148 Royalty-Free Audio Tracks for "Tremolo"

A nice loop i made that has delay, phase distorion and tremolo to it.

Mild distortion tone, changing from c to d with a big bend for the end.

An ambient thing i did.

Lightsaber swing. Made with mouth sound and some effects, like reverb, paulstretch and tremolo. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

Natural modulation - a result of the wood spinning while resonating. Pitched down (recorded at 96khz, converted to 44. 1khz without resampling).

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: llvln_trem_a3_v1_rr1. Wavinstrument family: stringsinstrument: solo violinarticulation: tremolonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: livingroommicrophone: 2x rode nt1-a spaced pairperformer: lily lyons.

A without tremolo print of the former: http://www. Freesound. Org/people/nabz871/sounds/274608/.

A remix of a track i got off this site, funky!. 88. 5 bpm.

Heavy rotary type of effect with a some mostly laid back licks. Probably better broken up in smaller chunks.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: bkctbss_trem_b2_v1_rr1. Wavinstrument family: stringsinstrument: solo contrabassarticulation: tremolonote: b3midi note: 59midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 akg d112 closeperformer: brittany karlson.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: trem_a2_v1_1. Wavinstrument family: stringsinstrument: cello sectionarticulation: tremolonote: a3midi note: 57midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 royer r-101. Performer: cristobal cruz-garcia, addy harris, parker ousley.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violas_trem_b2_v1_rr1. Wavinstrument family: stringsinstrument: viola sectionarticulation: tremolonote: b3midi note: 59midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.

Heavy distortion tone with a sorta surf rock, retro vibe then with a wah wah effect for the end.

Recorded some random vocals, cut out a part, autotuned the heck out of it, added some distortion, delay, and tremolo and thought, that sounds cool. . .

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: vlnens_trem_a3_v1. Wavinstrument family: stringsinstrument: violin sectionarticulation: tremolonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, royer r-101 closeperformer: lily lyons, meitar forkosh, brendan klippel, sadie currey, rosy timms.

Sorta out of tune and pitch but can probably be used for something in the background. Mid gain distortion with some vibrato.

Clean tone with some vibrato and reverb. Changes up 30 seconds in. Could probably be edited to shorter chunks for some background noise.

Mono. Wet. Same classic sound as scare c but recorded wet with slight delay and reverb.

I used cheap mallet sticks made of rubber to play on a ride cymbal. Not really a good tremolo or whatever you call it, but it has its moments!recorded with a tascam dr 100. The ride was bosphorus traditional series. So i think it's 21 inces i guess? correct me there, i lack loads of drum-knowledge. Sorry about the attributional cc. It should've been public domain from the start.

Acoustic guitar chime using echo effect, envelope control, fade and noise reduction. Recorded with conexant smart audio on at2020 mic, processed with audacity.

It was created in audacity, using a chirp from from a2 to g3, then using phaser, echo and tremolo effects to create the end result. Finally, it was normalized to -8db. Hope you enjoy!.

Sorta old school, retro, vintage vibe retro rock with maybe a dash of neil young and grunge. Just some chords and vibrato.

A dark metallic scraping sound. A bell sound recorded on a tascam dr-05 then put through the monsterchorus vst, and heavily overlayed with vox and tremolo.

I first generated a sinusoid at 440 hz with audacity, i then changed the pitch to f#/gb low and i applied a tremolo effect wetness 40% and a frequency of 4. 0 hz. We can also ear crossfades in and out.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.

A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.

Recordings of sounds of the streets, church and public market of coyoacán, at the south of mexico city, on october 2019 with a zoom recorder. Barrel organ both natural and still processed are used.

Audacity:. • file→new. Left track• tracks→add new→mono track• change become left channel. • generate→chirp. . . - waveform: sine- startfrequency: 1000amplitude: 0. 5- endfrequency: 3000amplitude: 0. 5- interpolation: linear- duration 00h 00m 01. 000s. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 6. 0. Right track:• tracks→add new→mono track• change become right channel. • generate→chirp. . . - waveform: sine- startfrequency: 1500amplitude: 0. 5- endfrequency: 4500amplitude: 0. 5- interpolation: linear- duration 00h 00m 01. 000s. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 6. 0. • make stereo track.

