2,352 Royalty-Free Audio Tracks for "Vocal"

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Light party, fiesta, reception in the background (taylor swift vocals). Recorded using an h1n handy pocket recorder at a wedding reception.

Miroslav reads his own small poetry.

Today begins a week of immense global protests and strikes to bring attention to the climate issue. Of course, i attended the guildford protest, participated and documented it here with some of its vocal chanting from a crowd of several hundred. With the aim of spreading news of this strike as much as possible, i am releasing this sound to the public domain. These strikes deserve to be heard. They need to be heard. . For more information: https://globalclimatestrike. Net/. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated! and for more awesome sounds, do please check out my sound libraries or sfx store. Please comment on where you intend to use the sound, and feel free to post a link to the work where you used it if you want (i enjoy watching/listening to anything you create!). The sound was recorded using a "zoom h6 (xy) recorder" on 20th september 2019. Note: audio quality is always better when downloaded.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. This is from the spider incident, hence why it is far away. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

Feel free to use this in your games animations and please support me on this site. For custom content please message me at tomascolt12@gmail. Com. あなたのゲームのアニメーションでこれを自由に使って、このサイトで私をサポートしてください。カスタムコンテンツについてはtomascolt12@gmail. Comで私にメッセージを送ってくださいanata no gēmu no animēshon de kore o jiyū ni tsukatte, kono saito de watashi o sapōto shite kudasai. Kasutamu kontentsu ni tsuite wa tomascolt 12@ gmail. Komu de watashi ni messēji o okutte kudasai. Fühlen sie sich frei, dies in ihren spielanimationen zu verwenden und unterstützen sie mich auf dieser seite. Für benutzerdefinierte inhalte senden sie mir eine nachricht an tomascolt12@gmail. Com. Siéntase libre de usar esto en sus animaciones de juegos y por favor apóyeme en este sitio. Para contenido personalizado por favor envíeme un mensaje a tomascolt12@gmail. Com. N'hésitez pas à utiliser ceci dans vos animations de jeux et soutenez-moi s'il vous plaît sur ce site. Pour le contenu personnalisé, envoyez-moi un message à tomascolt12@gmail. Com.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I think this was also from the spider interruption. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

Close mic loop on my cats purr box.

Swoosh made with waves and children vocals, and the beach!.

Male voice saying the words "aw yeah".

Noise and click. Recorded with edirol r-1 & sennheiser me66.

Rhythmic 'distorted' vocals spelling out l-o-v-e, with background noise and texture.

I just messed with some effects on vocals for a song. Finally i got this.

Record number: Zonophone 2155 Vocals: none

Label: L'Anthologie Sonore Cat. no.: FA 805 B Order number: JF 7 / M3-102732 Matrix/StamperID: JF 7-1 / M3-102732 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. Récit de Bastien: He quoi? tu ris de ma prière; Duo de Bastien et Bastienne: Va, berger perfide Genre(s): Opera terminology Comments:

Label: L'Anthologie Sonore Cat. no.: FA 805 A Order number: JF 1 / M3-102726 Matrix/StamperID: JF 1-1 / M3-102726 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. 9. Air de Bastien: Oui, da! je ris de tes outrages; Air de Bastienne: Il n'est besoin que d'un sourire Genre(s): Opera terminology Comments: -

한국어: 박영호(작사) 김송규(작곡) 박향림(가수) 콜롬비아(제작) 1938년 콜롬비아 레코드 소속 박향림이 부른 트로트(Trot) 만요(Comic Song)이다. "Oppaneun punggakjaengi" ("My Brother is a Street Musician"), a comic teuroteu (trot) about a brother constantly interfering with his sister's personal business. Sung by Park Hyang-rim (박향림, 1921-1946) Composed by Kim Song-gyu (김송규, 1911-1950) Lyrics by Park Yeong-ho (박영호, 1911-1953) “Oppaneun punggakjaengi” (오빠는 풍각쟁이, «Mi hermano es un musico callejero»), un popular trot cómico coreano de 1938 compuesto por Kim Song Kyu (música) y Park Yeong Ho (texto), y cantado por Park Hyang Rim Italiano: “Oppaneun punggakjaengi” (오빠는 풍각쟁이, «Mio fratello è un musicista di strada»), un popolare trot comico coreano del 1938 composto da Kim Song Kyu (musiche) e Park Yeong Ho (testi), e cantato da Park Hyang Rim Македонски: „Опанен пунгакченги“ (오빠는 풍각쟁이), популарен корејски трот од 1938 г. од Ким Сонг Кју и Парк Јенг Хо во изведба на Парк Хјанг Рим. Oppaneun punggakjaengi (오빠는 풍각쟁이), popularny koreański utwór typu trot. Kompozycja Kim Song Kyu i Park Yeong Ho, w wykonaniu Park Hyang Rim.

