to get a quiet one soon). You can hear the ticket attendant, the conductor's announcements, station arrivals and departures, passengers getting on and off the train and settling in and having conversations. At some point you can hear the guy behind me eating senbei (a crunchy japanese rice cracker) - that's a little annoying, but there might be some usable bits in there if you're good at editing backgrounds. But like i said, i'll try to get a less busy train next time. Recorded with 2 stereo mic pairs and unedited.

Sounds from making holes in the ground to place a mortar in it, it could also be used for preparations of building a tent. What i envision most is though that a real time strategy worker is harvesting coal, iron, metal, gold or stone resources using a pickax or shovel on hard ground. It could also be a massively multiplayer role playing game with the harvesting features. Extracted from a video (http://img. Youtube. Com/vi/bibflvh5qjq/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Creategenerate sine wave tone, frequency = 340. 00 hz, amplitude = 0. 80, 30 secondsduplicatedapplied effect wahwah…frequency = 4. 0 hz, start phase = 280 deg, depht = 92%resonance = 6. 9 frequency offset = 30%applied effect : tremolodeleted 30 seconds at t = 0. 0generate sine wave tone, frequency = 330. 00 hz, amplitude = 1. 00,30 secondsapplied effect wahwah… frequency = 1. 5 hz, start phase = 359 deg, depht = 33%, resonance = 6. 9, frequency offset = 30%duplicatedtime shifted tracks/clips right 0. 61 secondsmixed and rendered 2 tracks into one new mono trackapplied effect : tremoloapllied effect : apple : audistortionapplied effect : valve saturationapplied effect sliding time scale/pitch shiftduplicatedgenerate sine wave tone, frequency = 120. 00 hz, amplitude = 1. 00, 22. 000000 secondsdeleted 44. 91 seconds at t = 0. 00mixed and rendered 2 tracks into one new mono trackapplied effect: compressornormalize to 0 db.

The new hope & ivyland railroad is located in new hope, pennsylvania, usa. Basically, it's a tourist railroad that gives visitors the experience of riding in an old fashioned train. You take a short trip out (too short in my opinion) and a short trip back to the station. Since i wanted clean sound, my wife decided to surprise me by paying for the private seats on the very back (outside) of the train. Think of old pictures of presidents waving from the rear of a moving train. . . That place!. So, with zoomh4n pro in hand, i recorded the entire trip from station to station. There's lots of good, old fashioned, clickity-clackity track in this one. A rarity these days as most tracks are now put down with out breaks for miles at a time. Enjoy!. Christopher.

Over 150 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them (this happens 3 times). To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

Over 250 public domain sounds curated from freesound, the internet archive, and citizen dj. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them (this happens 3 times). To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

The "annoying" speed chime, turned world famous drift hero by initial d; as it was intended to be heard by the toyota motor corporation. A common issue with these chimes is that the second impact is muted by the impact rod, this was mitigated in this file by holding the chime with a specific side up. This is marked by the second bell properly ringing out after the second impact. This rendition is a pre-timed, loopable, clean version of the chime, recorded from a real imported 86640-12070 "king kong" (kin-kon) chime. Sound created by attaching a power supply set to 12v ~0. 35a in an amateur studio. Like many of my files, these are completely free to use without even giving credit! :) my only request is you tell me where you use them!. These are also called 「速度警告チャイム」(sokudokeikoku chaimu) meaning "speed warning chime" and colloquially 「キンコンチャイム」 (kinkon chaimu) literally derived from the "kin-kon" sound it makes. Dream　on‼.

