203 Royalty-Free Audio Tracks for "Cover"

Female moose call recorded by the fish and Wildlife Service in Minnesota. Wildlife recordings like this from the government are automatically in the public domain.

Recorded during a wet winter storm on january 12, 2014 in nova scotia. Wind gusts were reported to be 100 km per hour with heavy rain. Recorded using a zoom h4n using onboard mics standing under an awning for cover. Curious how this ends up being used.

Home recording of my story when working in tokyo. One day i went to a record store and came across an album with a cover picture of my home street in the uk that reminded me emotionally of home and now 20years later reminds me of that afternoon in a record store in shibuya.

Pingos: barulho de pingos batendo na água, foi gravado com uma bacia com água e uma garrafa que batia a boca na água e fazia o barulho de pingo. Noise of water drops hitting the water, it was recorded with a bowl filled with water and a bottle witch his cover hit the water making the noise.

Recording of a heavy book being drop over a wooden box damped with a cloth. We also added thin paper as a high end layer. Created by the students of the sound design workshop from the national school of arts of uruguay, at playa hermosa. Gear:zoom f8nsennheiser mk50.

Music phrase from my entry for musicweeklies (twitter) cover challenge. Full cover:https://soundcloud. Com/vladyslav-zaichyk/the-story-of-that-way-too-slow-time-bar-clement-panchout-coveroriginal song:https://soundcloud. Com/clement-panchout/rpg-battle-theme-the-story-of-that-way-too-slow-time-baroriginal composer: clément panchout.

My mogalyn consists of a torn-up book cover, a gnarled root i found on the ground, and a pinwheel called a "moga. " the moga spins, and picks rhythmically strum the strings according to their placement and the rotation of the mo. This version was created with paper and glue - which fell apart, so a more robust version is coming soon.

Stereo recording (decoded stereo from a core sound tetramic recording. B-format version also on freesound) sounds are kind of whooshy, very non-present. Very good for non-distinct urban-city bg's. Really useful in helping cover dialog ambient shifts. At :21 two guys on bikes with a boombox pass - one of the weirdest sounding things i've recorded.

Large 6 wheeled snow plow passes by. Hear the truck in the distance, gearing up. The sound gets louder as it nears at peaks at -12db when it's in front of the shotgun. Deep bass intentional, plenty of headroom to eq. Recorded on sound device 633, rode ngt 3 in a blimp covered with real audio rainman cover.

waltz by Chopin (Op. 64, No. 2). According to the little book in the CD cover the piano is a "Steinway grand". Paderewski was very associated with Steinway, he and William Steinway together created the program called Steinway Artists.

Female moose call recorded by the fish and Wildlife Service in Minnesota. Wildlife recordings like this from the government are automatically in the public domain.

I recently found this awesome sounding metal cover in my workshop and decided to do some high quality recordings with it. I used akg c414, a neve portic 5012 preamp my rme bayface and some slight postproduction (compression and slight eq). The sound is open source and can be downloaded in 24bit wave here.

My dad playing the guitar. A while back, yoshitoshi was having a remix contest for sultan featuring zara taylor - "no why", and for my submission i wanted to try adding a live interpretation/cover of the guitar loop. So i asked my dad but he got way too carried away in all kinds of directions i didn't want to take. But this might be useful to someone.

Abstract sound of a manhole cover blowing. Created using these sounds:http://www. Freesound. Org/people/johnnyfarmer/sounds/209772/http://www. Freesound. Org/people/werra/sounds/244394/http://www. Freesound. Org/people/robinhood76/sounds/70799/. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Piano lid gently taps as it is opened and rests against the upper front board. Organic reverberations can also faintly be heard from the detuned strings. Possibly could be used for something interesting, it has a wooden bass drum sound. 100+ year old upright piano, microphone placed directly inside. (sample 1 of 4).

Was practicing "yandere" laugher. Inspired by rena ryuugu's laugh from "higurashi no naku koro ni". Echo effect added, too. I'm thinking about using this in a song cover, but feel free to use for your own personal projects! if used, please credit me! arigato gozaimasu!. Timbre did a clean up of this sound ----> http://freesound. Org/people/timbre/sounds/215134/#comments. If you want all the hiss gone, please use that link!.

I layered three different snare drum takes to achieve this one. All three of those takes are from a ludwig black beauty. I did a close, stereo overhead, and stereo room mic configuration. Originally recorded/used for an 80s cover song i've been working on. Sounded nice in the mix so i thought i'd throw it on here. -yellowtree.

Recorded on august 22nd 2020 using my sony pcm-10 recorder. An overnight recording going into early morning. A beautiful soundscape of a insect-laden overnight in a small midwest town. Fascinating to contemplate how, while us humans are sleeping soundly, preparing for our next day, nature, is performing this nightly chorus, under cover of darkness. Gentle, drowsy insects gently rocking the world. Washing over the world with the re-birth that night brings.

