303 Royalty-Free Audio Tracks for "Tin"

Edison Amberol Blue Record 2791. Sung by Rhoda Bernard. Cohen owes me 97 dollars (pol. Cohen jest mi dłużny 97 dolarów) – piosenka z 1906 roku charakterystyczna dla twórców i wydawców z Tin Pan Alley skomponowana przez Irvinga Berlina w wykonaniu Rhody Bernard. Čeština: Píseň Cohen owes me 97 dollars je typická pro newyorská hudební vydavatelství Tin Pan Alley, složil Irving Berlin, nahrál Rhoda Bernard roku 1906. Македонски: Коен ми должи 97 долари — песна во композиција на Ирвинг Берлин. Изведено од Рода Бернард, 1906 г.

Sorry if not good mic quality is not the best anyways use this is you want too ^^ again this is just for a school thing, anyways bye =).

Sounds like rain. Made from crumpling tin foil. Should loop seamlessly. Boosting some of the lower frequencies (around 80 - 100 hz) should add some thunder for you.

Opening a soda can. Sizzling beverage. As always; let me know what you think of it. Always open for feedback. Tascam dr40.

A sound of me throwing a metal diet coke can on a table. Used in my short film "how to open a can" https://youtu. Be/znwi1zw6zre.

Opening a small lid. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.

This sound was created by hitting a metal mentos tin with a sterling silver ring in a short little rhythmic pattern. It was recorded using a condenser microphone in my computer music class.

Phone set next to a open widow during an alabama thunderstorm.

What it says on the tin. Please credit & let me know what projects you use this in if someone finds this useful somehow.

Me saying. . "you mess this up. . Ill introduce you to uncle stanley" in an east end london accent.

Tin pothouse to can crumpled in a hand, beer was splashed out and scattered in the parties.

This sound was made by shaking a tin globe map of the world and spinning it to make a squeaky sound. Recorded using an m-audio microtrack ii.

This sound was made by shaking a tin globe map of the world and spinning it to make a squeaky sound. Recorded using an m-audio microtrack ii.

Music box cranked slowly on a big metal tin so that individual notes are heard, with some cranking noise. Recorded indoors on a zoom h1n.

I made this using the back of a spoon in a tin of cornflour. Recorded on an i phone 12 and then took out extra clinks and clunks on garage band.

This is the sound of rain hitting the top of my chevy malibu. It's recorded from an interior perspective. Recorded with: sanken cs-1e, fostex fr2le.

Recording of drinking from a soda can. Includes sipping drink, swallowing, and exhaling. This was a 10 oz can. Recorded in small iso booth with at875r.

Small change being dropped on the floor from a tin container. Recorded with coincident cardioid small diaphragm condensers through m-audio octane preamp and rme hdsp multicace soundcard at 48khz 24bit.

Hitting another metallic tray several times. A more sturdy/dry sound with less hang time. The sound is reminiscent of a thick bell or gong. Mic: schoeps c-mit 5.

Waking up in the woods, something spooked me, so i had to find something to calm me down.

Rather ambient bang into a can which sounds like a thick seed husk shot into a spittoon but is more likely a n aluminum knife or something striking a typical one pound bean can.

As it says on the tin. I had left my mic clipped to my shirt on whilst recording a tv drama, a few people in another room got to hear this.

Sound of an empty soda can being dropped in an empty room. Natural reverb, only editing done was to remove the sounds of me walking around / picking the can up after drops.

Recorded before the sun rose, rain and the occasional bird chirping. I thought it would be clearer that the rain is hitting the tin roof of a nearby building but it barely comes through. Recorded with zoom h1n.

No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.

Heavy rain on a metal roof (some variation in heaviness) recorded outside. Water drops into puddles and a single roll of thunder.

Elizabeth Spencer sings "Just Awearyin' for You" on Edison Standard Record 10477 19462a60e6b4389eff706e3bde9d98db from SONGS AS UNPRETENTIOUS AS THE WILD ROSE

What it says on the tin. Loops are made in cubasefollow me on spotify - scruz. Message me on instagram - @scr. Uzwould love to hear anything made with my loopshave a great day.

An approaching storm cell with light to medium rain fall on a metal roof (recorded from the outside not the inside) with the occassional roll of thunder.

A shaking of sterling pounds (uk money) in a love hearts tin. Could be interpreted as ammunition or as a collection sound effect or maybe a knight in armour?. Apart from being exported monoaurally, this is as rustic as it gets.

Edison Blue Amberol #3727. Performed by Edward Meeker.

Moderate rain on a metal roof (some variation) with drops into puddles and rolling thunder. Water on roof recorded from the outside rather than the inside (ie no echo or reverb).

