3,612 Royalty-Free Audio Tracks for "3"

A small, older elevator moves up 3 floors. Including the sound of the elevator door closing and opening. Recorded from the inside of the cabine. Recorded with a tascam dr-40. Note: feel free to use this sound in one of your own projects. If you want to, you also can send me a link. I would love to hear some of my field recording into someone’s work.

This sound is 50 ms, 2000 hz pure tone with double linear fadeout through it's whole length. Sampling rate of 8 khz is already an overkill (nyquist frequency is at 4 khz, while all energy of this sound is present in narrow 2 khz frequency range). Created with audacity for use with ardour 3, a free and opensource daw for linux and mac (http://ardour. Org).

Posnetki zvoka motorja aaz 1. 9 td v t3snemalo se je direktno pod motorjem oz. Ob motorju v kombiju z odprtim pokrovom. V vsakem primeru torej manj kot 50 cm stran. 0 - 16s vžig v prvo, po tednu mirovanja in zelo nizkih temperaturah (-15). Ob vžigu je bilo - 5. 16 - 1:04 štantgas in ročno dodajanje plina. Kombi miruje. 1:04 - 2:00 vožnja po cesti od 0 - 60 km/h. 2:00 - 3:26 počasnejša vožnja in klanec. .

An old guitar recording that served as a sample to my music track dreaming of places that don't exist ( https://soundcloud. Com/headshock-1/dreaming-of-places-that-dont-exist). Direct recording of my jackson sl-3 soloist electric guitar through a line 6 pod x3, using its internal reverb effects. (large hall reverb with decay at 99%, or maybe even 100% for that endless washed out effect).

This is a recording of michigan avenue in chicago from an interior perspective made from the 24th floor facing west. The microphones were spaced apart and placed very close to the window. Interior ventilation/air conditioning rumble is audible. This could be a useful sound for a downtown city office background. Time of recording was 3:05pm. Recording details: 2 audio technica at4022 > sound devices 302 mixer > tascam dr-40 recorder.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

Two dogs are barking in my front yard, with the longest-barking one being a 3-years-old fox terrier chihuahua mix with whom i have an attachment to but who isn't my dog. You can also hear crickets chirping in the background. I used my lenovo laptop's built-in microphone to record this (the same device i had used to record the alarm clock sound & the restaurant-cleanup field recording).

Snoring child 3 years old field recording. Recorded with zoom h2n and normalized with wavelab 9. 5. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

3 whelens sounding off in different modes. This is free to use! feel free to use this in your eas scenarios if you're an eas content creator like me!. Subscribe to my yt channel!:. Https://www. Youtube. Com/channel/ucqnbxvlv--3aanh-xsvtciw/. Follow me on reddit!:. Https://www. Reddit. Com/user/michigankid2020bruh. Join the subreddit!:. Https://www. Reddit. Com/r/michigankid2020new/. Thanks for listening! if you like it, why not download it or rate it? it's your choice!.

Hey everyone!. Feel free to use these sounds in all your projects. Just credit arrowhead productions. Index:1. Rustling with metal hanging out. Perfect for a backpack sound. 2. Rustling, and then a nice zipper zipping. Perfect for, well zipping up clothing. 3. Brushing clothing against skin. Perfect for what i just said. Thanks!.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. This is one note from my virtual instrument. The virtual instrument is made from a cheap chinese stratocaster. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. This is one note from my virtual instrument. The virtual instrument is made from a cheap chinese stratocaster. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. This is one note from my virtual instrument. The virtual instrument is made from a cheap chinese stratocaster. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. This is one note from my virtual instrument. The virtual instrument is made from a cheap chinese stratocaster. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

1st release date: January 1939 1st recording date: 3/4 November 1938 Composer: Wolfgang Amadeus Mozart (1756-1791) Performers: Kathleen Long and the Boyd Neel Orchestra; Leader: Frederick Grinke (1911-1987) and on the piano: Kathleen Long (1896-1968) Work: Piano Concerto No. 25 in C major, K. 503 Content: 2nd Movement: Andante

Long easy rain. Recorded from my front porch the evening of may 22, 2018. Almost half an hour; slice it up to use your favorite parts. Rain slows down around 3:00. Some distant thunder around 16:20. Look out for a few small ambient noises like splashes or traffic. A perfect audio bed under your sound design of a rainy scene. Or layer it to create a storm.

