45 Royalty-Free Audio Tracks for "Difficult"

A series of nondescript samples recorded in a fashion inspired by error. They are made so that even if they are arranged in a rhymthmicaly correct order, they still sound horrible. The samples come from unearthed past tracks.

Jazda czołgiem / tank ride / stereo.

Example of the Locrian diatonic scale. Note the dark, inharmonious sound. The Locrian scale is difficult to work with due to so few harmonic intervals.

Pour qu'elle traverse sans difficulté les vastes flaques de sang by PAS DANS LE CUL AUJOURD'HUI

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

Difficult choicescomposed by developer jake.

A gate has difficult to open.

Another difficult soundscape sample.

Warning: might be loud. Getting pumped up for a difficult task.

ha ha in a toony voice, as if something difficult was accomplished.

Several flicks of a lighter. (my apologies for the cicadas in the background, field-recordings are difficult in a rural area. ).

A slow and weak sound is heard that at times is difficult to perceive. It was activated by a person rubbing the potato with a peeler.

Recorded with my zoom h2n. This was me trying to come up with the sounds of a snake swallowing something large for an animated cartoon.

The finnish name "simo häyhä" pronunciation seems to be a bit difficult for people whose mother tongue is english. Hopefully this helps. Feel free to distribute!.

Breeze: a most difficult sound to record!! sound of the breeze through the pines.

A difficult recording of a train engine leaving the rest of the train during a stop. Recorded with a tascam dr-40 during the summer in rural greece.

Traffic ambience recorded at night, in the suburbs in australia. Sound is very atmospheric, specific sounds are difficult to pick out.

An mp3 recording of a snippet of a cartoon movie being watched. Words are difficult to decipher but are audible. Recorded with a black digital ic sony voice recorder.

Feet crunching on gravel on a brief walk. (my apologies for the bird calls and wind in the background, field-recordings are difficult in a rural area. ).

An aerosol can spraying several times, either a paint can or an insect repellent. (my apologies for the bird calls and wind in the background, field-recordings are difficult in a rural area. ).

A brief ripping sound of tearing cloth. It could also be used for sticky tape being yanked off the roll. (my apologies for the bird calls in the background, field-recordings are difficult in a rural area. ).

I was tried to make a tape loop, and this is what i got. For those who haven't tried, it's very difficult to make a tape loop. This one broke after two loops, so i'm lucky i recorded it!.

Let me join 'thunder club. ' gray sky suddenly turned to be wild, and began to roar. I hastily connected a mic (ae5100) into fr-2, and recorded it. By the way, sound of thunder is one of the most difficult sources of all, i guess.

This is a 625hz active sonar ping, the type used for long range low resolution seafloor imaging or anti sumbarineuses. Note: this is an actual sonar ping, but of a type very rarelyused today. Most active sonar, especially anti submarine sonar, is14khz and up making it very difficult to hear.

The air con unit in our office regularly begins to howl like a storm wind. It was pretty difficult to capture. . . Had to come in early and setup a tascam dr-07 and let it run until the air starts to swirl and makes the noise!.

il est plus difficile de changer ce qui se trouve a l'exterieur que ce qui se trouve a l'interieur( it is more difficult to change what is outside rather than that is inside )recorded by me with shure sm58 microphone on behringer x32, reverb + flange effect.

I've recorded several variations of piano riffs, but left in the 4 best ones. It was difficult for me to remove the key tapping, so i left some key tapping alone at the end, if you want to try to remove it from the riffs.

This sound was created using audacity. With it i opted to show you what is the effect of 440 hz sound with an amplitude of 0,8 on our body. It’s a sound creating disorder and is even difficult to listen to for a long time. This sound was created using audacity. With it i opted to show you what is the effect of 440 hz sound with an amplitude of 0,8 on our body. It’s a sound creating disorder and is even difficult to listen to for a long time. Ce son est de type x (continu complexe), il est un son seul tonique et terne. L’attaque au début est graduelle et forte. Le son est dense, profond et intense.

Plane- it’s difficult to get good recordings of planes taking off these days. There’s always major streets or highways close by which results in a bunch of unwanted traffic noise. It’s difficult to find a good vantage point to set up because there’s hardly any public parking with unobstructed sight lines (or in my case hearing lines) to the planes. Plus, with all the extra security measures in place these days, how suspicious would i look setting up a laptop andsome cables and some other electronic equipment in the general area of the runway?but i managed to get this recording. It’s not spectacular, but it’s ok. There’s some worker truck at the end of it which gets in the way, but doesn’t ruin it. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook prosan diego airport.

48khz 24bits clean soundthis is shun laughing. I recorded this while his father was giving giggles to him on his bed. Surprisingly, the sound is very clean despite shun was moving quite a lot. It's often very difficult to find kid laughing. This one is genuine, it's an incredible recording to me. I hope you will enjoy it. Microphone rode nt5 into fostex fr2le.

This is a recording of the sea-side. The wind noise was was difficult to remove (i hadn't used a wind shield for the microphone); so i decided to use it as part of a sound designed piece. I would use this as background for gaming or for radio drama; you may use it however you wish.

Murchunga (nepali: मुर्चुङ्गा) is one of the ancient musical instrument as jaw harp. This collection is a sample sound from one-particular instrument that comes pre-tuned to a scale when crafted. And the device being too tiny to produce the sound signal, it was difficult to record the full length and frequencies. There could be other better sounds from a professional recorder. It just gives an idea of how it hears.

A plate was placed on a table with a very small height gap so that it vibrated when flipped with a finger. Produces a sound similar to a ruler pushed down on a table, flipped and pulled onto the table. It's a bit difficult to describe but if you hear it, you see what i mean and i'm sure you've done it as well. . ;).

I made this sound for a show simply by breaking a large amount of pasta various ways, then combining and altering everything in izotope rx 7. My effect isn't the greatest, but i found it difficult to find anything that worked for this application so i made my own, and here it is!feel free to use this sound for whatever you want, you don't have to cite it, just please don't claim it as your own.

This song is about a buddhist who returns to the monastery, where he was abbot centuries before (in a previous life). While walking along the path with torches, the memories come to the surface. First, it is difficult to see it without understanding it. After a while he can let it come to him, without exercising control. As a result, he learns the life lessons that he was not yet ready for. Through the light at the end of the path he experiences what enlightenment is:"dare to expose everything without judgment and learn from it to become more loving instead of always needing control".

[intro_outro_01. Wav]. It was dark, strange, and difficult times. I was far, far away, and during that period of time, nothing seemed to work out the way i thought it would. However, i remember that i had this soda in front of me, and it strangely enough made me appreciate life and everything 1000x more. This sound can for example be used in rap videos, films, games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

This recording was made in the afternoon during a rainshower under my carport in louisiana. The rain is striking three different surfaces in this track: cement, roofing and plantlife. Now, i'm no pro, nor is my equipment (olympus ws-310m w/ built in mic), so discerning these different sounds is difficult. You can hear the dripping from rain: fast drip in the background of this track. However slight, there is also a noticeable electronic note which is simultaneous with the water striking these surfaces. You can also hear slight rustling sounds that could be wind or my shirt moving near the mic (i was wearing the device on a lanyard). The file is wav, recorded in stereo at 16 bit at 44. 1mhz.

(wikipedia) the european nightjar (caprimulgus europaeus), common goatsucker, eurasian nightjar or just nightjar, is a crepuscular and nocturnal bird in the nightjar family that breeds across most of europe and temperate asia. The latin generic name refers to the old myth that the nocturnal nightjar suckled goats, causing them to cease to give milk. The six subspecies differ clinally, the birds becoming smaller and paler towards the east of the range. All populations are migratory, wintering in sub-saharan africa. Their densely patterned grey and brown plumage makes individuals difficult to see in the daytime when they rest on the ground or perch motionless along a branch, although the male shows white patches in the wings and tail as he flies at night.

Underwater [loop] amb. Update: i have decided to release this sfx for free, public domain. Enjoy! :). Please like and share!. A loop-able ambiance of being submerged in water for your underwater needs. This one was particularly difficult to process as i had to layer many scuba diving sounds in one order to get this effect. Only after crushing many frequencies via eq, is when it gets this deep. Get it? deep like an ocean? no? okay i swim away now. . . Enjoy =). - noise reduction- high pass at 30khz- artifact removal- noise removal- bass enhancement- low pass- layering- stereo imaging- stereo widening. Details:. - gopro hero 4- 48khz- 24bit- wav. Crediting: optional. Dcsfx: https://www. Freesound. Org/people/dcsfx/.

My iphone died, but not completely. The screen was cracked, the battery was failing and it was difficult to make contact in the worn charging socket to charge it. It reset itself frequently and never stayed on in any temperature below 65 degrees f. So i downloaded my data and activated a new phone, but lo and behold, i couldn't turn off the old one. I would have to wait for the battery to run down. For once, the battery lasted. Two days later i listened to the alarm go off for ten minutes. My arms were full of laundry, and suddenly my backup alarm started blaring, loaded with an obnoxious ringtone. My back porch is concrete. My 16-ounce claw hammer was handy.