Recording of an aluminium can being dropped and rolling. This sound was meant to be used in an animation as if it was coming from another room so the distant-like processed version is also included. Gear. Focusrite scarlett 2i2 3rd gensennheiser mkh50.

This is old and my memory not what it used to be. However, i do recall hitting a steel ruler against an empty paint tin and making some sort of popping sound with my voice. Then exposing it to terrible amounts of electronic torture until it melted with sonic extacy!.

Recorded on an ipad from a musical box played very slowly to get a single note. Then topped and tailed in audacity. I made it for use in the program sonic pi eg https://soundcloud. Com/scrbn/march-of-the-tin-soldiers-musical-box-version-played-by-sonic-pi.

We arranged this situation for an audiowalk. I walk through my friends that play football with a tin can in a pedestrian underpass at karlsplatz in vienna. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

Gravação feita em estúdio. Foi utilizado um grampeador. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv einternet, universidade anhembi morumbi. São paulo-sp. Brasil. Studio recording. A stapler was used. Recorded for the course of audio capture and editing of the course radio, tv andinternet, anhembi morumbi university. Sao paulo-sp. Brazil.

Recording of two kids for a production of cat on a hot tin roof. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Hitting a metal can with my finger. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.

Made from different sounds recorded from my metal thermos (24 oz) bottle by striking it with my hand. Recorded on iphone, sequenced in logic. These sounds can be downloaded from my 'metal bottle' pack and are totally cc0!.

Aerosol spray can squirting. This particular can was full of compressed air. I could almost sense their disappointment as the excited air molecules escape and disperse into what is in reality a rather drab room with a middle-aged man standing in the middle. Olympus ls-5, built-in mic capsules, no filtering.

Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.

My nightstand's lamp is an antique, it works electrically but also has a hole to use oil with it. This is the sound of me turning it off and on then unscrewing the cap on the hole. Could be used as interesting found-sound percussion, very similar to my oil drum sounds.

Hitting a half-full insulated klean kanteen water bottle with various objects. First short set with my fingertip, second set with the side of my varnished tin starbucks coffee mug and the third set with the side of a standard 3/8" plastic sharpie marker. According to my synth, this is extremely close to, if not spot-on with a d-natural (294 hz).

This is full sequence of music-box in tea can with screweing up(?) until full stop. It's gift-set of tin box with tea and onboard music box. First i'm winding up music box, put box on the table, then it plays until full stop. This audio recorded with sony mobile communications audio recorder (android) on nexus 4 in pcm wav. Then it was slightly edited with audacity - tiny noise reduction and equalisation (boost frequencies below ~400 hz, lowered frequencies higher than ~2500 hz).

This was a recording i made of a toy often found in wealthy households of victorian britain. The toy is composed of heavy brass base, candle-stick shaped,upon which balanced a brass cross-piece. Atop the cross-piece was attached the model of a horse and cart, with seated driver. This was made out of tin. When the cross-piece was rocked the sound heard is that of the moving horse's head and driver's arms. The head and arms were connect by thin cord, so moved in unison.

To create this sound i recorded myself opening a can of coke in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.

A typhoon thunderstorm recorded in a backyard of an apartment complex in xinyi district, taipei city, taiwan, in late august, 2022. Rain can be heard falling on grass, the glass roof over the recording area, and various roof materials in the area such as tin, brick, concrete, and clay tile. Occasionally, there is thunder. Recorded on a zoom h1n with a wind filter, at its 96k 24 bit option, mic sensitivity control wheel set to 6 (out of 10). Due to the length of the recording, this is part 1 of 2.

Recorded on mid-summer (that looked like mid-autumn) day 2010 in vilnius with a simple olympus voice recorder. I placed an old piece of metal sheet on a broken glass fish tank near a garage wall to catch the drops, recorder was placed in the middle of the sheet. The rain was very light and fine, later it intensified and became lighter again - all this is heard in the recording. Unfortunately three recorder beeps are heard at the end signaling that it was running out of memory. I later decided to leave them in as it quite unexpectedly added some drama to the whole record. . .

A typhoon thunderstorm recorded in a backyard of an apartment complex in xinyi district, taipei city, taiwan, in late august, 2022. Rain can be heard falling on grass, the glass roof over the recording area, and various roof materials in the area such as tin, brick, concrete, and clay tile. Occasionally, there is thunder. Recorded on a zoom h1n with a wind filter, at its 96k 24 bit option, mic sensitivity control wheel set to 6 (out of 10). Due to the length of the recording, this is part 2 of 2.