1,326 Royalty-Free Audio Tracks for "Chords"

♯IIo7 as dominant substitute.

Augmented chord progression: I+ IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+ IV64. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

An mp3 recording of an orchestra quietly floating through the final chords of antonín dvořák's 6th symphony, movt. Ii. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic resolution or success musical moment. Enjoy and god bless!.

An mp3 recording of an orchestra blasting out the final chords of antonín dvořák's very exciting 6th symphony, movt. Iv. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic ending or success musical moment. Enjoy and god bless!.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song: Happy Happy HardPopCoreTastic This is stem 2, the first piano chords line.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song->> Happy Happy HardPopCoreTastic This is stem 3, the second piano chords line.

Formatted for use in the make noise morphagene. Eight chords from my fender rhodes, each on its own splice, based around an f-minor root. The rhodes is running through an mxr zw-44 for some mild overdrive, and was boosted with a focusrite scarlett dynamic octopre. See a video of this reel here: https://youtu. Be/ybhmx38n5oo.

An mp3 recording of an orchestra singing out the final chords of antonín dvořák's 6th symphony, movt. I. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic ending or success musical moment. Enjoy and god bless!.

A rock loop made in fl studio. Sound inspired by xzibit's song "lax". You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.

Predominant chord: ♭III+63.

Bob Dylan's "Lay, Lady, Lay" verse.

Drone made out of a g chord from a guitar.

Just a shower on/off chord being pulled in my bathroom.

Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+64 IV6. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

ii-V substitution.

Descending diminished seventh chord half-step cadence on C.

Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Four measure ii-V-I progression in C with Coltrane substitution.

It's me jamming a bit using my epiphone's explorer (tuned to drop-d). Recorded with a zoom h2 via mic-in and a jack cable. Unprocessed an undedited recording. I tried out some licks and chords. I'm not a good guitarist. Nevetheless, this might be a nice recording if you're making an animation about learning musician, or a game with a band member rehearsing alone in a room, or if you want to just chill to my little jam session. This should be mono, but i calculated the difference between left and right channel and it is not zero. So i uploaded it as a stereo file. Could use some denoising. There is some silence at the beginning so you can do that if you need.

I made this chord progression using onlinesequencer. Net.

Simple dminor pad created by layering two minimalistic custom waldorf blofeld patches and a bit of faint korg monotribe. U-he's satin tape emulation on every track. Recorded in cubase 6. 5. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

A loud orchestral stab for a horror reveal. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Wrote this while watching the rain outside my window. I was thinking about a friend who is going through a hard time. I couldn't come up with anything to do with it but maybe you can. No credit necessary but i'd love to see what you can do. Send me your youtube link for fun! you can find me there too.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

A piano chord on my keyboard.

3-10 trichord on C. Diminished chord.

3-12 trichord on C. Augmented chord.

Chord progression by descending thirds from mediant to supertonic resolving to dominant.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

4-26 (minor seventh chord) tetrachord on C

4-28 (diminished seventh chord) tetrachord on C

4-22B (minor sus4 chord) tetrachord on C

4-20 (major seventh chord) tetrachord on C

4-27A (dominant seventh chord) tetrachord on C

4-24 (aug. seventh chord) tetrachord on C

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

A single grand piano chord (dark and moody) with an overly-loud pedal-up sound at the end.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-VI-I.

Simple, sad chords with an ambient drum pattern accompanying. I created this with logic pro x and a basic soft synth that come with the software. The drums have some effects from fabfilter's "timeless" plugin, and also some distortion, but nothing too fancy. This is my first sound contributed to the community so they'll hopefuly get more interesting as i improve, but feel free to use it as you wish.

A soft sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭vi-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭III-I.

A noir-style vibraphone chord that might play when you find a clue or crack the case.