246 Royalty-Free Audio Tracks for "Fm"

A 4 cvlfo-ring with injection. . . With some fm-modulation. . . Will try to do this on my physical modular synth. . . Some processor related glitches. . . Will not happen on/with the real thing!!!.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

One in a set of hi-hat. . . Like(?) sounds i made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording. I think they could be good for percussion.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

This is a psa for radio station kjc 81. 1 fm in oakland, ca. It is for the purpose of broadcasting concern for prescription drug abuse to the east oakland community, and includes some simple steps and resources for same.

An engine sound (propeller plane maybe?) that i synthesised using my modular synthesiser and a complex fm patch. It is thunderous. Hope you enjoy and please send me a comment if you use it in one of your projects :).

Turning on radio reciver and going through fm frequency of few polish radio stations (for only few seconds). Can be used for background noice or transision for audio. Also lots of white noise plus click noice of turning on/off (begining and ending).

Rock_bassline_fmhttps://www. Grdmusic. Com.

Drone experimenti want sideband frequency 1 (s1) to be 110hzas fc (carrier) i use 164hzthen fm (modulator) must be 54hzcreated s2 will be 218hzslowly an lfo brings in the carrier frequency. This is mono. No fx. All analog. Listen to the electronics.

This sound is created with a drumbrute impact. There is a sweet spot with the drumbrute-impact fm_drum that can create a dual tone drum sound, this is how it can sound, but it is not easy to get it into the right pitch.

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

This is a sample of howling wind created in logic pro x using a few of choruses, flangers and fm synthesis. It isn’t the most realistic recreation of wind, but i think it’s a great layer to put under actual wind recordings. This is also suitable for horror:esc sounds.

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

Looped files and added header informations for the files from saif sameer pack "sy99 afm fm waveform operators" https://freesound. Org/people/saif_sameer/packs/31288/. Looped sounds, added header infos loop settings, root key, key range, velocity range, tune and gain. Thanks for sharing sameer!.

Percussion made in blok modular. Kind of morphs around but plenty of bongos and some kind of shaker towards the end. You can maybe get a couple of claps out of the end part too. Sometimes sounds a little too fm-y (think sega genesis sounds) but others sound pretty organic imo.

Some quick orchestra peices i did i broke it down peiceby piece just add a romantic pad and there you go, or build them andthen make the rest of the symphony with some voices and some beatz. . . . . I miss heroin. . . . . . . Bad for you. . . . . . . Hope you like them. . . . . . . . They are russian.

Here are some highlights from a collection of loops which i made using a home-built reaktor ensemble. They're all based on a little fm synth instrument, whose parameters are modulated by a bank of 16 sequencers. They sound like john chowning humping a cheap calculator. Hope you like them.

Yamaha tx81z initialized with mild adjustments, run through a korg ea-1. Mixed with a behringer, with fx sends going to a chorus pedal and a distortion pedal. Sampled with the mpc. Sounds similar to dirty guitar or an electric violin. 44. 1k, 16-bit.

Lofi radio sound recorded with 3 eur cheap radio unit. Recorded with tascam dr-22wl. ---in case you use any of my sounds, i will be happy to be informed, although it is not necessary. Recorded in 2018.

Longer version of crystal mission, here is the link to that track https://freesound. Org/people/mativve/sounds/512808/. I edited this track by making it louder, making it longer, and editing out the parts that where not needed. Listen to this on ditto music: https://ditto. Fm/crystals-the-four-seasons-speaker.

Original file created using steinberg's padshop pro vsti. Heavily processed using reafir from the reaplugs vst fx suite. Http://www. Reaper. Fm/reaplugs/. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Answering a vintage rotary phone - used in the new old-time radio show production of lucille fetcher's "sorry, wrong number. " to show your support for our podcast click here:. Https://anchor. Fm/thenewoldtimeradioshow/episodes/2---lucille-fletchers-sorry--wrong-number-eh81fa.

Recorded for "the prawnlounge" radio show ( my show ) on then bondi beach 88 fm radio station sydney australia april 2002,one sunday morning outside the rear of hotel bondi in the backlane after a big saturday night party. The council truck receives 2000 + bottles. . . . Crashing. . . The sound of breaking glass deluxe ! sorry about the voice a few seconds before the "crashendo". . Hope you dig it.

Cutted parts of an audio experiment using carbon electra saws with some internal pitch envelope going on, going into trash 2, going into eq modulation, going into manipulator (formant & pitch shift, a bit fm modulation on a shifting frequency at times), going into ott.

It's a sound that i created with a patch i made in pure-data (my first patch btw). Completely random frequencies in completely random space imaging. Merge with au "fm" sound where the index modulation change randomly, the carrier tone and the modular tone also change randomly. I applied a random delay. . . . So random random!.

