1,713 Royalty-Free Audio Tracks for "First"

First page of "The Levee Song," later known as "I've Been Working On The Railroad," as published in Carmina Princetonia: The Princeton Song Book (1898)

Actual score to accompany an analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

Synthesized midi rendering of first Kyrie movement of Missa prolationum by en:Johannes Ockeghem. Created with Lilypond. See File:Ockeghem Prolationum Kyrie full.pdf for score.

W. A. Mozart, Andante in C, for keyboard, K. 1a (1761), thought to be the first piece composed by him.

Music example illustrating counterpoint style of Rennaissance composer Josquin des Prez, especially paired motivic imitation. First bars of second part of Psalm motet Domine ne in furore (Ps. 37).

Opus one is arguably the first fragment of professional contemporary classical music ever composed by a computer in its own style.

Parody of Gilbert & Sullivan's "Major General's Song"; the words are my own; the music is now Public Domain (first published 1879; Sullivan, composer, died 1900)

Somewhat restored version of a 36-second wax cylinder recording of what is thought to be Whitman's voice reading the first four lines of his poem "America".

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.

The second piece in the surviving fragments of Mozart's first compositions; from the Nannerl Notenbuch.

First eight bars of the 3rd movement of Ludwig van Beethoven's Piano Sonata No. 21 in C major, Op. 53, the Waldstein.

First bars of score from barcarolle (year: 1845) of Chopin. I made its simulation using guitar pro.

Melodic sequence in "God Save the King". The pitches of the first line, "Send him victorious," are repeated, but lower, in the second line, "Happy and glorious,".

*361st harmonic on C = G♭. Just: 361/256 = 595.03 cents. Limit: 19-limit. MIDI pitch bend: 52,94

First zither solo in G'schichten aus dem Wienerwald, op. 325 (Johann Strauss II)

日本語: 初代『群馬県の歌』（1936年制定）First prefectural Anthem of Gunma prefecture in Japan (enacted in 1936).

Classical algerian music (Sanâa of Algiers) "Laylat-u al-'uns-i", a mseddar (first movement) from the Gherib mode.

The first movement, "Jubilee", from George Whitefield Chadwick's Symphonic Sketches, played by the U.S. Marine Band for the album Director's Choice.

The first 4 bars of Menuet sur le nom d'Haydn (1909), by Maurice Ravel (1875-1937). B♮ A D D G = H A Y D N.

Movement I, "Chaconne", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band. 日本語: グスターヴ・ホルスト作曲『吹奏楽のための第一組曲』より第1楽章「シャコンヌ」。指揮：Frederick Fennell、演奏：米国海兵軍楽隊、録音：1997年4月24日Joseph Meyerhoff Symphony Hall（MD Baltimore）。

MIDI rendering of first ten bars of psalm motet "Domine, ne in furore" by Josquin des Prez. See File:Josquin Domine ne in furore.pdf for source.

Classical algerian music (Sanâa of Tlemcen) Msaddar rasd eddil "rani bi l-afrah", from the first mouvement (msaddar) of the nûba rasd eddil.

Music file created by Brian Yap from the original score, first edition of the song Advance Australia Fair as published in 1907. This song, with a variation of the words is now the Australian national Anthem.

The romantic theme from the first movement of the Pathétique

El choclo, tango by Angel Villoldo, played by himself. First lyric version. Rec. 1907. "El choclo", tango de Angel Villoldo, interpretado por él mismo. Primera version lirica. Grabación de 1907.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

A sound file playing the interval of an augmented fifth, in equal temperment. The first tone is a sine wave at 300 Hz, the second is at 476.1 Hz, the last is the interval. Made with NCH Tone generator.

punk-dark italian band Maybe the first band in Italy to completely refuse copyright on own self-produced work - record label stated permission to copy and distribute music contained.

Alam Ara (Hindi: à¤à¤²à¤® à¤à¤°à¤¾, Urdu: عاÙ٠آراء , translation: The Light of the World) is a 1931 film directed by Ardeshir Irani. It was the first Indian sound film.[1][2] Irani recognised the importance that sound would have on the cinema, and raced to complete Alam Ara before several contemporary sound films. Alam Ara debuted at the Majestic Cinema in Mumbai (then Bombay) on 14 March 1931. The first Indian talkie was so popular that "police aid had to be summoned to control the crowds.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Rhythmic cadence at the end of the first phrase from Bach's Brandenburg Concerto no. 3 in G Major, BMV 1048, I, m. 1-2. (without pitches: unpitched percussion) Created by Hyacinth (talk) 02:04, 23 March 2010 using Sibelius 5.

Christmas Carol 'Lovely Voices of the Sky' poetry by Felicia D Hemans 1794-1835, music by Ernest Mitchell (1870-1946) first published December 1902 Adelaide Chronicle.

Air d'Hermann au premier de la Dame de Pique de Tchaikovski par Nikolay Figner (enregistré en 1901)Herman's Aria from the first Act of Tchaikovsky's The Queen of Spades sung by Nikolay Figner (recorded in 1901)

First, a 440hz tone will play on the LEFT side. Then, it will stop and play a 440hz tone on the RIGHT side. This is for testing which side is which, and if your stereo system is working properly.

Adapted from the hymn tune "Cranbrook" by Thomas Clark, first published 1805.

MIDI file of 'Roguish Eyes Mazurka' (1920) by Albert Bokhare Saunders (-1946) First published in Palings annual No. 49

An audio recording of Ferdinand Büchner. Nocturne, op.20, performed by the first flautist of "La Scala" Arrigo Tassinari. Recorded in Milan in 1931 Аудиозапись - Фердинанд Бюхнер. Ноктюрн, op. 20 в исполнении флейтиста солиста Ля Скала - Арриго Тассинари.

Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars; made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures : fait avec LiLypond

Tchaikovsky's "Cross"-motive, associated with the crucifixion, himself, and Tristan, a variation of which first appears in mm.1-2 of his Pathétique Symphony. Tchaikovsky identified with and associated the cross-motif with "star-cross'd lovers" in general, such as in Romeo and Juliet.

Part 1 of the First Suite of Ottorino Respighi's Ancient Airs and Dances, entitled Balletto, “Il Conte Orlando”. Performed by the Marine Band on April 11, 2010, at Bishop Ireton High School in Alexandria, Va.

Piano Sonata No. 32 in C minor, Op. 111. First bars perfomed by Daniel Veesey cropped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Перші такти Виконує Daniel Veesey Вирізка User:A1

First movement of Gustav Holst's Second Suite in F for Military Band. Includes tunes Morris Dance, Swansea Town and Claudy Banks.

Vor Frelser Kirke (Church of Our Saviour), Copenhagen, Denmark. Sound sample of the carillon. First part of noon tune, with plenty of street noise. Plays way too slow in the browser. Click on filename to download, and play in Mediaplayer (if you do Windows).

Jesse James is a 19th century American folk song. This version was recorded by typewriter salesman Bentley Ball in 1919. It is considered to be the first recording of the Western Music genre.

ElectricShockingKrautRockingMinimalMachine by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Improv by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Minimalism-ism by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

The first three, and final verses of Through the Years. Originally "Tyle Lat" and later translated into English. Written c. 1920 by Francis Hodur, and translated in 1921 by the Fourth Synod of the PNCC.