743 Royalty-Free Audio Tracks for "Dry"

Wave, 44. 1khz, 16bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: leuphana universität lüneburg, cantine. Lat: 53. 229336lon: 10. 398366. Date: 2013-11-18, 13:00h. Recorded and edited by: malte niepel. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Nerf hammershot shooting without a dart in the drum. (dry fire). You can hear the air that would usually push the dart and some rattle caused by pulling pack the hammer. Recorded on sound devices 833 & neumann tlm 102.

I recorded these samples after recording a loop of the famous think beat. I used mapex big rock kick and toms and a mapex daisycutter snare along with zultan 15" raw hihat and a zultan 20" dark matter crash.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

Sound of footsteps (hiking boots) on a bed of dry chestnut leaves about 40 centimetres thick. Crunching leaves, sounds of the forest in the distance (birds, wind, etc. ). Walk at a fairly slow pace. Perfect for natural backgrounds. Recorded with a zoom h1n held in hand and pointed at the ground.

The sound caught my attention and i thought others might find it useful. The sound comes from a small cardboard box with a glossy exterior being removed from a slightly bigger cardboard box causing the little pop at the end.

I made changes in the impulse response of the fisher k-10, i used a demo of the fisher spacexpander on youtube that had a warmer sound, i did eq match using small sections of the video where the audio is dry or wet, i did this sin several times and the result was fantastically similar. The reference used: https://youtu. Be/17x9fqbjbfw.

I got into a small crawl space under a concrete road, which seemed to be an old sewage tunnel, and recorded the sound of a car driving overtop of me. It's a gentle rise and fall of a car engine. You can hear me let out my breath as the car drives away.

Graham cracker foley recorded with a pair of mics in xy stereo arrangement (close), and small diaphragm condenser mic (far) running parallel. Processed in reaper with ambient noise reduction, compression, and eq. Each file mixed according to the title ("far" or "close" dominant).

A simple sine-generator piped through a slew of wacky effects automated with randomized lfos. I added some cabinet emulation to give it a 'living room' feel but left it dry enough to add additional stereo/reverb processing. P. S. It loops cleanly. Software: bitwig studio.

Kick sound created in fl studio using a reggae kick sound played both dry and using a denise punisher free distortion vst and then layered with a pure click from fl studio. The resulting kick to me sounds somewhere between techno and dubstep light. Would love to hear about anything you create with it but as always free to use whether you inform me or not. Revolt!.

Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.

From the eerie fx pack. See tags for some more detail. All sounds from eerie fx pack were actually ripped (using edison) from a highly modified version of my upload 'eerie fx full'.

A guitar chord, probably a d. Recorded for the purpose of testing out guitar dsp effects. Recording details:. Gibson les paul junior, p90 pickup, mahogany neck, ernie ball beefy slinky 11-54, dunlop 88mm. Recorded through the instrument input of a focusrite saffire pro 24. Edited in ableton live, no processing other than gain and fade.

See title &. . . Https://freesound. Org/people/strangehorizon/sounds/668910/. This is a ~50:50 mix of timbre processed & adobe processed,i. E. Adobe enhanced version is a reinforcement of speech. Https://podcast. Adobe. Com/enhance (currently does not have wet/dry or other controls).

I recorded a viola for a theatre project. I recorded it in a dry room, close mic with a neumann tlm103. Some samples are just noises of the bow on the c or d string, then once in a while creating overtones, other samples contain some processing with echoboy by soundtoys. Amazing plugins they make!. Feel free to use the samples in any way you like. If you use it in a project i am always curious to hear it. Comments and questions welcome.

This is a warm up thing i do its derivative of thunderkiss '65 by white zombie its really funky and fun to improv with that little riff they got going on in that song. Not the best but i wanted to test the direct recording of my new focusrite, if you have any requests please let me know i'm trying to challenge myself as a new guitarist so if you have something in mind let me know.

