666 Royalty-Free Audio Tracks for "Century"

Persian/Iranian childrens' song “golden chicken” from the early 20th century. Persisches/Iranisches Kinderlied „Goldener Küken” aus dem frühen 20. Jahrhundert. Chanson persane/iranienne pour enfants "Poussin doré" du début du 20e siècle.

Alma minha gentil, op. 107, para canto e orquestra de câmara. Orquestra Sinfônica Nacional da Universidade Federal Fluminense

Walla recorded in medium sized church. Language indefinite most of the time. Catholic church of the nineteenth century in são luiz, maranhão, brazil. Stereo xy 120º recorded with built-in zoom h4n mics.

The song The kiss, arranged and played by alto saxist H. Benne Henton. It is originally a waltz from Luigi Arditi. Das Stück The kiss, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich ein Walzer von Luigi Arditi.

A c. 1899 recording of Paul Dresser's song On the Banks of the Wabash, Far Away, performed by Harry MacDonough. The second best selling song of the 19th-Century, (in terms of sheets music sold) and the state song of Indiana.

This Endris Night, a fifteenth-century English carol performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. CSM Debra L. McGarity

Reverie' song for piano and voice words by Albert G. Dawes; music by Alexander Rea Marked 'Entered at Stationers Hall' (historic Australian censor & patent office)

Just a small creak from the chair in the office of a whalewatching captain i was interviewing. A bit of ambient noise. Not much of a contribution, i know, but i've been using little creaks such as this to recreate the sound of a 15th-century sailing ship, so thought it might come in useful for someone somewhere.

Fum, a 16th or 17th Century Catalan Christmas carol, here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. The somewhat idiosyncratic arrangement appears to be created by the Army staff.

In the 14th century the bubonic plague descimated the population of europe. Men would push around carts collecting the corpses and shouting to bring out your dead for disposal. Recorded on android cell phone voice recorder. Processed with noise removal and slight pitch shift in audacity. This is myself doing some voice acting for my music projects.

Antique hermle fireplace clock bell from the 1950s. One strike. Chord: ab, f7. Long decay time. Recorded in xy stereo from inside the clock. Recorder: tascam dr-60d mkiimicrophone: 2x røde m5processing: noise reduction.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

First attempt at recording with audacity and my new keyboard. All sounds are bone-stock from the mx49. I've only added a little reverb in one 15-second section of the piece. I didn't intend to do anything in particular, just checking out sounds on the keys and getting familiar with audacity. I think of it as a 21st century version of the beatles "revolution 9". If you haven't listened to that, you need to.

Hamelin is a town on the river weser in lower saxony, germany. The town is famous for the folk tale of the pied piper of hamelin, a medieval story that tells of a tragedy that befell the town in the thirteenth century. Although you don´t hear the piep piper, you can hear the river and very umromantic: traffic. Well it was just to put the place on the freesound map. Em172 microphones into pcm m10.

An one minute narrated soundwalk describing sounds in west la near century city. I started on the edge of the block right outside the f&s fabrics on pico. I then walked south of the f&s and continued for a minute describing the sounds around me. I recorded this around the afternoon so i was able to hear the wildlife up and about.

More than two centuries ago some extraordinary people put together documents recognizing what everyone knew: power and control by anyone other than one's self ends, stops, halts, wherever our noses begin. Or whatever part of the body happens to be foremost. Today, hell, it's "fuck that. Do what i say. ". We'll just see about that.

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

March of the Emperor at the entrance to the temple - piece from China (between 6th and 5th century BC). Work is written for melodic and percussion instruments This file: koto and high floor tom. Marsz na wejście Cesarza do świątyni - utwór powstały w Chinach między VI a V w. p.n.e. Przeznaczony jest dla instrumentu melodycznego i perkusyjnego. W tym pliku jest to koto i high floor tom.

Performer: Enrico Caruso (1873-1921) Voice: Tenor Title/Work: Scordame (Forget Me) Content: Tenor vocal solo, with orchestra Genre: Vocal music Composer: Salvatore Fucito (1875-1929) Recording date: Camden, 11 September 1919 Release date: 1917

A long walk at night through the redlight city district in amsterdam, build in the 13th century. International mostly young, male audience. English, chinese, danish, spanish, dutch & other voices. Various swells from intimate to more crowded settings. Happy, aroused, drunk, stoned. Narrow alleys and wider streets. Might hear some words not suitable for children.

Lo How a Rose E'er Blooming is an English translation of the 16th/17th century German Christmas carol, "Es ist ein Ros entsprungen". Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) ca. 2010.