Autumn forest wind. Heavy, fast gusty in tall pine trees. Some birds and raindrops. Soundscapes of natural white noise of moderate intensity. Some are stagnant or static and with few birds. The presents of the colourful red and yellow dry leaves that is still on the trees, creates the noise of the wind with rustling whispers. Is a constantly form of natural white noise that is always changing and evolving. These recordings is from my third attempt. I think it is very difficult to record the “spirit” and unique sound of the wind. This is pure natural wind sounds (no layering, no post-processing, no synthesizers). Originally recorded at 24 bit sony dat tcd-d7 on a sony ecm-909 microphone. Recorded in sweden september of 2007 in a wet cold beautiful colourful forest, with all kind of trees, far away from any traffic or human sounds.

Created for an upcoming film, this is the audio from a nightmare a character in the film has about the terrible 1966 aberfan, wales disaster. He sees himself in a hallway at pantglas school then hears the coal tip land slide coming, then sees it crash through a distant wall and come rushing at him. I put it together from the following freesound samples:. 94114__tim-kahn__rumble126323__klankbeeld__horror-zombie-hell-atmos147239__matiasezcurra__mud-and-rocks-river-iruya-northwest-argentina168777__robinhood76__03792-children-screaming198095__cell31-sound-productions__earthquake-interior-metalrattling-2244501__hutsvoid__nervous-children249907__klankbeeld__horror-kids-01338721__rogerboyx69__inside-a-tornado379906__kevint1001__water-flood-enhanced402016__ylearkisto__ikkunoita-rikotaan-kepilla-breaking-windows-with-stick415608__rtb45__mud-volcano-field-salton-sea456806__breviceps__hot-bubbling-mud514381__zatar__earthquake3343130__inspectorj__ticking-clock-aand145801__mrbriandesign__kids-screaming-2. This was a very difficult piece of sound design to construct because of my emotions about the disaster and how the national coal board responded: 500 pounds sterling maximum to each grieving parent for each dead child, and with questions such as, "how close were you to your child?" if the answer was somehow not close enough for the panel, no money was awarded. The film scene will be handled with taste and respect, and no dead children will be depicted.

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.

This sound is a superposition of two records. First, i recorded a coffee machine and cut it to extract just the sound of the money that falls in. Then, i recorded the sound of keys and mix it together on audacity. I wanted to make a sound that can be repeated in a loop. So, i copied the record of the coffee machine to give a rhythm to the sound. I tried to cut the sound of the key perfectly to make a loop with the help of the option “search for crosses with zero”. Then, i added view effects. I have changed the amplification in purpose to bring out more the sound of the coffee machine. I also change the reverberation. Gradually, my sound made me think of a music in a video game that i used to play, rayman. It was difficult to describe what the sound was like, but i liked the atmosphere, so i kept it. Then, a friend told me it made him think of a frog noise, and i liked the idea. Code typologie de schaeffer : v’’précisions morphologie :sur le principe de l’écoute réduite, la morphologie du son peut-être décrite comme étant un groupe tonique car nous entendons plusieurs hauteurs. Le son peut être qualifié d’acide et éclatant. Le son paraît plutôt rugueux. Je dirais que le son est dynamique mais que l’attaque n’est pas brutale mais graduelle au moment où l’on entend le son de la machine à café. Le profil mélodique présente des variations plutôt scalaires. Pour finir on entend des hauteurs de sons parmi d’autre son.

This is the audible annunciation found at all intersections with traffic lights in paris, france. It announces the condition of the traffic lights for pedestrians who are blind or with impaired vision. The annunciation is turned on by pressing a button on the traffic light pole. When the crosswalk sign is red (do not cross), the recorded annunciation is always "rouge piéton" ("red light, pedestrian"), followed by the name of the street that the crosswalk crosses (in this case "rue d'antin," the quiet side street where i recorded this). This repeats over and over until the crosswalk changes to green, at which point there is a two-second trill tone followed by a repeating bell tone. The bell tone is one bell, followed by two bells, repeated four times, followed by a very brief pause, and then the sequence is repeated again. This continues until the crosswalk changes back to red, at which point the "rouge piéton" message resumes. The annunciation continues for at least one cycle of the traffic lights and then stops, unless the button is pressed again. The audio quality of the annunciation is very poor even in real life (it sounds like a wax cylinder recording or something), and can be difficult to understand. This recording accurately captures the poor quality of the annunciation. The volume of the annunciation is also adjusted dynamically based on ambient noise, so there is a slight change in volume on this recording as the system apparently reacts to noise from traffic or something. There is a weak background noise that sounds like some sort of machine, but it wasn't coming from the traffic light and i don't know the source. The recording starts with the crosswalk red, then at about 18. 3 seconds it changes to green, then it changes back to red at about 53 seconds. A car passes at around 48 seconds. Recorded with a zoom h4n, stereo 96 khz / 24 bits, built-in mics, from about ten inches below the tiny speaker in the crosswalk sign housing.