64 Royalty-Free Audio Tracks for "Daring"

My humble contribution to the party. Https://freesound. Org/forum/dare-the-community/38579/. Old fashioned happy birtday song, with a few spices. Based on:http://www. Freesound. Org/people/toiletrolltube/sounds/266931/. Best wishes!!!. My profile-info/other stuff.

A mobile phone recording of a jalousie flapping in a window at a library. It made an irresistible sound. The recording technique, or something else, added a glitchy extra sound. Very welcome! the sound is edited in audacity. The original sound was in mono, and i wanted some stereo effects. It’s a 6 second loop.

This is a remix of hangover nightmare. Wav from kyster. I remixed the sample to join a project/dare called the continuum-1(a never ending project). The sample i used:. Www. Freesound. Org/people/kyster/sounds/146116. I used fl-studio and the following effects:forma-8mrdonaldand echolive, a delay unit for live applications. All echo effects are performed live.

The sound of a piece of packaging paper paper punched by the fist. A very thick sound. Also sounds like a gun shot. Recorded using the sampler in redrum in propellerhead reason 5. Equalizing used to get rid of noise and harsh frequencies and maximizer use to make sound audible. Recorded on 3 jan 2012.

The moment you know you should have been somewhere else. This, my friends, is why they make you put a licence plate on your car. File is slightly abridged for acceptable presentation. Anyway they were looking for someone else, and seemed remarkably understanding. And decidedly amused. . .

Quran / koran recitation on the short wave radio (radio bsksa - arabia saudi). Received in the netherlands. Thanks to this great live long wave radio-receiver in holland. Try it your self. Http://websdr. Ewi. Utwente. Nl:8901/.

Dare 31 signature soundhttps://www. Freesound. Org/forum/dare-the-community/35630/this is my signature sound. It’s the ambience of an airport (got) recorded with my mobile phone. In audacity i amplified, phase shifted and time stretched it a little. I wanted an all round strange ambience sound. Made a 12s loop. This sound will be used and recognizable in the forthcoming three dare submissions from me.

Made using the online remote shortwave receiver of university of twente in enschede holland:http://websdr. Ewi. Utwente. Nl:8901/made in the part of the 20-meter ham band where psk31 is the dominant digital mode, with the receiver deliberately mistuned, in fm mode at it's widest setting to get a mishmash heterodyning sound.

A tabla loop played only with the bayan (the bass drum). The taal is kherwa (the rhythm) and the bayan isn't used at all. Recorded using behringer c-1u, recorded in adobe audition, and finally did some eqing (the major part of the eqing was removing the 60 hz hum and the obnoxious other harmonics). Enjoy!.

I had no part in producing this sound. A girl entered a vehicle and masturbated herself to climax. The story i heard was a lark on a dare, in broad daylight on a sanitized shift knob. The really interesting part was, it wasn't a car owned by either of the girls involved, the darer or the dared, and in fact the owner would have been very upset. If he'd known. I guess she did have access to the keys.

I thought i had a diy contact mic somewhere, but i did not find it. But i found another thing. A contact mic for an instrument tuner. But (again) it had a 1/4 inch mono plug. That meant i could not connect it to my computer mic in. But (i know) what if i plug it in to my modular synth. Surprise. . . Then i could add a little filter, pan and spring reverb. So clamped the mic on to my external 3,5 inch disc drive and recorded. This is my submission to dare 51.

Privatedareno2 - 3patches - 3min. A challenge kindly started by alienxxx \(^_^)/. Patch 1: the patch that was… a patch i did yesterday. Got that one for free, so to speak. Patch 2: inspired by distant airplanes. Had this in mind. Now i patched up my idea. The wind (or what you decide to call it) is controlled by alm pip slope. New module – for me. Used an external effect, the zoom ms-70cdr. Patch 3: read about feedback. I decided to do a feedback patch. First i made one using oscillators, but i did not manage to do something nice. So i used filters. The first filters feedback is generating triggers. Oh, yes, and i used my sampler (soundmachines ul1uloop). So three patches. I merged/mixed them together in audacity. All sound unedited. Just normalized and i have applied fade in/out – and mixed them together - as written.

Be carefull with the volume!!! i maxed out the eq and volume to get the most effect possible. . . Dont know, but it could be bad for your ears!! dont want anyone to get hearing problems. . . . :). Dare 26 spin-off. . . . Alienxxx processed a few samples out of sample:. Http://www. Freesound. Org/people/luckylittleraven/sounds/223075/. He wanted us to listen to the samples an tell if they were worse or not to the original samples. . So i just listened to a few samples and noticed something weird. . . On a few samples there is this very high pitch sound. . . Seems not everyone is able to hear this. . My girlfriend was listening with me and she didnt hear anything like this!!!to find out what was going on alienxxx suggested to run the samples thrue an eq to see what was going on. I used the following sample:. Http://www. Freesound. Org/people/alienxxx/sounds/234027/. I found out that there was a very high peak at 14,8khz around 14sec. And again at 20sec. After that i maxed out my eq at 14,8khz. Setting everything to maximize the peak that is so very very very annoying!!!. .

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.