545 Royalty-Free Audio Tracks for "Harmonic"

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

Example of the Locrian diatonic scale. Note the dark, inharmonious sound. The Locrian scale is difficult to work with due to so few harmonic intervals.

*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65

*Just major seventh on C = B. 15:8 = 1088.27 cents. Limit: 5-limit. MIDI pitch bend: 31,60

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

*Schisma on C = B♯++ (Ben Johnston's notation). 32805:32768 = 1.9537 cents. Limit: 5-limit. MIDI pitch bend: 80,64

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

One minute of tampura at 136,10hz, the 32th octave of the solar tropic year.

One minute of monochord at 136,10hz, the 32th octave of the solar tropic year.

Sample of harmonium at 136,10hz, the 32th octave of the solar tropic year.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Swinging around a whirly tube, 4 pure tone notes in harmonic series, empty room (2011). Sony m10.

Harmonic electronic sound followed by a drum loop.

Harmonic part sound get from http://freesound. Org/people/cbeeching/sounds/116913/. Author cbeeching. The parameters used in the analysis are: window-type = hamming; window-size = 1024; fft-size = 2048; magnitude-threshold = -90; minimum-duration-of-harmonic-tracks = 0. 01; maximum-number-of-harmonics = 100; minimum-fundamental-frequency = 50; maximum-fundamental-frequency = 250; maximum-error-in-f0-detection-algorithm = 7; max-frequency-deviation-in-harmonic-tracks = 0. 01; stochastic approximation-factor = 0. 2.

I created this sample by recording rain sound on my zoom recorder and then using a harmonic sound effect in cool edit pro. Great for sound design, film music, and weird compositions.

Martin d1 played only tone a harmonic flageolet tone.

A loop done in metasynth. Harmonic minor, 240 bpm.

Vocal singing inspired by joan la barbara. . . Singing with harmonic changing.

Harmonic sounds of a crystal glass excited by wet finger.

Harmonic sounds of a crystal glass excited by wet finger.

Buzz harmonic synth riff. Free use.

Harmonic sound of a crystal glass excited by wet finger.

Close recording of chimes. Musical, harmonic notes for relaxation. Denoised and edited.

Mute plucks on a nylon guitar-harmonic minor.

A long tone (approx. G#) on the alto sax, with varying harmonic content.

A texture i did in metasynth with a fair amount of harmonic motion.

Made by holding an old shower-rail in a harmonic point.

Open eb tuned 12 string acoustic guitar. Mix of one off harmonic strums and some noise.

Perhaps useful as a harmonic layer on a bassy pad? additive synthesis, reverb and unison.

A long phasing a# note, inspired by the original planet of the apes.

Sound created by using harmonic plus stochastic model for audio signal processing for music applications.

A sound i made in metasynth using the spray paint tool and sine waves. 30-bpm,harmonic minor.

High gain guitar noise. (natural harmonic on the 3rd fret on low c on guitar tuned in drop c. ).

Sci-Fi Soundtrack Super slow glowing round synth chords - in space-themed Whole Tone harmonic structures! - Kevin MacLeod

Residual output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

A whistle with the harmonic frequencies removed. Originally used for the sound of mortar shells falling.

A short piece of melody. . . Sound is an artifact extracted from one of test records in new audacity. It sounds like a saw. . . Or something? idk. This piece sounds kinda exotic because i used the second half of harmonic e-minor scale. So some people could use this combination (descending harmonic scale) before (even now i can remember two examples. ).

Dm chord played with ascending minor modes (aeolian, dorian and phrygian), ascending harmonic minor scale, ascending and descending melodic minor scale.

A long shaku-sample,which may be playedabout two octaves or more. I used magix and audidity for addinga third harmonic and high pass filtering.

The harmonic bridge installation under ma rt 2 in north adams. Droning created by vibrations of cars passing over bridge, channeled via metal wire into amplifiers underneath.