The Couch performed by Wild Blue Country of the United States Air Force Academy Band. Track 4 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2]

Livin' the Dream performed by Wild Blue Country of the United States Air Force Academy Band. Track 3 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2][3]

Free Man performed by Wild Blue Country of the United States Air Force Academy Band. Track 6 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2]

This is my verse from a group song recorded about six months ago.

Record number: Zonophone 2155 Vocals: none

Mariachi band with trumpets playing adjacent to a violin practice with low vocals, with tropical birdsong.

A few voice clips made by me for dj tool purposes.

A sample made on my new waldorf blofeld. By casualnoise-projects. Also see my youtube postings. . .

Recorded in a subway station, with an iphone 6, 10 ft away. This guy plays at various stations, namely bedford ave and union square (nyc). He's got a very lively playing style and is always a joy to listen to. I want to get better recording equipment for next time.

A talking mohm. The other relatives of the gnome. It could have been. . . Created vocals.

One night while recording vocals it was really windy outside, and the wind slammed one of the doors in my house shot. The sound got caught by the mic and i liked it enough to use it as a snare sample for that same song i was recording vocals too. Hope you'll find a creative use for it!.

Reversed vocals showing scary atmosphere in a church.

Scary death vocals with a few "clicks" here and there with a reverb. Made in wavepad.

Chatty vocals of an unidentified bird in a bush with wood pigeons joining in.

Yoda knows the Force is in you...Vocals highly processed. Nice for sci fi spoof.

A drumloop with bass. Add your own vocals. Let me know what else to make. I might do it. Message me.

84 bpm. Add your own sub bass and vocals you lazy **** <3.

A looping forcefield sound from my video game "virus at home". Made with a 50hz sawtooth wave, synths and mixed vocals.

Me saying "boo! with a laugh; ambient vocals with some reverb. Hope it's useful! you rock!.

An electro break or loop. It'd be cool with some acid robot vocals or something. I made this with a program called tree.

The U.S. Army's Six-String Soldiers perform "The Star Spangled Banner" in 2015

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. Funny story. . . The reason this one is from far away is because while recording a narration, a lovely spider decided to descend from the ceiling, and i flipped out, having decently bad arachnophobia. It also got near my hamster's cage, so naturally i bellowed "die!" when killing it. I'm uh. . . Very passionate about certain things. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So you liked surprising her. Here's what it feels like, dude bahahaalso, what it sounds like. A first foray into educational response, the subject slowly awakened in handcuffs, barely aware he was rapidly losing his shorts. Totally unsympathetic cohorts then lashed ankles quickly to both ends of a broomstick. Free to do as they please, unplanned things can happen, and did. Oh, dear. 😯 well he was completely vulnerable. You mean. . . Yeah. They did. 😼 at that point i think he was awake. His victim had selected the broadest and longest, high-output motorized appliance to be found, complete with bulging veins. . . Eventually, at her hands and from her “deep” feminine resolve and with considerable force, the nautilus made port. Ta-daa!! lubricant sure wasn’t needed anymore but had spent the night in the fridge. So she used it😬 end published audio, but not the still-expanding asshole, um, event. Take-away: if you cannot be respectful, at least be careful where you sleep. In fact just a bit later, the enhanced vibrators and integral power-stroking were switched on. Gracious. He didn’t know it had an “on” 🙀 and just about went wild. A lovely, cohort-induced stiffy relaxed and then, any semblance of bladder control did too - oh, oh my 😸 😹then we left.

16 bars/30 seconds of laid-back r&b groove with enough space for added audio/vocals over it, perfect for a podcast intro.

Sorry for the brief vocals. I'd love to see what this sound ends up in, send me a link if you use it maybe?.

Multiple layers of downpitched vocals, recorded via rode nt2a -> focusrite liquid saffire 56. Editing and mixing in ableton live 9.

Another reversed vocals showing scary atmosphere in a church.

Recorded some random vocals, cut out a part, autotuned the heck out of it, added some distortion, delay, and tremolo and thought, that sounds cool. . .

Out of the series of some weird screams made in the basement of the utrecht school of the arts, hilversum, netherlands. Made with rode nt4 stereo mic + zoom h4.

The traditional bluegrass song Footprints In The Snow, performed by Cliff Carlisle (vocals, steel guitar) and his brother Bill Carlisle (guitar)

Written by trad. Performed by Charlie Poole (vocals, 5 string banjo), Posey Rorer (fiddle), Roy Harvey (guitar).

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.