My apartment/studio was very quiet except for the steam heat so i put a mic in the middle of the room (an ear trumpet labs edwina) and put it through a lindell mic preamp and then into a focusrite 18i20 interface to record. This is the mono, 48khz, 32-bit file for your dining and dancing pleasure. Actually, it's just room tone and can be mixed judiciously to cover gaps in your own tone or to make brand new rooms from scratch.

I recently contributed a track to a triple lp set of krautrock cover versions ("head music 2", released by fruits de mer records, december 2020). The song i chose to cover was kraftwerk's "autobahn". If you know the track, you'll know that it uses synthesised traffic sounds alongside recordings of the same. On my version, i achieved these in three ways:. 1) i downloaded some public domain traffic sound effects from elsewhere here on freesound. Org (thanks, guys!). 2) i got in my car with my zoom recorder and made my own recordings of the engine starting, stopping, etc. 3) i made my own sound effects using virtual synths and effects in ableton live 10. This particular sound falls into the third category. Let me stress that while the song "autobahn" is copyrighted, these are isolated sound effects and are not covered by copyright. I'm making them available here under a public domain licence. If you download and use any of these samples, please let me know in the comments what you did with them. It's not compulsory but it would be interesting to know what people did with these sounds.

Recording during a strong autumn storm, with heavy rain, in a large garden, surrounded by big pine trees. The wind was so strong, that i had a fear that one of the branches of the pines could snap and fall on me. The recording is a 32bit float, 48khz ms-stereo one, made with a sennheiser mkh 416, and ambient ate 308 emesser figure of eight, in a røde blimp with fur cover. I was amazed that the blimp did its job this good in this strong wind.

One of a series of foley recordings i made by sticking a piece of contact (sticky plastic of the kind you use to cover books) to a wall and tearing various household objects off it. The idea was to make a fairly comprehensive collection of rips and tears with varying timbral qualities that i could use to design ui sounds effects. Recorded with a rode nt1 into a universal audio arrow. This sound comes from a plastic candy wrapper.

The recordings found in this foley pack are all original recordings made by myself and they are intended for free public use to help content creators with their commercial or non-commercial projects. They are not intended for redistribution and misappropriation with monetary gain in mind. Microphones used:- rode m5 stereo pair. Processing applied:- minimal low-freq. Filtering- denoising where necessary. These recordings were made with the best of intentions and with the limited resources so do not expect professional studio recorded foley. Thank you and enjoy!.

Ambient echo sound. This sound required the combination of operator using the triangle wave and plenty of reverb. I layered this sound by using two different octaves to cover most frequency ranges that sounded best and to fill any gaps in the sound effect. This sound is inspired by scene transitions and wide shots where there may be a lack of other sounds so this frees up a space for a calm ambient sound that uses plenty of sustain and reverb. The triangle wave in the operator gave it more of a high pitched calm flowing sound. The other options for example sine wave sounds to harsh and sharp for this type of sound.

The monster is coming so run for cover!. Did this piece of scary music in garageband for a thing called victors crypt. The music suits something big, heavy and scary. Like a monster! could be in your next wicked project. Acreepy one with an eerie feel to it. . . Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

The sound of an electric car being plugged in and recharged. The clip starts with the car's recharging flap being opened from inside the car, then fully opened by hand, then the plastic socket cover being opened, then picking up the charging connector and plugging it into the car. There is some clicking as the electric vehicle's cooling fan turns on for a short while. This was recorded in-person with a tascam dr-40 stereo recorder at a small, suburban farm. Public domain: i have released this audio file into the public domain. It is free for anyone to download, modify, or use without my consent and without attribution - like all freesound audio files should be. Let me know if you found this sound useful. Enjoy!.

I recorded these sounds in three different offices. This is the result of them mixed, because i had an order for a sound like that for a film that was a scene of a noisy office as well, because it had many people working together. The recording was very good, was originally obtained on a machine with 8 channels of 8 large diaphragm microphones positioned to cover all recording environments. -----------------------gravei esses sons em tres escritórios diferentes. Este é o resultado deles mixados , porque eu tinha uma encomenda de um som assim para um filme que a cena era de um escritório bem barulhento, porque nela haviam muitas pessoas trabalhando juntas. A gravação ficou muito boa, originalmente foi obtida em uma maquina de 8 canais com 8 microfones de diafragma grande posicionados de forma a cobrir todo os ambientes a gravar.

Just a quick recording before class today. Recorded from a tascam dr-07 mk ii stereo in mp3 192 kbps 48,000 hz, pointed a bit to the sky toward a florida mockingbird about 2 meters away. If you listen closely enough, there's some crows in the bg too. Ambiance sound is the sound of a busy divided highway about 500 meters away. I processed this sound in sony sound forge a bit to remove some of it. Just beware, the sound file contains a slight camera double beep at 9 and 15 seconds, although for student film purposes i don't see any penalty for it. There's also some slight wind noise in the beginning since my clean foot sock didn't cover all of it, but same mind set as above, won't be too big a deal. Here's a video. Http://www. Youtube. Com/watch?v=-wf7g5bfi2s.