This is a wave of some sounds that remind me of what sound design for the rugrats cartoon backing music. I made the sounds using an fm synthesis patch on the ios application "addictive synth" on my ipod touch and recorded the audio within the app. No post-processing was done to the audio. Here's a link to synth app http://itunes. Apple. Com/app/addictive-synth/id455651228?mt=8.

Files from my "nebelom" glitch-experimental project (http://www. Last. Fm/music/nebelom) you can download my "qvvmhs" album from here: http://www. Fileden. Com/files/2007/1/25/691289/nebelom%20-%20qvvmhs. Zip use this sounds freely, if you like it please tell me - i'm gonna be very happy :).

Winding and firing of the shutter of four vintage analog cameras. All shutter speeds were set to 1/125th of a second (except the last one). The order of each take is as follows:1. Pentax spotmatic (from around 1971)2. Yashica tl-super (from around 1969)3. Nikon fm (from around 1975)4. Yashica electro 35 (rangefinder with leaf shutter from around 1972).

Elevator button being pushed, hearing it approach, opening, closing, (then hear it open and close again) - recorded in carpeted hallway of apartment on iphone to be used as foley in agatha christie's "poirot" - the case of the careless client - produced by "the new old-time radio show" premiering 8/27/2020. To show your support for our podcast click here:. Https://anchor. Fm/thenewoldtimeradioshow. Thanks ^-^.

Warning! this is an extremely unpleasant sound if you're a headphone user. You know that noise from chrono trigger when lavos cries out as it breaks out of the ground, or in dragon ball z, toward the end(yeah right) of the fight between frieza and goku, when the lightning storms begin as planet namek is breaking up. Like a cross between an earthquake and a lightning strike. Yeah, that sound. This is the result of me trying(and failing?) to make that happen with soundforge's fm synthesis.

Short stabs on a scale c,d,e. . . To. . G,a,b. Fm synthesis. One sinewave oscillator output gets mashed by a another that's outputting a triangular wav. The oscillators are fed back into themselves and each other and 40 voices unison added to create a ubiquitous growl/yoy sound. On large speakers, or a decent pair of buds, the sinewave osc fundmental can be heard as sub-bass. Flstudio was used to host the synthmaker vsti oscillators and render the wav file.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Does freesound really need another recording of someone washing their dishes? maybe not, but this is a longer take i recorded for a film project - because when you're editing, it's frustrating to find a good recording that's not long enough!. Includes plenty of dish movement, running water, scrubbing, etc. Some limiting was applied to tame the biggest peaks. Mics: schoeps cmc6 mk4 stereo pair in xy configurationrecorder: sound devices mixpre 3 directly into reaper. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Completely made in sony sound forge 10 with the fm tools. Starts off with a sine 6,000 hz to ~12,000 hz in about three seconds to emulate a camera flash warming up. For those who intend to use it as a part of a futuristic weapon in games, flashes, or movies, i also added a double beep as a "weapon ready" cue and final tone at the for an optional "locked on" which could also double as an error beep.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

Ah gee. . . . . These are random samples i recorder and am such a lazy i don't want to sort them out. . . . 1 - could be my modified boss ds-1 distortion pedal (i call it the violent ds - 1) (w/ 3 extra capacitors and a transistor or two) going throught it is a boss dr 550. 2 - a yamaha portasound pss - 270 which i cut the fm synth traces too via switch (that was a pain in my ass also!). 3 - a very scary leap frog kids toy named professor quigly. 4 - a speak and math. . . . . . . 5 - sum yamaha thingy i don't know i just call it my raver machine. . . . . . It looks kinda like a cool t. V.

Soundscape of a city street in chicago during winter. Sunday, january 31st 2016 at 6:05pm. Continual planes, trains, and cars passing. Occasional pedestrians. Cta "l" trains audible at the nearby thorndale red line stop. Mic: core sound tetramicrecorder: zoom f8. Converted to b format using vvtetravst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk). Light noise reduction applied using izotope rx 7 spectral de-noise. High pass filter applied to reduce low end rumble. Some editing done to remove wind buffeting. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

This recording was made in the path of totality of the august 21st 2017 eclipse, in the woods surrounding devil's kitchen lake in southern illinois. It's a stereo extract from a longer, 88 minute b format recording. The purpose of making the recording was to see how the eclipse affected the sounds produced by insects and birds. In this extract, totality occurs exactly 10:00 minutes in; and ends at exactly 12:38. This mirrors the time totality occurred at devil's kitchen lake: from 1:20:27pm to 1:23:05pm central time. Mic: core sound tetramicrecorder: zoom f8. Panorama of the recording site: https://photos. App. Goo. Gl/t2m3esbcm71l4wzza. With thanks to jay needham for being a good host, and guidance on where rattlesnakes like to hang out. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.