Another sound i made for my dnd games. This time i thought about a lonesome tower which is inhabited by ghosts. I made it by cutting and mixing these 3 sounds together:. Https://freesound. Org/people/slcbagpiper/sounds/407123/https://freesound. Org/people/juryduty/sounds/185070/https://freesound. Org/people/nemaavla/sounds/507962/. Have fun with it ❤️.

George Frideric Handel's Water Music: 17. & 18. Rigaudon (Suite No. 3 in G, HWV 350: II. Rigaudon) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Pinafore airs, Pt. 1 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "We sail the ocean blue" "Hail, men of warsmen", "I'm called Little Buttercup", and "A maiden fair to see" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley.

George Frideric Handel's Water Music: 19. & 20. Menuet (Suite No. 3 in G, HWV 350: III. Menuet) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

Alice in Wonderland performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 11 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeants Debra Jamison, vocalist Staff Sergeant Scott Vignassi, trumpet

George Frideric Handel's Water Music: 21. & 22. Gigue (Suite No. 3 in G, HWV 350: IV. Gigue) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

A woman screaming in terror. Original recording of a cast member for a community theater production of clue. This was used for an off-stage scream by the actor playing the maid, yvette. The actor granted permission to upload this file for creative commons use. In fact, it was her idea. Date recorded: october 2020. Equipment used:. Shure sm-58 microphone ->focusrite scarlet solo (gen 3) usb audio interface ->lenovo ideapad s540 laptop. Recording software:. Audacity.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 2) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 1) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.

As our planet becomes increasingly crowded, finding a quiet, natural, tranquil place to listen to pure nature becomes harder. Even in the rural area of deep southern illinois you have to really try hard to find a place where the man-made sounds aren’t everywhere. However, i found just such a place on september 9th, 2012 at the cache river state natural area. This very peaceful recording was made at around 3:00pm in a grassy field bordering a small pond. The pure, droning sound of the insects of late summer make this soundscape almost hypnotic. If you listen closely towards the middle and end of this recording, you can hear the pleasant chipping of sparrows and the not so pleasant call of a crow off in the distance. Recording made with the handy/zoom h4n recorder, using the internal built-in stereo microphones. I mounted my recorder on a small tripod literally 3 inches from the ground so my recorder was actually hidden in the grasses and goldenrods of late summer.

A nice wet-themed ambiance of early spring in a small midwestern town in the us. The spring peepers dominate, always in the background. The american toads trill off and on (:38----1:04, 2:09-----2:31, 5:50----6:07, 6:25----6:40)there is also a distant dog bark, with echo at 3:31. Distant car horn at 3:57. Since this was recorded on a busy weeknight at 7pm, a lot of distant car doors and people picking up and dropping off kiddos for basketball practice, choir practice and other ancient extracurricular activities. There is a particularly good door open and slam and muted conversations at 6:43 to 6:56 and again at 7:17stereo recording made on thursday night march 29th, 2018 using a sound devices 702 and an audiotechnica bp4025 stereo microphone. The original was recorded at the very high sample rate of 196hz. Enjoy a town winding down and internalizing on a cold, drippy wet night in either very late winter, or very early spring.

Recorded at silverstone circuit from becketts grandstand for the fia formula 3 (race 1) for the 2022 season. Recording captures the entire lap, from the exhaust sound from them coming through the loop, aintree and the wellington straight with them coming past the microphone at maggots, becketts and chapel corners. No copyright, but please do share any projects where you use this sound!.

User name fmagrao's sound 80761__fmagrao__siren was stretched, put in a sampler and played as described but of varying duration and it would appear that there is an optimum frequency range for these sirens. I will create a lower frequency version in due course and a foghorn/siren hybrid. The sound features on the following track along with other uncredited sounds downloaded from this site and i am genuinely grateful for all those contributions. Https://soundcloud. Com/klaxonite/klaxonite-3-190415.

Night storm in evosmo-thessaloniki (part 1) with more than 30 lightning strikes and thunders in a period of 20 minutes. The recording was made by me with the zoom handy recorder h2 (open window of my apartment). Sounds like even the street traffic, car alarm, a horn ship (the port is 6 km far away), human voices, dogs, and inside noise. Making use the adobe audition 3. 0 to edit the file. Enjoy.

Create thằn lằn khổng lộ sound from amhola's’s «crashing-waves-into-rocks-3" sound. I need splash for big animal in ocean but can't find whale splash (maybe see if find us navy have submarine video with should of submarine fly and splash on ocean surface). Audacity:. • cut 24. 443s to 29. 286s. • file→new. • paste. - effect→change speed. . . Speed multiplier: 0. 450. • select from 7. 790s to 10. 763s- effect→fade out. • select from 0. 000s to 1. 637s- effect→fade in.

Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Second Suite in F for Military Band "II. Song Without Words, I'll Love My Love" performed by the 553rd United States Air National Guard Band of the Northeast. Track 3 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

I sat up my two cm3-microphones at my porch for recording nature-sounds during 3 hours. Then i went into the house for doing other things. When i was finished i listen thru the recording, than i realised there was a couple gunshot at the recording. I'll publishing the best shot. Have`nt noise-reduced because i`m not wish to destroy the ambience. Equipment usedrecorder zoom h4n promicrophones two cm3 line audiotriton audio fethead (phantom thru)wavelab.

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

I typed quite slow in the beginning if you need to edit out and synch with your footage, if you just want typing sound in the background i think the best is in the end of the clip. The mouse clicking comes later in the clip. I've mixed it a bit but might need more mixing. I've used freesound for 7 years now and i thought i would pay back for all the good sounds that i've used from freesound. More will come <3.

Police highway chase - car robbery. Feel free to use this sound and credit me "kevin manickam" in your projects. Thanks and cheers. Ig : kevin_manickam. Also do check out youtube :https://www. Youtube. Com/watch?v=rs3_3pm7twa&list=rdrs3_3pm7twa&index=1https://www. Youtube. Com/watch?v=vhknnmv3e4s&list=rdrs3_3pm7twa&index=4https://www. Youtube. Com/watch?v=kdzry9lxd5o&list=rdrs3_3pm7twa&index=2https://www. Youtube. Com/watch?v=utmtheer4qm&list=rdrs3_3pm7twa&index=3.

Recorded sounds of a micro sd card and a micro sd card adapter. Sounds recorded (in order):1. Inserting micro sd card into adapter. 2. Extracting micro sd card from adapter. 3. Dropping the adapter on a wood table. 4. Dropping the adapter on a wood table again. 5. Inserting adapter into my laptop. 6. Extracting adapter from my laptop. 7. Inserting adapter into my laptop again. 8. Extracting adapter from my laptop again.

A grey squirrel (sciurus carolinensis) recorded early afternoon on 23rd july, 2018. The animal was shaking its tail while calling from the trees, approximately, 3 metres from the ground. Recorded with sennheiser k6/me66 attached to a zoom h5. Editing was done with audacity, mainly to cut the worst of the road and aircraft noise. No noise reduction was been carried out. There is some road, aircraft and rail noise. There can also be heard woodpigeon, carrion crow, blue tit and some insects.

A set of 3 high-pitched bird calls echoing across an empty graveyard. Scary sounds is a set of spine-chilling noises and creepy creatures. All the sorts of sounds you might hear in and around a haunted house. Created using an acoustic guitar and a variety of delay effects. All sounds are public domain and do not require credit, but i'd love to hear about how you use them!.

Lots of electrical noise. I got this sound using an aux cable from my laptop to a broken 3. 5mm to 5. 25mm adapter to my mixer. Noises were generated by my fingers scrubbing around the laptop's trackpad and clicking keys on the keyboard. Also my air conditioner is generating a constant noise. Every few minutes there is a neat glitchy sound, i'm guessing it's from some data being processed on the laptop. .

Recorded with a sennheiser mkh 416 (as far as i recall) through a focusrite scarlett 2i2 into cubase 6. 5 in 48khz 24 bit. The name describes what it is: eg. Dice (3) in cup on table = three dice are put in a cup which stands on a table. The sounds were all recorded by me and were to be used in a video game, but i don't think they were ever used, so here they are. Take them! use them!.

This is the same sound i recorded 6 years ago, back than i had just a very crappy microphone through my cellphone. Last year i bought an ipad, and i installed hokusai audio editor. This gave me a better way to record in higher quality. Still mono though, but it has less audio artifacts. This alarm is tested once every 3 months all over the swedish towns.

Http://i. Imgur. Com/nbt0spy. Jpg. Sounds of downtown chicago streets, recorded from the top (12th) floor of the multi-storey parking lot at ohio and rush, on 7/20/2013. The recording site was on the south side of the parking lot overlooking ohio street below. Time of recording was 3:58pm. Weather was warm, in the upper 80s, with light winds. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

I wanted to make a very gentle wakeup alarm for my android phone. It's a 25-minute long fade in of a pure 3-khz tone. Created with audacity. I encoded this to ogg vorbis for personal use, but i'm sure you can do this better for yourself (maybe you'll prefer other format), so here you have a quality flac file for source.