1,713 Royalty-Free Audio Tracks for "First"

The First Noel performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 9 from the ensembles' 2020 album The Spirit of the Season.

A copyright-free version of the first recording of the Brazilian anthem made in London, in 1901.

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

La risata ('a risa), first song published in Italy in 1895

Performer: Philadelphia Orchestra Title/Work: Scheherazade Opus 35 (Rimski-Korsakow) Content: No.01: 1st Movement: Largo e maestoso-Lento-Allegro non troppo (Part 1) Composer: Nikolai Rimsky-Korsakov (1844-1908) Conductor: Leopold Stokowski (1882-1977) Genre: Symphonic poem First recording date: 12 November 1934 First release date: 1935

Excerpt from the first piece in the Trois grandes études, composed by by Charles-Valentin Alkan

The first few bars of Prelude No. 12 in F Minor, BWV 881, by Johann Sebastian Bach

Analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

Stop-time in Dan Emmett's "Aunt Dinah's Wedding Dance" (1895) first break down strain

First 4 measures of the third movememt of Ludwig van Beethoven's Piano Sonata No. 8 in C minor (Pathétique), Op. 13.

First Electrical recording master to be released

A MIDI recording of the first two bars of Fugue in C Minor, BWV 847, by J.S. Bach.

The first four bars of Prelude No. 2 in C Minor, BWV 847, by Johann Sebastian Bach

The first four bars of Fugue No. 12 in F Minor, BWV 881, by Johann Sebastian Bach

The tone row from the first movement of Alban Berg's Lyric Suite, according to Wolfgang Stroh.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

The first movement of the Piano Sonata No. 7, Op. 10, No. 3, Presto Sonata fortepianowa nr 7 D-dur op. 10 nr 3 z 1798 roku autorstwa Ludwiga van Beethovena, część 1. Presto. Эрзянь: Людвиг ван Бетховенэнь 7-це № сонатась фортопианонь туртов васенце пельксэсь, сёр. 10-це, 3-це №, кона ульнесь сёрмадозь 1798-це иестэ.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Tone row from the first movement of Alban Berg's Lyric Suite, according to George Perle.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Shema: The first of three paragraphs (Deut. 6:4-9) recorded by J-J Tilsen, with an authentic Minnesotan Biblical accent

The traditional blues song Keep Your Lamp Trimmed and Burning, performed by Blind Willie Johnson (vocals and guitar) and his first wife (vocals)

Piano Sonata No. 8 (Beethoven) first movement (Grave – Allegro), 30 KB, 6:57 minutes

A MIDI recording of the first four bars of Prelude in C Major, BWV 848, by J.S. Bach.

Contrasting orchestral groups from the Prelude to the first Act of Parsifal

First theme of Mozart's Sonata in C Major, K. 309, measures 1-20.

Rhythmic cadence at the end of the first phrase from Bach's Brandenburg Concerto no. 3 in G Major, BMV 1048, I, m. 1-2. (with pitches)

Bach Concerto for 2 violins in D minor, BWV 1043, first movement bars 26-9

Tritone substitution: I-V-I. First in F: F-C7-F, F-F♯7-F; then in B♮: B-F♯7-B, B-C7-B.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Chopin's Prelude in C minor modulates within the first three measures.

An augmented fifth in just temperment. The first tone is a sine wave of 300Hz, the second is 468.75 Hz, the third is the interval. Made with NCH tone generator

First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement

On the first day of the year recorded in Warsaw by Franz Hampe. Gramophone matrix 7096L. [1]

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

First Suite in E-flat for Military Band, Op. 28, No. 1: III. March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

First Suite in E-flat for Military Band, Op. 28, No. 1: II. Intermezzo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.