621 Royalty-Free Audio Tracks for "Harmonic"

*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Gotteslob 1975 Hildesheim) von Rabanus Flavus (Peter Gerloff)

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Whistful, melancholy sound stretch chords with harmonic changes. Morphagene oven ready with markers rendered at 48khz 32 bit fp stereo. Enjoy the chill. . .

*Hundred-forty-seventh subharmonic on C = A-. Just: 256/147 = 960.39 cents. Limit: 7-limit. MIDI pitch bend: 41,51

*Perfect fifth on C = G. Equal-tempered: 27/12:1 = 700 cents. MIDI pitch bend: 0,64

This is a trnsformation of the original sound: http://www. Freesound. Org/people/xserra/sounds/254374/ , with the parameters:. For synthesis:window type: hammingwindow size: 801fft size: 2048minimum f0: 160maximum f0: 260number of harmonics: 80threshold: -100minimum length of harmonics:. 1stochastic decimation factor : 0. 2minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0, 0. 4, 1, 0. 4] <- (make frequency lower)frequency stretching factors : [0, 1, 1, 1] <- (no change)timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 1, 0. 7] <- (faster).

Inspired by beat mapping a flock of crows chirping; i mapped my own rhythm and beat using a variety of sounds. I don't believe such an instrument exists but it sounds lovely. If you wish to use this, credit my name; otherwise enjoy.

*Hundred-sixty-fifth subharmonic on C = A↓♭. Just: 256/165 = 760.41 cents. Limit: 11-limit. MIDI pitch bend: 42,51

A man singing with the sounds of the on coming train/ subway car, and mumbling along with the naturally amplified sound of the over head fluorescent lamps. .

2 seconds long. Consists of sine waves alternating betweenaround 120 hz and 300 hz with 4 harmonics. At two times an added noise appears whichsounds like a brush. Mono, sampling rate 44100 hz.

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

I just love this deep rich harmonic sound with some phase modulation! i've tried to capture it the last month and half and finally managed it. There's quite a lot of air traffic (planes and helicopters) here in prague - písnice, but most of the helicopters have poor sound. It is bell 407 helicopter ok-alb in black/beige color operated by blue sky service (http://www. Ok-alb. Com/). Flight mode-s code a37a9ea. First it approaches with the deep harmonic sound, then it flies by overhead with a more noisy mid-spectrum sound. Recorded on zoom h4nsp, this time with 4gb sd card which has far lower startup time than 32 gb one (like 12 secs compared to more than a minute). Besides the helicopter itself there are some birds singing, insects buzzing and some rumble from the wind (i didn't manage attach the deadcat windshield so quickly). Basic frequency: ~ 33. 87 hz. Original filename: 160703-000. Wav.

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Evang. Gesangbuch 289) von Rabanus Flavus (Peter Gerloff)

*Hundred-seventy-fifth subharmonic on C = G♭-. Just: 256/175 = 658.55 cents. Limit: 7-limit. MIDI pitch bend: 94,50

I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.

A synth chord made with an fl studio vst. Bassy/harmonic sound.

*Hundred-eighty-ninth subharmonic on C = F-. Just: 256/189 = 525.31 cents. Limit: 7-limit. MIDI pitch bend: 12,72

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

Glitch sfx #1. Modify/use however you want. I made this by playing a couple sine waves on different notes, then i added a fruity waveshaper to add harmonics whenever one of the sine waves clips, then filtered out the original sine waves, leaving you with the distorted harmonics you have here. Made with fl studio 12, massive, waveshaper, and edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

*Just perfect fifth on C = G. 3:2 = 701.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64 MIDI file.

Decided to test my mic to record high frequencies)) note that even with a decrease in the loop on the octave (-12). Harmonic signal will sound up to 20 khz. Tune: f2, +25 centrecord gear: ecm 8000, prismsound lyra. .