Claude Debussy's Syrinx (1913), for solo flute, originally composed as incidental music for the incomplete play Psyché by Gabriel Mourey. Performed by Sarah Bassingthwaite using a Muramatsu silver flute, a = 442, at Brechmin Auditorium, University of Washington, October 2006. Recorded by Stephen Bangs.

The song Fantasie on scenes that are brightest, arranged and played by alto saxist H. Benne Henton. It is originally from the third act of William Vincent Wallace’s grand opéra Maritana. Das Lied Fantasie on scenes that are brightest, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es stammt ursprünglich aus dem dritten Akt von William Vincent Wallaces Grand opéra Maritana.

Symphony No. 4 in A major, Op. 90, 'Italian', op. 90 - i. allegro vivace. Sinfonie Nr. 4 in A-Dur op. 90, „Italienische“, 1. Satz (allegro vivace). Symfoni nr 4 i A-dur (italienska symfonin) opus 90; 1:a satsen "Allegro vivace"

Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic sound of music with all the hums and associated scratches. The music sounds like an old turn of the century carnival to me. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.

In the shade of the palm from Leslie Stuart and Owen Hall's Florodora. Sung by Frank C. Stanley in 1902. This is Edison Gold Moulded Record #8066. Other titles for this song include: In the shade of the sheltering palm Shade of palms There is a garden fair Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit, with "In the shade of the sheltering palm" also quite popular.

This song is about a buddhist who returns to the monastery, where he was abbot centuries before (in a previous life). While walking along the path with torches, the memories come to the surface. First, it is difficult to see it without understanding it. After a while he can let it come to him, without exercising control. As a result, he learns the life lessons that he was not yet ready for. Through the light at the end of the path he experiences what enlightenment is:"dare to expose everything without judgment and learn from it to become more loving instead of always needing control".

Mandoline, mélodie composée en 1882 par Claude Debussy (1862-1918) sur un poème de Paul Verlaine (1844-1896), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Mandoline, a melody composed in 1882 by Claude Debussy (1862-1918), text by Paul Verlaine (1844-1896), performed in 1913 by Nellie Melba (1861-1931).

A la Nanita Nana, is an eighteenth-century Spanish Christmas carol here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. It is done bilingually, first in Spanish, then in English. The English translation appears to have been done in house by the Army, as I can find no evidence of any other usage. CSM Debra L. McGarity

Crude arpeggio and single note taps of the inner strings of an early-20th-century chas m. Stieff upright piano. This particular model was made in baltimore and spent most of its life in the lobby of the willard intercontinental hotel in d. C. , and the last 30 years in our home in fairfax, virginia. We are dismantling part of the piano to repair, clean, and, unfortunately, sell it. The mechanism for one note is the only problem, and, of course, it needs tuning. Anyone willing to give this a good home?.

This is the product of a late night with a new keyboard and a few drinks. Also a first time recording using audacity. All sounds in this piece are bone-stock sounds in the mx49. I only added a bit of mild reverb one sound in one section of the piece. I didn't set out to do something like this - it was only to check some sounds and get familiar with the software. I think of it as the 21st century version of the beatles "revolution 9". I suggest clearing your mind, getting "spiritually lubricated", put in the earbuds, and check it out.

This is the original, unrestored file. "Shine On, Harvest Moon", by husband-and-wife songwriting team Jack Norworth and Nora Bayes was one of the big hits of the 1908 Ziegfield Follies, and remains well-known to this day. This recording from 1909 features two of the biggest stars of early-twentieth-century America, Ada Jones and Billy Murray. Produced by Edison Records, this is Edison Standard Record #10134.

Field recording taken from the balcony of an apartment building in the waldstrasse district of the german city of leipzig on a summer evening. In the foreground, quiet noises from neighboring apartments can be heard as well as the calls of countless swallows who nest in the eves of the 19th century houses which this part of town is famed for. In the background, distant city traffic may be heard. These are the rear channels of a 4ch surround recording, conducted with a zoom h2, mic's set to 120° dispersion.

1st release date: 1928 1st recording date: 13 October 1927 Place of recording: unknown Author(s)/Composer(s): Landon Ronald (1873-1938) Lyricist(s): Edward Teschemacher (1876-1940) Performer(s): Doris Vane (1874-?) Vocal range: Soprano solo with cello obligato and piano Title/Work: O lovely night Genre(s): Song

Oskar Böhme's Sextet in E-flat minor III. Andante cantabile performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Romance, mélodie composée en 1883 par Claude Debussy (1862-1918) sur un poème de Paul Bourget (1852-1935), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Romance, a melody composed in 1883 by Claude Debussy (1862-1918), text by Paul Bourget (1852-1935), performed in 1913 by Nellie Melba (1861-1931).

