1,193 Royalty-Free Audio Tracks for "Bend"

*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU

Bend a drumsample of mine!this is one of my glitch sounds! please tell me what you'll use it for :d.

Imported an exe file into audacity as raw and cut out the static parts.

Aeolian mode on C. No pitch bend.

*Millioctave on C. Equal-tempered: 21/1000:1 = 1.0006934 cents.

Slow-ish vox sample played straight.

*Secor on C. 18/51/19 = 116.72 cents.

Just augmented fifth in just C scale: E♭ and B.

Pythagorean major chord on C.

An old metal gate between pastures near llangaffo, anglesey, wales. Nice sound of metal bending can be used for eerie effects, especially if slowed down substantially and combined with reverb. Recorded with tascam dr-07 mk ii. .

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

45:54:64 = F#+, A+, C = C, Eb, Gb-

First eight harmonics, vertically (just).

*1 step in 16 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/16:1 = 75 cents. MIDI pitch bend: 127,55

*9 steps in 15 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 29/15=3/5:1 = 720 cents. MIDI pitch bend: 51,70

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

Mild distortion tone, changing from c to d with a big bend for the end.

Just minor seventh chord on C.

Broken string from a turkish banjo that i tense and distend manually to pitch up and down.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

*13 steps in 18-et on C = ?. Equal-tempered: 213/18:1 = 866.67 cents. MIDI pitch bend: 42,53

*17 steps in 18-et on C = ??. Equal-tempered: 217/18:1 = 1133.33 cents. MIDI pitch bend: 85,74

Hold the siren, its a glitch!.

*Three secors on C. 18/53/19 = 350.15 cents.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

*Lesser 29-limit quarter tone on C = C♯ (Ben Johnston's notation). Just: 30:29 = 58.69 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 100,82 on PU

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*11 steps in 18-et on C = ??. Equal-tempered: 211/18:1 = 733.33 cents. MIDI pitch bend: 85,74

Septimal augmented sixth on C. A♭. 1003.8 cents.

*Golden ratio on C. 1.6180339887498948482 (φ) = 833.0902963567409 cents. MIDI pitch bend: 75,74

*Six secors on C. 18/56/19 = 700.29 cents.

5:6:7 = E, G, B7b = C, Eb, G7b.

*Woolhouse unit on C. Equal-tempered: 21/730:1 = 1.643836 cents.

Unaltered recording of a circuit bent yamaha psr-12 keyboard. Www. Roilnoise. Com/bending.

This sound effect was created on sunvox app. © ruslan berdnikov, 2021.

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Man with a cold. Applied pitch bend and noise reduction. Recorded at home on conexant smart audio with at2020 mic, processed on audacity.

Ives quarter tone fundamental chord.

65 steps in 72-et on C = ??. 265/72 = 1083.33 cents.

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.

9-limit dekany scale.

Just augmented second in just C scale: A♭ and B.

*Semicomma on C. 2109375:2097152 = 10.06 cents. Limit: 5-limit.