Wind recorded at the end of 2016 in canary islands opposite a corner wall. Strong wind (thanks to the mountain), but it was recorded on the other side of a house and it wasn't that strong in that moment. There are snorts, sorry (i haven't zeppeling). Hope it's useful for you. Recorded with a zoom h4n with its internal stereo mic. Credit is optional: don't worry about it :) completely free sound.

File contains a second collection of 4 or 5 creepy, clichéd "hypno-tones" in the theremin's lowest ranges, each separated with 5 seconds of silence. Each hypnotone in the file uses a different waveform/tonal setting to give you various textural choices. As always, these sounds are recorded "dry" so that you can tweak and tweeze, add effects, overdub and mangle them any way you like.

Processed recording of a mechanical computer keyboard. Captured using a rode nt5 microphone and a zoom h5 recorder. Edited and processed in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Add spice to your grooves with some dirty, rhythmic, data noise. 1 bar of 4 beats - recorded dry, for you to add your own delay and other effects. No. 4 in a set of 12.

I asked him to load the dishwasher, and he actually did, except that he washed the dishes by hand and used the dishwasher for a drying rack. I didn't ask him to record it for me, so maybe he's trying to change the subject. Bully for him. Great file, might be diminished in volume quite a bit and used as a background in a diner or restaurant kitchen. This is the way men wash dishes, and it explains why many of mine are chipped.

Foley recording trying to simulate a weasel walking but could work as any other small to medium sized animal footsteps. Here we used a sandbox with sand, dirt, dry grass and some gravel. Recorded and performed by students from the national school of arts. Uruguay ,playa hermosa. Gear:. Focusrite 2i2 3rd gensennheiser mkh50.

Processed recording of a portable mechanical typewriter. Captured using a clippy em172 microphone and a zoom h5 recorder. Edited and processed in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Original file name: abstract hip hop beat 1 - 28 september 2012specs: 140 bpm, stereo, 48000 hz, 24 bit, wav formatdescription: an abstract hip hop beat loop programmed into propellerhead's reason redrum. Used the 'abstract hip hop kit' samples that come with reason's soundbank. First part of loop is dry with no effects except eq, second part is more processed. Sample pattern: a1 x2 | a2 x2effects: equalized all the samples. First half is dry in that no extra effects apart from eq are used; second part of the loop is actually two copies of the same loop with one of them containing extreme compression after some unison (detuning) and ~30ms delay. Contact (pm) me if you want any changes to this sample (please include freesound sample number 166029). You can use this commercially with proper crediting, but please let me know where and how you use it - seeing this used will really make me happy. :).

Large ambiance inside fields of dry grass. From various field recordings during a shooting in france, aubagne near marseille. We call "mistral" this typical strong wind blowing in this area. Hot in summer, it's really cold in winter. Recorded using 2 a/b microphones neumann km 84 in a fostex pd4.

The high desert (6-thousand feet) of northern arizona, near flagstaff. Walking at midday with the sandy gravel and dry, stunted vegetation crunching. You will also hear the many locusts which seem to be present by the thousands in place. Big blue sky all around, and nothing but the steps, and the crunching of the ancient land. Recorded on october 17th, 2017 near flagstaff arizona. Equipment used: sony pcm-m10 using built-in stereo microphones. The gain on my recorder was at 6.

Classic creaky door. Recorded using blue yeti mic direct to digital. A new door that sounds 150 years old. Wooden environment (workshop) with very little background sound. Crisp, clean recordings, edited for main content but these are dry and raw waiting for you to add ambience! please use freely for any purpose incl. Commercial - no credit of any kind is required. Comments appreciated ;).

The bass drum was generated using absynth 3, as well as the other instruments that follow it. Within the software, i simply just generated a quick drum patch (for myself), which i manipulated over and over till i got several varations. I just happened to choose this one for this loop. General techno-trance and suitable for almost any genre in electronica. The loop is set at standard 120bpm for easy manipulation.

Jd requested i do a dry take of these phrases:. 1: "evaluate your mind"2: "dance with me"3: "love is the key"4: "it's inside you"5: "love"6: "trance"7: "return to the source"8: "all this energy"9: "you create the light". If you have a request, send a message!.

Walking (hiking boots) on a gravel and ground path. A distant torrent streams in the background, birds chirping, sounds of dry leaves, crunching twigs and gravel under the soles. Perfect for calm/relaxing nature background, 1st party vr experiences (if you do that let me know, i'd like to try it!) etc. Recorded with a zoom h1n held in hand while walking nd pointed towards the feet.

Ext, ambience, amb, ambsubn, suburban, residential, neighbourhood, town, small town, uk, united kingdom, british, british isles, britain, great britain, england, english, northern, northwest, lancashire, raining, damp, dripping, wet, wind, windy, daytime, summer, distant traffic, close traffic, traffic, busy traffic, roads, driving, vehicles, vehicles pass by, pass bys, cars, car bys, van, van bys, summer, day, dry, wind, windy, trees.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Made this short loop and thought i would share, i hope you enjoy! its dry due to no effects and yes this is free! feel free to give credit if used. Daw: fl studiodrum packs: kendrick lamar exclusive drum kit, wu tang drums (freedrumkits. Net)bpm: 140. 00. 12:43 5/24/15- justin payne.

Recording of a stone mill wheel grinding dry corn for flour. It's in a little stone outhouse, a generator outside powers a belt driven stone wheel. The recording changes in perspective and cycles from the lower part (a wooden crate to receive the milled flour) to the upper element (a large plastic funnel in which the dried corn grains are tipped) and then back down again. 48k/16 bitrecorded in 2010.

50 claps made in blok modular from scratch. Supposed to sound very unrealistic/dry/drum machine-like as possible so you don't have to sample the real thing. Some of these use asymmetric waveshaping which adds dc offset (0 hz noise) so you may want to highpass the crustier ones. I would've uploaded a zip of the individual hits but because of the way freesound works you'll have to chop it up yourself.

Whenever i'm bored i tend to beatbox, so i decided to multitrack myself one day in the hopes of creating a full song out of it. I never did finish it, so i've included this and another loop of my multi-tracked vocals in this pack. If you use it leave a comment to let me know where i can hear what you did with it!.

A quick and dirty sound effect i put together for a film school project. You could use this as a sound effect to accompany an arm or a neck being broken, or someone falling over and snapping a bone of some sort. I used this for neck breaking though. . . But you're more than welcome to use it on whatever you see fit. Technical details:. This sound was created with a twig and some tree bark, then mixed into adobe audition. Audio recorded in stereo with a zoom h1 on inbuilt mics.

This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.

At a baby shower and there are these awesome paper pom poms that sounded so amazing when you dragged them over your hand, like wind rustling stiff grass or dry leaves. Lots of variants of speed, direction to give you motion options in the stereo track. I'm sorry about all the wind pops, but if you're okay with a mono track, there are clean passes on both right and left. Recorded on a tascam-dr-40 and cleaned up in audacity. Production-now. Com - shout-outs welcome.

A beautiful, ancient sound of a small creek flowing in a heavy midwestern forestafter a late autumn day of rain. (recorded on sunday november 30th, 2019)this particular " scene " is the result of a 2 inch deep flow of water suddenly dropping over several medium-sized old rocks. In a few days, this flow will cease and the creek-bed will revert back to its typical, meandering , dry rocky path through the woods. Enjoy. Equipment: sony pcmd100 placed on the creek-bed about 5 inches from this min-waterfall.

