534 Royalty-Free Audio Tracks for "Four"

Zebrafinken - キンカチョウ - zebrafinchessounds of my four zebrafinches in their cage. Recorded with a tascam dr-05.

Four measures of the motorik beat, well known from neu, kraftwerk and other krautrock bands. Rip klaus dinger.

Four of my dogs barking at the gate, recorded with sennheiser mic and of course, my dogs, zeus, aja,big red and cooper.

Simple kick build. First half is four on the floor the second half is a build. Used 2 different kick drums to get the sound.

Four different throat clears that i cut out of narration recordings i was making. Recorded using audacity with audio-technica atr2100 mic. Noise reduction applied.

Four different drip sounds with slightly rising pitch. You have my express permission to use these sounds wherever you like. I don't need to be credited.

Four shots i recorded and cleaned the best i could taken at the gun range. No credit is needed just use it and enjoy!.

Four synth sounds descending in pitch that sound like a cute anime girl bouncing up and down. :3 made in chiptone.

Layered sounds recorded outdoors in an ambient setting over time and compressed. Effected and mixed in audacity using a 2013 macbook pro.

Various foley with the m&p 40 shield. Magazine out, mag in, slide, dry fire, safety. Recorded using the zoom h5 four-track portable recorderedited using reaper.

Boiling four eggs in a small pan, lots of knocking against the side of it. Recorded on a zoom h4n pro.

Four sounds from listening exercises on the make noise youtube channel. Formatted for use in the make noise morphagene.

Knocking on a window. Four fast-paced knocks followed by two slower paced ones. Recorded with a zoom h6 and stereo microphone (rode ntg2). Post-processing done to increase volume.

Tambourine has a wooden ring, plastic film striking surface, and four pairs of metal disk jinglers. A fast, very intense shake.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

The sound is composed with four partials,each partial includes a number of different harmonics,similar to additive synthesis. I am using yamaha moxf 6.

A moment of nightmare. Something terrible is going to happen. Designed with 3 synthesizers, delay & autofilter. . . Synths used: bassstation, model-e, fm four.

Four foot long fluorescent lightbulb dropped from an eight foot ladder in a large empty room. Can be used for extra layering and impact for explosion.

Four foot long fluorescent lightbulb dropped from an eight foot ladder in a large empty room. Can be used for extra layering and impact for explosion.

Four foot long fluorescent lightbulb dropped from an eight foot ladder in a large empty room. Can be used for extra layering and impact for explosion.

Heavy rain tapping onto the skylight in the living room. Some wind can be heard from outside. Recorded using the zoom h5 four-track portable recorderedited using reaper.

A scary ghost whispering. Four styles included, edited using audacity.

Sorta out of tune and pitch but can probably be used for something in the background. Mid gain distortion with some vibrato.

These are some multiple button press sounds from a hard plastic button recorded with a rode nt1.

Loud bell from wind-up 1950s spartus timer. Repeated four times. Electro-voice bk-1 microphone, miked close, on hard wooden surface. Some ambient room noise.

Five is four: a polyrhythmic analog-synth loop with ambiguous five or four time signature. Slightly frantic sounding, arpeggiator-like rising pattern a bit like a shepard tone, it's a 5/4 pattern, but accents are distributed in 4/4. 180 bpm, key is a-minor (a-minor then f-major). Two loops marked in wav file, first is the bare synth pattern, loop is samples 0 to 640,000; second is with a pad, loop is samples 960,000 to 1,600,000.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Four recordings of rocks rolling down stone stairs. Can be slowed down to sound like larger boulders. Recorded with a h4n pro on 12/07/2019.

Version of alarm number one looped four times. See alarm number one. Created with: audacityformat: ogg vorbislicense: cc0 (attribution is encouraged, but not required).

The elusive female orgasm captured in its natural habitat: my bed. Four big moans followed by some breathing, gasps, and sighs. Recorded with an iphone and edited in audacity to remove noise.

Part of the beta loopset, a set of complementary synth loops. It is:. * in the key of g mixolydian, following the chord progression g7sus4 fsus2. * four bars long at 110bpm. * normalized.

Four grunts and groans for a guy pushing on something or trying to move something. I did this for a story i'm doing the sfx on.

Sound of the roaring fork river in carbondale, colorado. I moved the recorder around about every four minutes to get some different sounds. There's some minor highway noise in the background.

This is clip of four different xlr-cables recording empty track to check the cables noise floor. The original recording was boosted to -6 db with audacity.

Old time nickelodeon type music recorded at the lightner museum in st. Augustine, florida. Four different and varied recordings on this clip.

A spaceship elevator. Up & down. Created with a synthesizer. Fm synthesis. Instrument used: fm-four (a freeware vsti).

It was a dark and stormy night. Suddenly the power went out and the cellar door opened. . . Actually it's the lid to my coffee pot. Includes four similar creaks for your choosing.

Baltimore, 2012: arrieta (bal) pitches to pena (tb) in the top of the 1st inning. Four pitch at-bat: 1)called strike, 2)called strike, 3)foul, 4)swinging strike.

A combination of four layers with different sounds recorded from waldorf m. Recorded dry from the sampler. C# chord.

Various foley with the saa. Movement, cock hammer back, dry fire, rotating cylinder, ejector use + rotating cylinder. Recorded using the zoom h5 four-track portable recorderedited using reaper.

Long hi-quality quadrophonic recording of winter windy forest. Equipment - sound devices 633 w kortwich preamp, shoeps double ortf system. First two chanels - mix, last four - separate iso.

Four occurrences of the same phrase, all modulated differently. Each phrase is the sample "damn son, where'd you find this," reversed and processed with harmor and vocodex.

A short theka followed by a muktaayam on morsing in adi taala, a rhythmic cycle of 8 beats with four notes/strokes in each beat. (amateur playing).

This is erh's bell cbn 163514 on four tracks layered and staggered for echoes, a touch of doppler, a little syncopation and a touch of weirdness.

Part of the epsilon loopset, a set of complementary synth loops. It is in the key of c major, following the chord progression cmaj7 fmaj7. It is four bars long at 110bpm. It is normalized.