Title melody - vibrating synth pad Artist stephan Original mp3 data Length:0:11 minutes (215.86 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Pad, swaying, vibrating Type Synthesized PDSounds record number 336 Comment Short melody of a swaying vibrating synth pad.

A bionic man-like effect. Created in qtractor with calf organ and c* scape stereo delay. Processed in audacity to speed up velocity, added a tremolo inverse sawtooth effect to increase ducking at a frequency, and added fade in and out.

trance state. This sfx has been generated by my own secret private program using nyquist api to generate such randomness, using web random. Org pseudo-api to get random integers of tremolo effect, tone generation, it waveform and so on.

Free short dark music on my youtube channel. Https://www. Youtube. Com/watch?v=xu480fyi0ua. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Low e string on acoustic guitar scrape slide with pick. Increased pitch, wah-wah effect at 31. 2%, light tremolo,fade and noise reduction used. Recorded with conexant smart audio using at2020 mic, processed on audacity.

Edited and mixed samples from the versilian studios chamber orchestra library. Use the link below to download the samples in multiple versions: https://vis. Versilstudios. Com/vsco-2. Html.

I have no idea if this is sounds real but i hope it does a little. I created this with virtual guitar program. I played with the pitch and volume. Its all free enjoy.

Applied stuff like echo, chorus, and tremolo. Converted it to amr then back to wav to make it mono. Reminds me of that sound effect from five nights at freddy's 3 that plays at the start of the minigames.

This is a 'helicopter' esque pass by created with my vocals, a tone generator and a guitar tremolo pedal. I think this could be best used as a layer. It really needs some background noise and potentially more engine noises to sound realistic. Use it as you like!.

Create chirp 1 use audacity:. • file→new. • generate→tone. . . - waveform: sine- frequency (hz): 1500- amplitude: 1- duration 00h 00m 02. 000s. • effect→fade out. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 10. 0. Create silence sound• file→new• generate→silence…. -duration: 0. 02s. • edit→copy (all). Return to chirp sound. Between every sin shape paste 0. 02s silence.

Made using two synths. One is a noise generator that has been pitched down three octaves. It has a 12-hertz sine tremolo on either side, one of which is offset by half a wavelength. The other synth is a deep organ playing e3 and g3. I cut the sound in audacity, and the waves line up perfectly, so you don't need to worry about looping it badly.

Recording taken from a train at about 20 feet away. It was very windy, so consequently, the majority of the track was very much ruined. There is a small click near half-way, caused by a brief release of steam. It might prove annoying if you are planning on looping it. There is also not an even right/left balance throughout, due to my movement to avoid the wind.

Create chirp 0 use audacity:. • file→new. • generate→chirp. . . - waveform: sine- startfrequency: 500amplitude: 1- endfrequency: 1100amplitude: 1- interpolation: linear- duration 00h 00m 02. 000s. • effect→fade out. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 10. 0. • effect→change speed…- speed muliplier: 2. 000. Create silence sound• file→new• generate→silence…. -duration: 0. 02s. • edit→copy (all). Return to chirp sound. Between every sin shape, paste 0. 02s silence.

Just makes your ears hurt, doesn't it? could be great for something like a machine having a complete meltdown, or a robot going haywire. Created by taking a stock sound effect of guitar plugs being pulled and distorting, reversing, stretching, looping, adding phaser, flanger, vibrato, tremolo, i can't even remember what else, like there's no tomorrow. All done in wavepad. I also tried to make it loop, but it's up to you whether i succeeded or not.

This sound of alarm clock was entirely made with audacity. First, i generated a sinusoïdal key at 575 hz with an amplitude of 0. 11 during 3 seconds. Then i deselect my track and i generated an other sinusoïdal key at 1500 hz with an amplitude of 0. 33 during 3 seconds too. I deselected the track and i generated a final sinusoïdal key at 2800 hz with an amplitude of 0. 56 during 3 seconds. Next i selected my 3 tracks and i clicked on track - mix and render to a new track. I added a tremolo effect with a reverse serrated and a degree of 0, a level of 100 and a frequence at 25,0 hz. The wave must looks like stuck triangles.

library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.