47 Royalty-Free Audio Tracks for "Bigger"

1 of 3 stretching sounds, each sound in the trio gets slightly bigger each time.

2 of 3 stretching sounds, each sound in the trio gets slightly bigger each time.

3 of 3 stretching sounds, each sound in the trio gets slightly bigger each time.

A bigger crowd version of the previous claps upload. More layers, no eq or effects. Based on a single handclap track recorded on a laptop microphone.

Kitchenaid blender motor sound pitched down to resemble a bigger motor used for rotating bigger things. Uncut, to include the slowing down sound.

Bigger orchestral hit for tada!.

Some small bells/chimes ringing. Bigger and smaller versions.

Short (but non-obvious) loop of ambient ventilation fan drone in a small concrete room. Sounds good slowed down by 50% for a bigger fan in a bigger room. Recorded with microphones tucked behind ears for fairly good binaural effect.

The sound of a rifle from the award winning. (not public) game "the bigger iron". Sound made with, my mouth.

The sound of a shotgun fire from the award winning. (not public) game "the bigger iron". Sound made with, my mouth.

The pew pew sound of a gun from the award winning. (not public) game "the bigger iron". Sound made with, my mouth.

The reload of a gun from the award winning. (not public) game "the bigger iron". Sound made with, my mouth.

Big airgun, combined with added subbas and hall (sound needed bigger for the show). Recorded and mixed in pro tools.

A water bubble made with air-filled bottleunder water of a sinkthis one is bigger with some sparklingrecorded with sony md recorder and stereo microphone.

My circuit bent speak and spell. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

My circuit bent speak and spell. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

Extended version of my previous sound, power_on. Wav. This one uses a bigger part of the original sound than power_on. Wav.

More work with vclfos and lopping envelopes. And i'm using a one component rectifier. . .

The death of a player or mob from the award winning. (not public) game "the bigger iron". I think its a good popping sound. Sound made with my mouth.

Tuning fork 440 hz recorder using hp omen laptop's native microphone - stereo recording with one of the channels having bigger magnitude, was put to mono using audacity.

A drone that get bigger over the time and get heavy saturation. Originally created for the game mothlight https://samukun. Itch. Io/mothlight.

My circuit bent speak and spell run through the live cut plug-in. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

My circuit bent speak and spell run through the live cut plug-in. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

My circuit bent speak and spell run through the live cut plug-in. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

This is a bass drop i created with some clean + clear low end soundz, as well as a rough live recorded nasty sounding electric bass drop. . Sounds great in small laptop speakers; and in bigger speakers. .

The third installment of reading the titles from spam emails, including such revelations as "she loves it bigger and longer" and "jay leno found taking drugs. ".

Played around with audacity with this sound: http://freesound. Org/people/lordboner101/sounds/366886/. Accidentally made it way bigger. Decided to share. Enjoy.

It is a sound i created for my project. I used it for destruction of some bigger ships. But it should works for others. I used rifle sound, thounder and volcano eruption sound. And mixed it with audacity.

At the beginning it's a little outside fire with little branchs cracking. Then it's much bigger, trees are burning. Also some very ponctual voices. France, 2006. Recorded with ab ortf shoepsrecorded on sounddevice 788t49khz, 16 bits.

This is two slabs of concrete , one on top of the other, and scraped together. In this sample i have changed the rate to give it a 'bigger slab' effect. You can also add reverb and play with the rate yourself for more dramatic effect.

My plan was to make a simple krell patch with some added timbre on the voice. The patch got bigger, fm-modulation and feedback in different form was added.

Came up with my own version of a windmill, following instructions on another site:. Http://www. Garagegames. Com/community/blogs/view/11231. Though instead of pitch-shifting some of the sounds as instructed, i time-stretched them (also affecting the pitch) to give them a bigger feel. .

I set a hammer down on a variety of wooden surfaces, so that it could masquerade as someone setting down a big old fire axe in an audiodrama. (it does work to lower the pitch if you're looking for a bigger sound. ) mono recording, zoom h4 internal mic.

Intended for game creation: sounds of bigger and smaller spaceships and other noises very common in airless space. How i made them:. Rubbing different things on different surfaces in front of 2 x akg c1000s, then processing them with the free kjearhus plugins and some guitaramp simulators.

I recorded the sound of submerging some jars and bottles in water. Bubbling, glugging sound. The sound of something sinking for ever into the brackish waters. Earsight nano mics, tascam dr2d. Originally recorded at 96 khz, but i slowed it down to 48 khz because i liked the bigger sound. .

Like the first version but slower enflaming of the bigger fire and with filter. From these cc0 masterpieces:https://freesound. Org/people/juandresound/sounds/490914/https://freesound. Org/people/craigsmith/sounds/483311/https://freesound. Org/people/ryding/sounds/109313/https://freesound. Org/people/kyles/sounds/454016/.

In my bag i have had this little not with a patch on. Today it was time to patch it. I dont know why i once draw it down. If its supposed to be a part of a bigger patch. . . This is the result. Noise.

The sound caught my attention and i thought others might find it useful. The sound comes from a small cardboard box with a glossy exterior being removed from a slightly bigger cardboard box causing the little pop at the end.

I used bdx for the kick, sent through disto-fx and various eq plugins. Cymbalistic was used for the hihats, with further eq and gating placed on it. The snare was from a free sample pack (i can't remember the name of) sent through a resonator, eq plugins and some soft-clippers to give it a bigger sound. Clipmax was used on the master channel.

Freesound is just awesome. The people here give so much. Thank you all. About this stupid little beat: i don´t know how to say. My drum collection is "bigger than life" ranging from the 90s till today. It´s so sick i don´t even look into it anymore - and this is the hardest kick insides this several hundred gigabytes library. Fs1r. Enjoy. Or better jump. Just twist and shout.

It's nearly impossible to find sound effects of someone handling an instrument and not playing it. . . At least it was until i uploaded this!. This was an acoustic guitar, but can be pitched up or down for similar smaller or bigger instruments. There's rubbing, knocking, and gliding fingers over the strings. No need to credit me. Just use the sound and focus on being creative!. If you really appreciate it, i would appreciate if you checked out my podcast, sonic realms.

I made a riff on my guitar and added drums, synth, organ and more to make it bigger, heavier and more horrific. I made it in garageband for something called victors crypt. Think it would fit something bombastic and evil. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq.

A little dark tune i made in garageband for something called victors crypt. It's a melody that gets more intense. Starts out a bit laid back but soon it gets bigger with more drums, bass and eerie sounds. Think it would fit perfect to anything dark. Maybe a pod, film, shortfilm or whatever. . . . . Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

This is a recording made in the room of my apartment in italy in the province of rieti, while i am testing a drone dji phantom 4 pro clone, purchased 3 days ago on the vova site, only during the test it suffered two accidents. The first 5 minutes for 3 flights everything went well, then on the fourth flight, as the drone was also without para-propellers, the first small accident happened, on landing he fell to the ground from the bed, then resumed flying for another two times. On the third flight there was a second bigger accident: first he started spinning the propellers against the wall for a while, then he fell to the ground rolling until he hid under the bed. This time, however, even after this great accident, the drone resumed flying normally as if nothing had happened. This recording was done with my iphone connected to the shure mv88 plus microphone.

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This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .