313 Royalty-Free Audio Tracks for "April"

Recorded at the river in april in northern germany.

Recorded at the river in april in northern germany.

Recorded in the woods by the sea in april 2013.

Muezzin calls prayers at afternoon, april, 3rd, 2013, in marrakesh, medina, urban district dar el jidid.

A duck quacking in the water by the sea in eastern sweden. Recorded in april 2013.

A duck quacking in the water by the sea in eastern sweden. Recorded in april 2013.

Blackbird forest evening april near vienna.

Rainfall in an english garden in the spring.

Nature, and man-made machines, wake up on a saturday in a small town in southern illinois. Even though getting "away from it all" and experiencing nature in the deep woods, or a quiet field is very enjoyable, let's not forget that nature often lives and thrives side-by-side with us. I recorded this in my back yard on saturday april 27th, 2013 at 6:45 am and you'll hear the low, but everpresent low rumble of a distant train throughout. But, over and above you hear the incredible variety of calls and sounds made by a family of starlings who seem oblivious to the iron horse and the occasional car. We had rain the night before, so every now and then you hear a loud "plop" as a breeze cuts loose fat rain-drop and it hits the foam wind-screen on my h4n. Starting at around 3:47 and running to 4:08 a cardinal makes a strong appearance. I made this recording using my zoom h4n recorder, using it's internal built-in stereo microphones, with the recording gain on 81, out of 100. Enjoy!.

Rain and wind in the city atmo recorded with mixpre 6 and audio technica bp4025 stereo microphone. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

A recording of my backyard early april morning. Various birds, light traffic (far away), light breeze, and some occasional chickens. Can faintly hear me walking and doing some light chores around the yard (my apologies for that).

23 april 1920 is the foundation of the grand national assembly and is a public holiday in turkey. Because of pandemic, turkey celebrated 100th anniversary from balcony. Anthems have played, firework shows have watched, lights have turned on and off, sirens have heard, people have applaud. Recorded by zoom h6.

Written by Eddie Lang (1904 - 1933). Performed by Ed Lang (guitar solo with piano).

Train (harmonica) performed at Clemens State Farm, Brazoria, Texas, on April 16, 1939.

This is "Dap Prampi Mesa Chokchey" (Glorious Seventeenth of April), which was the national anthem of Democratic Kampuchea, in midi format (music only).

Minor scale on C. Created by Hyacinth (talk) 19:43, 1 April 2010 using Sibelius 5.

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

Lament bass from Vivaldi's motet "O qui coeli terraeque serenitas" RV 631, Aria No. 2. Created by Hyacinth (talk) 22:25, 18 April 2010 using Sibelius 5.

Vissi d'arte from Act II of Giacomo Puccini's Tosca sung by Emmy Destinn. This is Victor 88487, Mat. C-14508-4 and was recorded on April 23, 1914

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

The Lone Star Trail is a traditional folk song that dates back to the late 19th century. This version was recorded by Ken Maynard (1895 - 1973) on April 14, 1930 in Hollywood, CA for the Columbia Graphophone Corp.

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

public domain recording from the Library of Congress "Camino de San Antonio" a corrido from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Jose Ararjo on April 27, 1939 at his school near Brownsville, Texas

Part 1 of the First Suite of Ottorino Respighi's Ancient Airs and Dances, entitled Balletto, “Il Conte Orlando”. Performed by the Marine Band on April 11, 2010, at Bishop Ireton High School in Alexandria, Va.

Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913

Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913

This is considered the first Jazz recording. "This tune was issued on an Edison Blue Amberol wax cylinder in April of 1917 and on an Edison record in July of that year." Jazz band

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 171:1 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:6

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

1st release date: 1936 1st recording date: 26 April 1935 Composer: Georges Bizet (1838-1875) Lyricists: Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Conductor: Franco Ghione (1886-1964) Performer: Beniamino Gigli (Tenor) (1890-1957) and Members of La Scala Orchestra, Milan Work: Carmen (Act 2) Content: Il fior che avevi a me tu dato (See here, thy flow' ret) Music genre: Opera terminology

Title/Work: Casse-Noisette Suite (Part 1) Content: a) Overture miniature, b) Danse Chinoise Genre(s): Ballet music Author(s)/(Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Music arranger(s): none Lyricist(s): none Performer(s): American Symphony Orchestra Conductor: none Place of recording: West Orange, New Jersey (United States) 1st release date: 1 April 1921 1st recording date: 24/30 June 1918

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

1st release date: 1936 1st recording date: 26 April 1935 Composer: Christoph Willibald Gluck (1714-1787) Lyricist: Ranieri de' Calzabigi (1714-1795) Conductor: Dino Olivieri (1905-1963) Performer: Beniamino Gigli (Tenor) (1890-1957) and Members of La Scala Orchestra, Milan Work: Paride ed Elena Content: O del mio dolce ardor Music genre: Opera terminology

A recording of Pleasant Moments, a Ragtime Waltz recorded on Piano Roll by Scott Joplin in April 1916, and thought lost until discovered by User:PlayerRoll in 2006. It has been scanned and recorded on a Grand Piano as an MP3. The recording is public domain as it was originally made before 1923 in the USA. The MP3 was converted into OggVorbis by Major Bloodnok.

Title/Work: Casse-Noisette Suite (Part 2) Content: a) Danse de la Fée Dragée, b) Danse des Mirlitons Genre(s): Ballet music Author(s)/(Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Music arranger(s): none Lyricist(s): none Performer(s): American Symphony Orchestra Conductor: none Place of recording: West Orange, New Jersey (United States) 1st release date: 1 April 1921 1st recording date: 24/30 June 1918

Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. (full details).

Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Herangedämmert kam der Abend” („Co raz ciemniéj – zmierzchał wieczór – ”; „Wieczór zmierzchać tu chadzał”) – pierwsza z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Autorem wiersza „Erklärung”, (tzn. „Wyznanie”) który był literacką stroną pieśni był Heinrich Heine. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:14, 26 April 2017 (UTC)), kwiecień 2017. Akompaniament. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Herangedämmert kam der Abend” („Co raz ciemniéj – zmierzchał wieczór – ”; „Wieczór zmierzchać tu chadzał”) – pierwsza z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Autorem wiersza „Erklärung”, (tzn. „Wyznanie”) który był literacką stroną pieśni był Heinrich Heine. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:33, 26 April 2017 (UTC)), kwiecień 2017. Akompaniament z partią fortepianu zamiast głosu. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Im Traum sah ich das Liebchen” („Widziałem we śnie lubą”) – czwarta z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Autorem wiersza „Im Traum sah ich die Geliebte”, (tzn. „Widziałem we śnie [u]kochaną”) który był literacką stroną pieśni był Heinrich Heine. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 11:19, 29 April 2017 (UTC)), kwiecień 2017. Akompaniament. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Im Traum sah ich das Liebchen” („Widziałem we śnie lubą”) – czwarta z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Autorem wiersza „Im Traum sah ich die Geliebte”, (tzn. „Widziałem we śnie [u]kochaną”) który był literacką stroną pieśni był Heinrich Heine. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 11:39, 29 April 2017 (UTC)), kwiecień 2017. Akompaniament z pianinem w miejsce głosu. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.