41 Royalty-Free Audio Tracks for "C A F F E E"

C-A-F-F-E-E, dreistimmiger Kanon von C. G. Hering

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

Diatonic (major, or Guidonian) hexachord on C: C-D-E-F-G-A.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.

c,d,e,f,g,a,h(b),c played on a piano

Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

G major scale note g a b c d e f g.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

A z e r t y u i o p q s d f g h j k l m w x c v b n.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

The e4 note played on an alto sax.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Look at my page https://skibka-music. Blogspot. Com/. Morse code ss hq. A b c d e f g h i j k l m n o p q r s t u v w x y z. 1 2 3 4 5 6 7 8 9 0. . , ' _ : ? – / ( ) = @. Ą ć ę é ch ł ń ó ś ż ź. [a • — ] [b — • • •] [c — • — •] [d — • • ]. [e • ] [f • • — •] [g — — • ] [h • • • •]. [i • • ] [j • — — —] [k — • — ] [l • — • •]. [m — — ] [n — • ] [o — — — ] [p • — — •]. [q — — • —] [r • — • ] [s • • • ] [t — ]. [u • • — ] [v • • • —] [w • — — ] [x — • • —]. [y — • — —] [z — — • •]. [1 • — — — —] [2 • • — — —] [3 • • • — —]. [4 • • • • —] [5 • • • • •] [6 — • • • •]. [7 — — • • •] [8 — — — • •] [9 — — — — •]. [0 — — — — —]. [. • — • — • — ] [, — — • • — — ]. [' • — — — — • ] [_ • • — — • — ]. [: — — — • • • ] [? • • — — • • ]. [– — • • • • — ] [/ — • • — • ]. [( — • — — • ] [) — • — — • — ]. [= — • • • — ] [@ • — — • — • ]. [ą • — • — ] [ć — • — • • ] [ę • • — • • ]. [é • • — • • ] [ch — — — — ] [ł • — • • — ]. [ń — — • — — ] [ó — — — • ] [ś • • • — • • •]. [ż — — • • — •] [ź — — • • — ].

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Bright reverb drenched synth melody 16 bar.

Super useful electronic chords. The omnichord is a true classic. The only catch is you have to chop them yourself. I just load them into a beat slicer and go to town :). Also sounds amazing with distortion!.

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

You can use this music in your videos. This sound was created with layering and frequency processing in dawbpm: 120notes: f d c# e.

This is a simple fifth phrase in the key of гusing dodeca notation: a д b c φ d đ e f г g љ(although it's played rather out of tune). The flute is made of red cedar and tuned to г.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

This noise is white noise powered by itsself. So f. E. Random value 0. 63 will result in pow(0. 63, 0. 63). The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

Traditional Canadian folk music, interpreted by Isidore Soucy. Columbia record n° 34103-F. Matrix n° E 2685. [1]

A few samples of a saxophone from logic pro x i made into one loop. Good for jazz or lo-fi. Let me know if you use it.

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

Sveriges Radios folkmusikinspelningar. På flöjt och mungiga. Dokumentatör: Qvitt Holmgren (Q98842780) Radiotjänsts ursprungliga produktionsnummer: L.B/14.959:2

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Fifteenth chord from Perry on C

Full diatonic fifteenth chord from Listz on B