This is a field-recording of washing up / doing the dishes after a small lunch. All separate steps of the process are included in the recording:0:00 - 0:54 s: filling the sink1:00 - 3:10 s: washing up3:10 - 6:03 s: drying the dishes with a towel and ranging them in cupboards and drawers6:03 - 6:21 s: draining the sink6:21 - end : cleaning the sink. The recording was made with the mid-prize smartphone huawei p10 lite. The recording was created as background atmosphere for my trackhttps://soundcloud. Com/rabmusiclab/washing-up.

J'ai produit ce son en tournant la roue avant d'un vieux vélo et en freinant doucement. Les patins vieux et secs grincent sur le métal de la roue. Enregistré dehors, devant la maison, avec un smartphone. I produced this sound on an old bicycle. I turn the front wheel by hand, and i smoothly brake at the same time. As the brake pads are old and dry, it gives this monstruous squeaking :d. It's recorded outdoors, using a smartphone.

Got a can of sriracha peas for my birthday. Accidentally plucked the pull-tab. Sounded good. Made everyone pause what was on tv so i could pluck it a bunch. Ate about 3-4 peas. I don't like sriracha. Much less on dry peas. My stomach got upset. Those few peas colored my burps for about an hour. The can lid was the real present all along. Incidentally captured: chair squeaks (funnily in time with the plucking), "hurry up", "(he's) documenting the sound", chuckling, "is that good enough?".

Lean minced beef frying in the pan recorded with olympus ls 12, sounding like hard rain. Thunder-esque sounds recorded by blowing into the mic of my olympus ls 12. Mixed with segments of dry thunder3. Wav by juskiddink https://www. Freesound. Org/people/juskiddink/sounds/101948/ for the tail of my blow thunder and thunder! by netaj https://www. Freesound. Org/people/netaj/sounds/193170/ for the last clap of thunder. Reverb and delay added and mixed with ableton. As crap or good as it sounds i had loads of fun with this.

A 39 sec. Loop of maxheadroom's wonderful "field-recording of a real live horse galloping on hard dry ground with some heavy snorting. Not a gallop past, but a constant gallop around the mic. " thanks max! i needed it to be longer for our podcast, so i figured i'd share this. I will warn you, it's pretty obviously looped due to the horse's breathing being repetitive. I was working with a 4-5 second clip. If you like it, please give me a rating!. Check out our comedy podcast "in poor taste" at http://bit. Ly/inpoortasteeps.

Stereo recording of a train arriving and departing at aldgate east tube station, and another train departing on the other track. London underground trains have rubber wheels and a characteristic kind of rumble. The doors open and close automatically. Faint tannoy announcement in the background, and a couple of electronic warning tones when the doors open and close. Aldgate east station is huge but has a surprisingly 'dry' and 'dead' acoustic so that it is very quiet when the trains have gone. Recorded on a zoom h2 recorder, front microphones, 90 degree separation. No amplification or equilisation on this sample.

I played the melody and solo of against all odds by gerald albright (ca. 100 bpm, key: db maj)and put effects on it. If you want to have a dry version or something different on the saxophone pls write a comment. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.

This recording was made at a canal when it was reasonably dry. The canal has a road running parallel to it and above it. The side of that road has a largish (30cm?) pipe that drains water into the canal. I made this recording by holding my zoom h5 portable recorder in this pipe, and recording with the inbuilt stereo pair of microphones. You can hear the traffic passing above with the zoom of the occasional fast truck, but it's muted and it's echoing around the pipe. There's a hollow rumble running through the whole track. I made the recording in august (spring) of 2021 in brunswick west, australia.

Recording made by juliana romero and felipe moreno on may 11, 2020 at 6:00 am in the village pueblo viejo upper part in the municipality of facatativá, colombia. This zone has a corridor of vegetation in the process of succession typical of dry areas. Constant bird songs in this area undergoing ecological restoration with the dominance of great thrush, rufous-collared sparrow, black-tailed trainbearer, black flowerpiercer and the sound of several individuals of the endemic specie of the silvery-throated highland spinetail stands out among adults and juveniles, among others.