Good King Wenceslaus, is an 1853 English Christmas carol, set to the melody of "Tempus adest floridum" a thirteenth-century Latin carol for spring. It is here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. However, only verses 1, 3, and 5 are performed, giving it a somewhat disjointed storyline, which is very unfortunate.

Oskar Böhme's Sextet in E-flat minor IV. Allegro con spirito performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Oskar Böhme's Sextet in E-flat minor II. Scherzo, Allegro vivace performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Song published in 1895. Interpretation by Mayol - Disque Parlophone 2293 Piosenka La Paimpolaise (pol. Dziewczyna z Paimpol) skomponowana przez Théodore'a Botrela i Eugène'a Feautriera w 1895 roku w wykonaniu Félixa Mayola z 1932 roku. Македонски: Песната Пемполеза (1895) во изведба на Феликс Мајол, 1932 г. Текстописец: Теодор Ботрел, композитор: Ежен Фотрије. «Девушка из Пемполь» (франц. La Paimpolaise) ― песня Теодора Ботреля и Евгения Фотрие (1895) в исполнении Феликса Майоля (1932).

La Plus Que Lente, performed by Wikipedia user La Pianista. Українська: La Plus Que Lente — вальс написаний французьким композитором Клодом Дебюссі в 1910 році. Čeština: Klavírní skladba - waltz La plus que lente francouzského skladatele Claudea Debussyho z roku 1910. Эрзянь: La Plus Que Lente. Теизе-арсизн Клод Дебюсси — французонь седийсёрмадеесь 1910 иестэ. La Plus que lente, morceau composé en 1910 par le compositeur français Claude Debussy.

Oskar Böhme's Sextet in E-flat minor I. Adagio ma non tanto, Allegro molto performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Władysław Tarnowski ps. Ernest Buława „Fantaisie quasi Sonate pour Piano et Violon (sur quelque thèmes d'un opéra inédit) dediée à Madame P. Garczyńska”. Druk wydał w Wiedniu V. Kratochwill w październiku 1874. Część 2 Fantazji: „Scherzo à la Mazurka”. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 17:21, 18 December 2018 (UTC)), grudzień 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

A la Nanita Nana, is an eighteenth-century Spanish Christmas carol here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. It is done bilingually, first in Spanish, then in English. The English translation appears to have been done in house by the Army, as I can find no evidence of any other usage. CSM Debra L. McGarity Modifications Levels adjustment - a basic linear tweak, with the lower notes being slightly quieter and the higher notes slightly louder. Also removed a slight tapping noise in the beginning, before the singing starts.

Aria from Germania sung by Enrco Caruso, accompanied by Salvatore Cottone on piano. Studenti! Udite! – aria z opery Germania Alberto Franchettiego w wykonaniu Enrico Caruso zarejestrowana w Mediolanie przez Freda Gaisberga. Čeština: Árie Studenti! Udite! z opery Germania italského skladatele Alberto Franchettiho. Jde o první nahrávku slavného Enrica Carusa, nahrál americký muzikolog Fred Gaisberg dne 11. dubna roku 1902. Македонски: Првата снимка на Енрико Карузо од изведба во 1902 г. — аријата Студенти! Слушајте! од операта Германија на Алберто Франкети.

Władysław Tarnowski ps. Ernest Buława „Sonate pour piano composéed et dediée à son ami Br. Zawadzki”, V. Kratochwill, Wiedeń, maj 1874. Obdarowanym dedykacją był jego przyjaciel Bronisław Zawadzkiego wydawca i redaktor różnych pism literackich, w których ukazywały się drukiem utwory Władysława Tarnowskiego. Część 7 i ostatnia sonaty: „Scherzo Finale” Ta cześć z mottem: „Au diable tout! (Berlioz Memoires.)” Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:48, 29 March 2018 (UTC)), marzec 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

Eng:this audio recording is a " genòfon "the "genòfon" (genophone) is an intercom device that was used in the mine in the mid- twentieth century. The device used in the company carbones de berga sa and now you can find the mine museum: "museu de les mines de cercs" (berguedà-catalunya). To visit the museum: http://www. Mmcercs. Cat/museu_nou/inici. Phpcat:aquest audio es tracte de l'enregistrament d'un genòfonel genòfon és un aparell intercomunicador que s'utilitzava a la mina a mitjans del segle xx. L'aparell enregistrat el va utilitzar l'empresa carbones de berga s. A. I actualment es pot trobar al museu de les mines de cercs al berguedà. Per vistar el museu: http://www. Mmcercs. Cat/museu_nou/inici. Php.

Danse Profane, L 103, pt. 2, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Claude Debussy. Danse Profane, L 103, pt. 2, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpiste soliste, le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.