167 Royalty-Free Audio Tracks for "Variety"

Sharing some of my favorite sounds! (favorites, a. 11-a. 18). These are samples from the korg microkorg, recorded via audio interface. Multiple octaves.

Stereo samples of the landscape stereo field! it is a very interesting instrument, but sometimes hard to find. I did my best to cover a wide variety of the available sounds.

Mono samples of the landscape stereo field! it is a very interesting instrument, but sometimes hard to find. I did my best to cver a wide variety of the available sounds.

Small plastic part crashing into misc. Objects around workshop and breaking. Good for small plastic items being broken.

Music lab sounds added from december these sounds will have a variety from game re edits to created sounds from licensed sound reedits. Theses sounds are free to use from this add.

Recorded with a blue yeti in a treated room. Variations of a zipper zipping & unzipping. Jingle of metal. The rustle of fabric. ***don't forget to rate it***. Thank you for using my sound for your project. Send me some love by giving my youtube channel a like, share, or sub (https://www. Youtube. Com/@everydayeldritch). Check out my horror podcast at everydayeldritch. Com. Thank you!.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. (full details).

Variety of "racking" sounds.

Variety of east coast us birds recorded in spring. Birds at various distances from the mic and a variety of species.

Tweaking a variety of knobs.

Variety of simulated flatulence for any use.

Middle school kids laughing, variety, both spontaneous & forced, individual & groups. Stereo, sample rate 48khz, sample size 16-bit.

Sliding the barrow of the mouse to computer.

Different speeds of clicking the mouse button.

Typing the keyboard of pc by different speed.

Made using a variety of different hardware hacking techniques.

Another flip across the fm dial, to offer folks variety.

I recorded my variety of attempts flicking a lighter.

Field recording of a variety of frogs singing in east texas.

This is another break i made in jeskola buzz, from a variety of free percussive hit samples. There are 4 back to back breaks that differ slightly for variety.

A distorted sound that can be used for a variety of different needs.

Synth bells treated with variety of pitch shifting reverbs and flange.

Gasping for air after running, could be pitch shifted to fit a variety of characters.

Gasping for air after running, could be pitch shifted to fit a variety of characters.

Grabbing a picture frame off a table. Throwing it down. Multiple times for variety.

Knife stabbing into a melon, can be edited to a variety of things.

Squeaking wet fingers on a bathtub interior. A surprising variety of pitches is produced.

Someone flipping the pages of a small book in a variety of ways.

A pulsing synth bass loop.

I create my own original sound effects using audacity and my own equipment.

A moody-sounding game sfx, of the retro variety. Have fun!.

Sheep bleating. One at a time, variety of closeness.

A few sprays from a deodorant can which can be used in a variety of ways.

Boat sounds. Chugging engines, horns beeping. Variety of horns. Motor running.

A compilation of recordings of a metal chain being handled in a variety of ways.

A compilation of recordings of a small tin can being handled in a variety of ways.

A compilation of recordings of a large tin can being handled in a variety of ways.

I recorded in and out clicks on a variety of pens. Here are a few.

Small water impulse created from a variety of water sounds layered. Microphone used: b-1 behringuer. 48000khz.

I am going on a sound walk at loyola high school, i heard a variety of very interesting sounds.

Sound is me hitting a half full metal canister with a spoon (another clang than the first file for variety).

2019 wets season in north eastern australia brings out a variety of frogs. Atherton, qld.

Rubbing wet fingers against tupperware, resulting in a surprising variety of cricket-like chirps and squeaks.

A soundsketch created using a variety of free-to-use sounds.