329 pistes audio libres de droits pour "Forme"

Exactly one complete wavelength of a 1-hertz sine wave. In audacity, you can use the repeat effect and then the change speed effect to generate any frequency. It is not meant to be a usable sound in its current form.

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Fs1r yamaha formant acid.

Recording from the back of a ferry boat. Sound of the water being churned up by the engine and forming a large wake behind the ferry. Sounds like splashing water.

First theme of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1–12.

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Start of second subject (D major) of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 13–16.

Synthetic guitar-like riff with strong wah-wah effect; riff repeats at different pitches to form a simple melody. Useful as a ringtone that grabs your attention, but is not annoying or grating. Created with audacity.

Rolling psytrance bassline in the key of g designed by myself with serum vst in ableton for a track never released. Want that pro bass sound? free to use in whatever form.

The sound of a single plant growing, from a seedling to full form. Maybe can be used for a timelapse of a plant growing, or any plant based magic?. Made by crunching lettuce.

This is a section of the pack with 50 bass drum varieties. Most of them are just minor changes and they resemble extremely "similar" sounds however they're based on different wave forms which are mixed together to form varieties. Other parameters were mashed, some may have distortions some may not. All the sounds you hear are synthesized. Generally these sounds are for dance music, some of them are well suited for more experimental music as well. But it should not be limited to just techno or trance. . . .

I did not create the individual sounds heard here, they were provided by sonniss royalty-free. I mixed the sounds to form this shooting scene where the bullets whizz past for a podcast i edit. Enjoy.

Aria from the Goldberg Variations. Converted form the FLAC file at https://archive.org/details/MusopenCollectionAsFlac. Note that this recording is not the one from Open Goldberg Variations, but commissioned by Musopen itself.

Català: Zarabanda de Johan Kuhnau on es pot veure una forma binària de dues frases

Here is a recording of raindrops dripping on the roof of a rental car. Recorded in the interior of the vehicle. It seems to form a repetitious pattern.

Several layers of synths compiled to form an airy, breathy type of tension thriller ambience. Composed on magix music maker 2016 live.

Made form multiple sounds of me gulping laid over each other. Kind of sounds like the drinking honey sound in minecraft. Recored on my new microphone that i got from christmas. Shure mv88+.

This sound was made by importing a picture into audacity, no mangling used. You may do so as much as you like. Made with audacity.

This is a one minute narrated sound walk done on the night of september 8, 2019, at around 10 pm. It includes sounds of distant crickets, airplanes, the gentle lapping of a pool, and other forms of nightlife.

Cricket sounds from my back yard. 6 tracks form evening recordings, september 2022.

Free to use in whatever form, sample made by myself in cubase 5. Spire vsti. Minor something, can't remember sorry just found it laying around on my pc unused. Needs some eq :p.

Several layers of synths compiled to form a somewhat warped, ethereal, tension thriller. A touch of spookiness and horror peek through. Composed on magix music maker 2016 live.

Garcello note shape.

Garcello note shape.

Garcello note shape.

Garcello note shape.

Chromaphone demo track of the soundset 'lost in the darkness'. Formed by 50 presets and two variations is available in zensound. More info here:http://www. Zensound. Es/soundsets/chromaphone-lost-in-the-darkness/.

A patch around the build of a complex wave form. Creating an interesting timbre is challenging and fun. I have not tried but i think this sound will loop well!.

Produced in reasynth then rendered then pitch shifted. The quality was put to the absolute maximum (somewhat to ridiculous degrees) as to provide maximuim headroom for pitch-shifting, headroom and to stop a form of foldback aliasing in sound from occuring - sustaining fidelity.

A sound taken form scratch. Mit. Edu, oh and also you can visit the project where i took the sound here: https://scratch. Mit. Edu/projects/450159003.

I just borrowed some sounds from here so i thought i'd put them back in a more convenient form. Check it, it's a forest. A solid 5/10. Bye.

The wind and myself moving some plants and trees at tea-museum in santa cruz de tenerife, you can hear the car traffic form a street on the background.

Alien tech sounds in separate wave forms, to splice up or use consecutively as recorded. "raiders of the lost clam!!!" uses freesoundorg sounds!.

Long form recording session of various tattoo machines at different settings and voltages. Recorded using a zoom h4npro and a pair of usi pros at authentic tattoo company in raleigh, nc.

Here a little suspence music with one theme in three different form. The rythme of the last part is a little off, but you can use the other loops. Btw, there was no mix or eq in these loopshope you will enjoy. Vst uses on fl sutdio 20:labs.

Several layers of synths compiled to form an ethereal thriller atmosphere. Dark, somewhat ominous & tense. Composed on magix music maker 2016 live.

Kenco 10 ton punch press, forming and crimping a 3/4" diameter x 1. 5" long steel cylindrical part on to a rubber hose. Recorded in mono with an edirol r44 recorder and a shure sm81 microphone.

Panning experiment with sequenced forms of stereo panning, radiation, reverb, etc. Recorded at 48khz 32bit fp stereo, because i love the morphagene. Enjoy!.

Erratic low knocking on wooden door using a crystal microphone. Initial sounds are tapping on crystal microphone attached to the door, later are knocking on that same door in different forms and rhythms. Including: rapping and pounding. Tascam.

Ein feste Burg ist unser Gott, younger version of Luther's original tune, 1529; four-part setting by Peter Gerloff Ein feste Burg ist unser Gott, heute meist gesungene Version von Luthers Melodie, Evangelisches Gesangbuch 362; vierstimmiger Satz: Peter Gerloff

This is a 10-meter-high waterfall formed by the small river molinar in tobera, a beautiful tiny village in the mountains of burgos (spain). Quite a refreshing sight. Recorded with sony pcm-d50.

Sound isn't very pleasant in it's base form. However when slowed down it produces an interesting sound that could be used for anything from tanks to motorcycles to some weird scifi effect.

I've decided to experiment with random frequencies slowly filling canvas and blending into a single timbre. For this piece they emerge with quite an amount of time and there is no distinct frequency to form a tone. This experimentation produces quite a hauinting sound consisting of small parts.

Aha! the wave form effects the wave color! here is a 60hz tone playing alternatly sinus and triangle wave. In this test im using vco-1. #colortest.

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

Three looping envelopes 2 on quadra and one pip slope. Forming a minimal rhythm. It's not stable. I make it even more unstable by injecting some cv to one of the envelopes. Maybe i injected a little to much? cool anyway.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

The Huffman Prairie Winds of the United States Air Force Band of Flight perform Bach's "Little" Fugue in G Minor, BWV 578. Track 7 form Blue Skies (1993).

This is a pack of 20 synthesized snare sounds with different "variables" for varieties. Wave forms slightly differ as well as the cutoff frequencies, resonance, and noise lengths are all slightly different from each other.

Jenny Lind polka. Forms part of a group of field materials documenting John Selleck performing Anglo-American music on the fiddle on October 2, 1939, collected by Sidney Robertson Cowell in Camino, California.