I found this old c-60 cassette labelled "xx" in a local thrift store. (i like to collect found sound recordings-- sometimes there's some pretty weird stuff!) well, it turns out i found some guy's old tape recording involving him having sex while blasting some awful anne murray cover album. . . The recording is the post-sex dialogue, right after that final song fades out. . . At the end, the woman asks something like "are you going to get your tape recorder?" and the guy seems to become flustered, saying something like "i wasn't recording, it's off!" (i'm paraphrasing. ) i guess he thought she realised he was recording it or something. Anyways, after this, the recording is cut off. You can also hear a toilet flush, and some sort of "squeaky toy" noise during the recording. Recorded direct to soundcard, playing back the tape on a cheap hand-held cassette player. Edited w/ compression to reduce peaking.

Registro de geofonía realizado en las escaleras que conectan el primer y segundo nivel de una torre de apartamentos, de un conjunto residencial, ubicado en el norte de la ciudad de cali, colombia, el día martes 28 de abril a las 7:00 a. M. En él, se puede escuchar el sonido de una lluvia ligera que golpea los tejados plásticos, que cubren los patios de los apartamentos del primer nivel. Dispositivo y programa de grabación: celular huawei p20 lite + lexis audio editor. Geophony recording, captured between the first and second floor of an apartment building in a residential complex located in the north área of cali, colombia, on tuesday april 28th at 7:00 a. M. In this recording we hear the sound from light rain falling on plastic roof tiles, the kind of roof that's used to cover the first floor’s apartment patios. Device and software: huawey p20 lite + lexis audio editor.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

Passing by cars, hitting manhole covers.

Ooo. I like that. Covers it.

Someone getting in to bed, pulling covers down, fluffing pillow, then tossing and turning to get comfortable.

Foley performed, using the covers from a rode blimp as the horse shoes.

Oy Chanukah performed by the Airmen of Note of the United States Air Force Band. Track 11 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Hark, the Herald Angels Sing performed by the Airmen of Note of the United States Air Force Band. Track 4 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

We Three Kings performed by the Airmen of Note of the United States Air Force Band. Track 7 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

O Christmas Tree performed by the Airmen of Note of the United States Air Force Band. Track 5 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Recorded for a university project. Breathing heavily in bed with the sound of moving bed covers in the background.

Go Tell It on the Mountain performed by the Airmen of Note of the United States Air Force Band. Track 19 from A Holiday Sampler (2009). Track 1 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Crinkling up the plastic that covers up those boxes of water bottles. Sounds so relaxing. If you use it, i'd love to see!.

Scraping a plastic canvas with fingernail from right to left. Second take. This is one of those grill covers you can protect your grill with. Recorded outside, close up with tascam dr-05, cropped in audacity.

Scraping a plastic canvas with fingernail from left to right. This is one of those grill covers you can protect your grill with. Recorded outside, close up with tascam dr-05 internals, cropped in audacity.

Part of the record fx pack this sound is designed to be mixed with the actual record content and provides some of the noises people spent ages to remove!this sound covers the needle being placed on the record a rhythmic crackle and touch of white noise. You can extend the crackle section with the file record noise2 underscore file.

A recording of an entire journey on the london underground (jubilee line) but could pass as any subway/metro if you remove the train announcements. The recording begins at the top of escalators, travels to the platform, boards the train, then covers the whole journey, getting out of the train, and ascending the escalators at the other end.

Pinafore airs, Pt. 1 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "We sail the ocean blue" "Hail, men of warsmen", "I'm called Little Buttercup", and "A maiden fair to see" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley.

This is a 808 bass which i sampled from my novation drum station. The sample covers one full octave from c#0-c1. The sound was recorded through a yamaha m1516 which pretty much has the same circuit as a api. As you can hear it sounds pretty much the same as a roland 808. The drum station uses analog modeling so the sound is pretty nice. Feel free to use in your productions. There is no need to contact me if you release a track with this sample just enjoy.

Pinafore airs, Pt. 2 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "My gallant crew, good morning", "I am the Captain of the Pinafore", "Sorry her lot" (second verse, beginning "Sad is the hour"), "Over the bright blue sea", and "I am the monarch of the sea" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley. This is Edison Blue Amberol #1891, also issued as Edison Amberol #820

This sound has been recorded with the h4n pro. You can use this sound in your project regardless if it is commercial or non-commercial but it would be awesome if you could tag our following instagram accounts somewhere in the description:https://www. Instagram. Com/finnkleffmann/https://www. Instagram. Com/florianreichelt/. Leave a comment and tell me for which project you used it!! :). By the way - have you guys already checked out my good friends youtube channel?you will find a lot of good covers and awesome songs there:https://www. Youtube. Com/c/finnkleffmann. Stock footage isn't dead! make 2000$/month via blackbox!register now: http://bit. Ly/stockblackbox.