A conversation that happened in the kitchen. Warm for the time of year, a man steps in to play basketball on a corner paved lot. Just one basket and no refs, the two free-throws he is offered are almost unheard-of. Maybe some of them didn't like his looks. Likely too they know what he does for a living. Likeliest of all he was playing well, but for sure the woody that won't quit had come to call, and they probably liked that least of all. So he steps up to the foul line and the first shot zips the net. So does the second one, but even before it gets there, someone jumps in behind him, grabs hard and and zips his pants all the way down. They aren't around his ankles, though. Close one, he's standing on them. Worse, a local crowd has gathered. Only the stunned aren't laughing or pointing or cheering. You put your pants back on and go home, what else can you do? game over.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

I had to make a background track of roman senators talking for a comedy radio theater production. I recorded myself 5 times in different voices (other than my own) and got this track. There's a dumb senator in there, an old man senator, and three other random senator voices. :). You may do whatever you like with this sound. . . No attribution required, although i'd appreciate it if you would! :). Comments are always appreciated! :). P. S. Try to see if you can tell what the dumb senator is saying. . . That was the one that always got my friends laughing. Hint: it starts out with something like this (duuuhh) does any-body know what 'appened to julius caesar? well i see he died, but who knows? etc. Then he starts talking about how dumb he is and how everybody should imitate him because he's so dumb. . . Etc. :). All of the voices are done by me and none of these voices here are my normal voice. Xd.

Zoom h4n - onboard microphones. This recording was captured in the city of orange in orange county, california. This is located just below los angeles and less than a mile from disneyland in anaheim. This is an extremely clean recording of a sudden cloudburst that turned in to a torrential downpour on december 28, 2020. The peaks are all very close to 0db. I opened the sliding glass door to our balcony and placed my zoom h4n as close as possible to the rain without destroying the recorder. What resulted is an amazingly layered rain track. This is because rain can be heard striking multiple surfaces such as a tree, a metal table, the cement balcony, etc. . . There is not much thunder (that's rare in this area) but if you need a few dramatic thunder claps they can be found at the following times one the file is downloaded. Note: that the rain decreases in intensity near the end. 8:09 - 9:37 - 10:31 - 11:20. - christopher.

My original dw toms, mixed with themselves 1 octave up [the octave up is lowered -6db and the envelope reshaped to allow loud only the attack]. Then for that resulting mixdow again the same thing [so i used the same method two times]. At all steps i was using the simple compressor[not multiband] for not allowing overlimiting. For the two general mixdowns [because it was a double process] i used hard compressor at -0. 45 dbs. And for the two octavic parallel channels i used hard compressor -3. 60 dbsbecause the octave doesn't sound realistic if not well compressed. For all my dw octavic tomsed i used the same exact method. My original dw toms are here if you want to read data or mics. These toms do not sound realistic as stand alone sounds. These harmonics work better only in a complete mixdown, and have increased audibility than the original recordings [for silent music parts use the original because low velocity of parallel instruments will expose the supportive tom-harmonics].

**warning**: do not play this sound with full volume on speakers with an amplifier; you risk damaging the driver through exertion. Format: wav - 24 bit, 44. 1khz [mono] - loopabledescription:a 30 second long pure sine wave of 14hz, at a constant spl level of -5 decibels. The audio file is loopable with a coherent crossing point from end to beginning. If you would like to read up on the infrasound phenomenon go here:http://goo. Gl/gmbsvm. Methodology:synthesis generation in sound forge pro macosx. -------------. This can be used for experimental purposes. I used infrasound in a horror film; attempting to create a physical sense of terror with the motion picture at specific times. It is believed by some that a high enough amplitude of infrasound can be used as a weapon. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this sound is licenced under cc0 [public domain] - so you are free to use and abuse it. I wouldn't mind a credit though if you're feeling generous. . .

This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.

Field recording captured on february 19, 2022 at 21 hs local time. Located in tolhuin tierra del fuego argentina, lago khami is a big body of water situated in the middle of the island, it extends past the frontier with chile and its home of a great biodiversity, here you can hear it in its most calm form. Recorded by jauke (matias aguilar)in a rode ntg4on a zoom h6original recording in 48khz 16bits. Grabación de campo hecha el 19 de febrero de 2022 a las 21 hs tiempo local. Ubicado en tolhuin tierra del fuego argentina, el lago khami es un gran cumulo de agua situado en el medio de la isla, se extiende pasando la frontera con chile y es hogar de una gran biodiversidad, aquí pueden apreciarlo es su estado mas calmo. Grabado por jauke (matías aguilar)con un rode ntg4en una zoom h6grabación original en 48khz 16bits.

