621 Royalty-Free Audio Tracks for "Harmonic"

Creepy deep electronic sound to use as a background. A mix of basses and harmonics.

A part of the melody que será (will i be pretty? will i be young). It is a monophonic part of musicit is a harmonic part of music.

Drone made in paulstretch. Sudden timbre changes and uncanny harmonics undermining otherwise peaceful atmosphere.

A long shaku-sample,which may be playedabout two octaves or more. I used magix and audidity for addinga third harmonic and high pass filtering.

Chord progression with a borrowed chord second: v or Gm in C major.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_harmonm-sus_a#2_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: harmon mute sustainnote: a#3midi note: 58midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

Nagra ares bb+ & 2 schoeps cmc 5u 2011a long wood block hit regularly both sides on the ground.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Stochastic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

I recorded hot-water-heating pipes crackling and then looped the sample at progressively faster & harmonically relevant speeds. This is one of twenty-two such samples that i layered together to make a new sample, which became the foundation for this binaural beat meditation track: https://soundcloud. Com/storyofthelie/fractal-heater.

Waveform recorded from the basic vst wavesimd (an emulator of the ppg wave 2. 2) with a rich harmonic spectrum. This sound is heavily influenced by a bass.

Minor major seventh chord on C.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

A short, simple deep voice om sound, very loopable. Recorded dry and normalized.

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Dm chord played with ascending minor modes (aeolian, dorian and phrygian), ascending harmonic minor scale, ascending and descending melodic minor scale.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Stochastic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

A harsh monotonous drone hit rich in harmonics. Made these fx with a custom effect synthesizer made with synthedit.

Sound is distortion+flanger in feedback loop, into various pedals (including fuzz and harmonizer. ) sounds kind of like a glitchy, digital chainsaw. . . Or something.

A sine wave pushed through some outboard to trade in some fundamental frequency amplitude for higher harmonics - hence the name.

Example of the Locrian diatonic scale. Note the dark, inharmonious sound. The Locrian scale is difficult to work with due to so few harmonic intervals.

Piano sound produced with fl studio 10 for the aspma course peer assesment 7 (part 2). Original sound from http://freesound. Org/people/hmartelb/sounds/328547/. This sound is the stochastic component of the hps model analysis using sms-tools. The parameters used in the analysis were:. Window-type = hamming;window-size = 3001;fft-size = 4096;magnitude-threshold = -120;minimum-duration-of-harmonic-tracks = 0. 1;maximum-number-of-harmonics = 200;minimum-fundamental-frequency = 80;maximum-fundamental-frequency = 280;maximum-error-in-f0-detection-algorithm = 5;max-frequency-deviation-in-harmonic-tracks = 0. 01;stochastic approximation-factor = 0. 05;.

This piece is created by two recordings of me winding and playing my mother's music box, two projection machines, and a parrot harmonic that my father gave me.

Testing/documening my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. ". Sound:1. Sine wave not going throught rectifier2. Sine wave though rectifier3. Triangle though rectifier4. Square through rectifier5. Saw through rectifier. An lfo is modulating the bias.

In the song i use this it is played over an e-minor. The scale is either harmonic minor on b or h. M. 5 on f#. Sorry, i forgot which one it was exactly.

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

A little creepy ambiance bed i made for a dnd game, this is a moon guitar gently plucking around a d minor scale, with a few harmonic exceptions here and there!.

Bass speaker plugged to a pc that manages to capture the static produced by an lcd monitor. Noise varies according to what is shown in the screen.

The harmonic bridge installation under ma rt 2 in north adams. Droning created by vibrations of cars passing over bridge, channeled via metal wire into amplifiers underneath.

Lambda mode diatonic scale in Bohlen-Pierce tuning (Just), in an instrument with only odd harmonics.

This is a piece i created combining the sound of my mother's music box being wound and played twice, alone with two projection machines, and a parrot harmonic that my father gave me.

A vocal i made for something that i could not figure out how to make the song, so, i am thinking of something. A little melodic but also harmonic too, at the same time.

Bugle scale: the five notes that comprise most bugle calls: C G C E G (harmonics 2 3 4 5 6).

A powerfull super saw that you can use for your songs. Note :the key of this sound is actually f# min not f# maj my apologies :(.

Two wine glasses filled with water creating a harmonizing sound when i rubbed my finger around the rims. Edited in audacity to create a fuller sound.

Stochastic component of guitar sound. Sound from http://freesound. Org/people/ajlekceu/sounds/257418/ with a creative commons 0 license.

Various guitar squeal sound effects. This effect is done by barely touching the string and then bending it to make a squeal effect. [cc zero].

The sound is composed with four partials,each partial includes a number of different harmonics,similar to additive synthesis. I am using yamaha moxf 6.

5-limit Otonality and Utonality: overtone and "undertone" series, partials 1-5 numbered.

Feel free to mash this acid loop. Sacha rush is my artistic experimental electronic alter-ego who releases free electronic music in flac online. Visit my page for some examples of open for free media usage music http://cota303. Net/artist/sacha-rush/9and please send links where you have used any of my samples as it is interesting.

This is a remix of oceas 8th loop at 130bpm, the samples in this pack were made mostly by running the original loop through a custom plugin i made with synthedit. The general idea of the plugin is to seperate the incoming audio into 8 seperate channels using high-resonance bandpass filters, then run each of the 8 channels through its own special effect including reverb, delay, harmonic generation, ring modulation, modulation of the original signal by the harmonic generation signal out, and another reverb.

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Chromatic notes starting at c0. Really sweet double delayed saw waves with lots of harmonics. Drop this into your sampler and hit it with a low pass filter and get a good groove going. Enjoy!.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Single note 12th fret a (5th) string natural harmonic. If there are any errors or faults that you can find, please tell me so i can fix it.

A quickly rising synth that then sustains until repeating, meant to sound like the sort of alarm you'd hear in top secret bases and whatnot, could be used for quite a few contexts. This was made in beepbox using the guitar harmonics instrument.

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Gotteslob 2013 Hamburg) von Rabanus Flavus (Peter Gerloff)

All sounds are created with the pluck-. Function of audacity. I modified the attack phase, changed some harmonics with notch-filter andlowpass. For the pluck noise i used a bandpass- filtered white noise.