I initially created this snare using lmms ( linux multimedia studio ) and a single instance of the zynaddsubfx plugin. There were many effects and experiments done before exporting as an audio stem. Next i opened this stem ( single snare hit ) in bitwig studio and made a few copies of it and timestretched and chopped and then joined together in a group track the parts i liked to make the whole sound. Final effects included saturation, equalization , sidechain-limiting and compression.
Sur une plage par un jour de grand vent j'ai enregistré le son d'une porte métallique qui était balayée par le vent. On the beach by an extreme wind day i recorded the sound of this metal curtain. Recorded with a zoom h6wav 44100 24 bits.
Expect some sick sounds from me!i have built the eurorack module jupiter storm. It's described as a "cosmic noise oscillator". Now i will learn how to tame it. . . So easy to generate totally sick sounds.
This is a recording of me opening my flashlight, taking out the battery and putting it back in and closing the flashlight again. It's been a while since i uploaded anything, and i know how common flashlights are in video games so i thought why not.
City ambience: cars, tunnel, tube, wind, kids, children, pigeons. Sounded recorded with zoom h4n, near hallesches tor u-bahn station, berlin (germany). Converted to flac (audacity; level 8).
Modular made space (?) sound. Made a patch that generated some typicalmodular space sounds. Recorded. And now are you listening. Tip: take a part of the sound that seems to be quiet. Open it in yoursound editor. Amplify. . . Space is everywhere. Now slow down the speedof your sample. . . Space is deeeep and have multiple dimensions :-).
A sample of church bells from a pamplona side street. Recorded in 1985 on a sony walkman using the in-built mics. Recorded onto tdk d90 cassette and stored since then in damp cellars, sheds, and long forgotten drawers. Just today transferred to digital using my fathers old decca legato tape player which we purchased in the early 70s to enable us to send messages to my uncle who had emigrated to australia. Dad says the player cost over £30 then which was more than a weeks wages at the time. I was inter-railing around europe at the time but the recording seems to stop in pamplona. Six weeks later all my money and passport was stolen while in crete and i made my way home via the british consulate in athens.
It is what the title says "modified doepfer a-124 vcf5 wasp filter"listen and you will understand ;-)i the middle of the sound/beat i turn up resonance. I have connected cv2 to the bass pitch signal. Funny effect.
This is a recording of the background noise of the us lab on the international space station, recorded by commander chris hadfield. This is what normal life sounds like in space. Find out more:. Twitter: twitter. Com/cmdr_hadfield. Facebook: www. Facebook. Com/astronautchrishadfield?fref=ts.
Recorded at kingston foreshore at lake burley griffen in canberra on a windy day - people walking and riding past, peak hour traffic going over the bridge, some birds noises and a black swan approaches at the end to get some food.
Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.
This is the sound from thr jean marcellin square cafe in the city of gap, france. Background sounds include the sound of water from the fountain in the middle of the square, people talking and walking through the open cafe and table/chairs being moved. Tascam d100mk3 96khz 24bit stereo wav.
I recorded this soft rain in the fall. No thunder, just soft rain with a soft "ting" sound towards the end. I think that is the sound of a rain-drop hitting a metal fence near my recorder. Recorded with zoom h4n recorder with built-in stereo microphones.
Audio recording of cars passing by. Recorded in stereo and 24 bits using two microphones: beyerdynamic mc930 (left channel), shure sm 57 (right channel). Captured using a metric halo lio-8 (using the internal uln-r preamps).
5. 1 surround field recording of the center courtyard of the barbican estate, an ensemble of brutalist concrete block highrises in central london/uk. It is a weekday morning, some people are walking and talking on the premises. A group of schoolchildren passes some distance away at the beginning, some light construction work is going on in the midrange, and in the far range the busy city noises of london can be heard. The recorder is in the center of the courtyard facing into the complex. Recorded with a zoom h2n and matrixed to 5. 1 surround.
Tremblements des murs et des vitres au bureau, proximité de travaux au marteau-piqueur. Conversations. Walls and windows shaking at the office, jackhammer at work next. Conversations.
A seamless, endless loop of soothing pine forest wind created using my korg monologue synthesizer with echo and reverb effects. Feel free to enjoy and use in your recordings. -dlg.
It's a recording of over 100 people watching a football match (poland-greece @ uefa euro 2012). Recorded in a medium-sized hall. You can hear the sport live commentary broadcasted from television, people expressing their emotions with their voices. Clapping their hands, cheering their team (poland) and generally making a lot of interesting noises as they watch the game. Recorded with zoom h2 in 2-channel surround mode. Originally 24-bit wav, normalized and converted to 24-bit flac with audacity. I have reduced the mic gain at 0:56 to ensure i will not have a clipped recording. I didn't edit the result to let you cut-out whatever you may need.
Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.
This is a recording of noise and some wind in a village during a night. It has some boosted frequencies and might be used for interesting dark ambiences or dark backgrounds for industrial music/sfx.
Low rumble using interface noise neural dsp gojira, acustica coffepun and heavy filtering. I also added a high-passed filtered mid-side version for the stereo image.