Watch our travel video about dubai here: https://youtu. Be/q7oxul_ksaqyou might as well go and check out my instagram: https://www. Florianreichelt. Comleave a comment and tell me for which project you used it!! :). If you want to support me and my work or acknowledge that i provide my soundeffects for free - how about signing up to epidemic sound via the following link: http://share. Epidemicsound. Com/floepidemic sound offers a massive library of sound effects and music and by using my link you not only get the first 30 days for free but you can also cancel anytime! thus, if you only have one project right now you can literally get their entire sound library for free and basically earn me 30 bucks without paying anything yourself. Either way, i hope you have a good time with my sounds and can make your project work! all the best, florian!. Keywords: explosion, huge, sound, fireworks, dynamite, explode, boom, bang, impact, bomb, explosive, detonation.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

Jaroslav Jezek was born in Prague 1906 and studied at the Prague Conservatory, graduating in 1927. He studied music during the period of the new freedom with its' influence of American jazz and dance on Czech composers which can certainly be seen in Jezek's works. From '28-38, Jezek composed music for 20 plays and revues performed at the Liberated Theater where absurdities of the times-moral hypocrisy, the mistakes of democracies and the inanities of totalitarianism-especially of the Nazis, were humorously skewered. He composed waltzes, tangos, charlestons, rhumbas, and jazz for his admiring Czech audiences. During WWII he moved to New York, possibly because his past criticisms of the Nazi Party would have landed him in prison. He continued to compose there in 1939-41. He died in New York in 1942. The Bugatti Step was written to commemorate Czech racing car driver Eliska Junkova's 2nd place finish in a Swiss mountain race in '27 in her huge Bugatti touring car, seen at 2:08 in this vid. Thanks to former yt contributor KSPM who originally uploaded this music and introduced me to Jezek.

Stereo recording incorporating 2 recordings made simultaneously on the web sdr (software defined radio) in north east pensylvania (fn21mh) at http://k3fef. Com:8901/and the one at raf hackgreen in nantwich in cheshire (io83ra) http://hackgreensdr. Org:8901/i used the filename of one of the recordings for part of this new dual receivers recording mixed in goldwave and time-synched by ear. Left channel is the pensylvania receiver, right channel is the uk receiver. Heard are various stations working or trying to work w1uuu in massachusetts including stations in the dominican republic, argentina, the ukraine, trinidad and tobago, colombia and florida. Some stations are heard better in pa, some better in the uk. Lots of static crashes heard from late spring lightning storms hundreds or thousands of kilometers away from both receivers. You can find over 100 receivers athttp://websdr. Org/most allow you to record, though some have a 15-minute timer.

This sound sample is part of the free collective soundbank "negative mass", which is comprised of around 60 royalty free samples and field recordings used by some of the artists featured in the "new chronologies of sound" collection to compose their sound works. "new chronologies of sound" is a sound art collection that proposes to generate debate on issues related to the ways in which lockdown affected our ways of listening, perception of time and work habits, by developing a collection of sound works based on field recordings, which reflect upon those matters. This artistic research project gathers artists and researchers from all over the globe — agf (de), budhaditya chattopadhyay (in), bj nilsen (se), diana combo (pt), gustavo costa (pt), hugo branco (pt), kyoka (jp), laura romero (es), lawrence english (es), matthew herbert (uk), miguel isaza (co) and natalia valencia zuluaga (co)— encompassing a broad diversity of aesthetics, geographies, processual latitudes and conceptual attitudes, which range from pure field recordings and processed soundscapes down to more musical or compositional uses of found sounds. + info: https://lifeisavicnic. Com/vn003.

This is the latest homework i have done, for this one i imagined this:its as if you were hearing from the ears of the person in the cashier spot, at a busy restaurant, this person gets caught in a time wrap and they start to like trip on these sounds from the kitchen, the stage across the bar, and even them turning a page on their boring magazine. If you read this and haven't played it yet, close your eyes and imagine you're that person and tell me what you feel!. At this point i have learned about effects and all that(still no pro), so be sure to listen with earphones for the best experience!sounds i used:. The busy kitchen (but i used the texture i made from it, you can see it in my other uploads) from cpark12 https://freesound. Org/people/cpark12/the funky free saxophone from insigner https://freesound. Org/people/insinger/the water faucet from redafs https://freesound. Org/people/redafs/the pan bam (as i like to call it) from jonascz https://freesound. Org/people/jonascz/the page turn from lawnjelly https://freesound. Org/people/lawnjelly/.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.

Sb 9. 16. 24 — thus jamadagni, being worshiped by lord paraśurāma, was brought back to life with full remembrance, and he became one of the seven sages in the group of seven stars. Sb 9. 16. 25 — my dear king parīkṣit, in the next manvantara the lotus-eyed personality of godhead lord paraśurāma, the son of jamadagni, will be a great propounder of vedic knowledge. In other words, he will be one of the seven sages. Sb 9. 16. 26 — lord paraśurāma still lives as an intelligent brāhmaṇa in the mountainous country known as mahendra. Completely satisfied, having given up all the weapons of a kṣatriya, he is always worshiped, adored and offered prayers for his exalted character and activities by such celestial beings as the siddhas, cāraṇas and gandharvas. Sb 9. 16. 27 — in this way the supreme soul, the supreme personality of godhead, the lord and the supreme controller, descended as an incarnation in the bhṛgu dynasty and released the universe from the burden of undesirable kings by killing them many times. Sb 9. 16. 28 — viśvāmitra, the son of mahārāja gādhi, was as powerful as the flames of fire. From the position of a kṣatriya, he achieved the position of a powerful brāhmaṇa by undergoing penances and austerities.

The office chair is a usual one with wheels and black, but been fixed and soldered and painted a lot for over 2 years (don't khow how long this chair was being used by the previous owner. To get the sound i just sit on it, put my phone on a tripod using the apk easy voice recorder pro by digipom, and then started moving with my feet trying for 30 minutes to get interesting sounds out of it, sometimes falling to get one continuous sound, but i never did that so my experience and technique is lacking also i dind't edit in audacity i just recorded send to email and uploaded here. The thing is that i got as a gift from a family friend and me and my dad soldered that thing probably 6 times to fix the sounds,pieces falling off, me geting in the ground after the entire base broked!( i wished i could show the picture in the center down of it) so before i went ahead to fix it again, i decided after talking to friends if i should record and upload, so here it is!. I hope is useful somehow to someone, now i can feel more at ease in repairing this chair again.

Short field recordings made with my iphone in august 2013 while visiting family on one of the many small residential islands located in beaufort, south carolina (of forrest gump, the prince of tides, the big chill, and the great santini fame for any movie buffs out there). The loud buzzing is the ear-piercing mating call of the cicada insect, a sound that's hard to escape in the sultry summer months and semi-tropical environment of the south carolina low country. You can also hear tree frogs and i think maybe some birds too. Unfortunately there's also a little ambient whine of an air conditioner at times and me tip-toeing quietly around on the crunchy gravel dirt road. . . Because i didn't realize my iphone would do such a good job of picking up the sound of my footsteps. :). Feel free to make use of these recordings!if you do use them in some way in a project, i'd be curious to hear from you.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

Watch our beautiful travel video about hawaii here: https://youtu. Be/v9yfon_noxiif you want to support me and my work or acknowledge that i provide my soundeffects for free - how about signing up to epidemic sound via the following link: http://share. Epidemicsound. Com/floepidemic sound offers a massive library of sound effects and music and by using my link you not only get the first 30 days for free but you can also cancel anytime! thus, if you only have one project right now you can literally get their entire sound library for free and basically earn me 30 bucks without paying anything yourself. Either way, i hope you have a good time with my sounds and can make your project work! all the best, florian!. Keywords: footsteps, concrete, feet, footsteps boot boots indoors indoor walking walk steps footstep foot foot step running foley snow run freeze stairs stairs gravel shoes.