This sound is a synthesized sound where the loudness and the timbre (weights) of the harmonics are derived from a short excerpt of carnatic music. The original sound from where these parameters are derived will be soon linked here in the description.

*Just major seventh on C = B. 15:8 = 1088.27 cents. Limit: 5-limit. MIDI pitch bend: 31,60

*Just augmented fifth on C = G♯. 25:16 = 772.63 cents. Limit: 5-limit. MIDI pitch bend: 31,55

Two recordings of me playing with a singing bowl, played at different rates and panned l and r.

The y2k symphony. On new year's, 2000, when the world didn't end, a group of friends was in a log cabin near peterborough, on, canada, and performed this improvised symphony on a collection of percussion toys and wineglasses. Recorded on minidisk, but unfortunately one channel was lost so it's in mono.

*Pythagorean apotome on C = C♯++ (Ben Johnston's notation). 2187:2048 = 113.69 cents. Limit: 3-limit. MIDI pitch bend: 49,68

*Two-hundred-forty-fifth subharmonic on C = C-. Just: 256/245 = 76.03 cents. Limit: 7-limit. MIDI pitch bend: 42,88 on PU

*Two-hundred-thirty-first subharmonic on C = D↓-. Just: 256/231 = 177.90 cents. Limit: 11-limit. MIDI pitch bend: 118,56

Recorded my 30" chau gong in the local church. It's tuned to ~91hz (around f/f#2). 4 mic setup:. Large d condensers for l/r channels (2)d112 for bass (1)røde ntg2 environment (2).

*Schisma on C = B♯++ (Ben Johnston's notation). 32805:32768 = 1.9537 cents. Limit: 5-limit. MIDI pitch bend: 80,64

Rehearsal of sirens i recorded from my window in prague. After that i separated the harmonics for clean sound. The recording is 96khz, stereo. Recorded using zoom h2n on x/y mode.

A man singing with the sounds of the on coming train/ subway car, and mumbling along with the naturally amplified sound of the over head fluorescent lamps. -. Wav.

Recordings of a violin (performed by poppy crum) playing long sustained notes in various expressions; pitch, dynamics and express (normal, harmonic, sul tasto, sul pont) are in file name. Recordings made with a pair of neumann mics.

*Pythagorean augmented fourth on C = F♯++ (Ben Johnston's notation). 729:512 = 611.73 cents. Limit: 3-limit. MIDI pitch bend: 96,67

*Pythagorean augmented fifth on C = G♯++ (Ben Johnston's notation). 6561/4096 = 815.64 cents. Limit: 3-limit. MIDI pitch bend: 1,69

*Pythagorean augmented second on C = D♯++ (Ben Johnston's notation). 19683/16384 = 317.60 cents. Limit: 3-limit. MIDI pitch bend: 81,69

Modification of the sound speech-female. Wav from freesound using harmonic plus stochastic model of sms tools. The original sound has been modified so that it becomes a conversation between two characters.

I have recently built a granular sampler in puredata and have been using various samples in it and creating cool patches with it. This is one of the more technical patches. Please let me know if you would like to review my pd patch.

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

Maybe someone could find a use for this. I doubt it. Rising tone from 440 to 880 hz, with extra harmonics arising over that period. Random slow panning l/r. Much faster random panning (~200 hz), but shallower. Ridiculous echo and reverb. Just what i felt like doing on a sunday morning.

A pulsating softly bass sound depicting a ufo-like sound with some echoing tonal sounds that have a wavering harmonic range. This sound was created from manipulated waveform generated sounds. However, if you decide to use this in a movie, video or podcast send me a note, thx.

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

This sound i did create with cubase daw. It's based on the sound "guitar harmonics" of cubase and i added the following effects : multi delay, chorus and phaser. It's only one track. Samplerate : 48 000 khzit's free to use. It might be a good background sound for special scenes in games, movies or videos.

Non-functional tube radio warming up, making a loud 60hz hum with lots of harmonics. As a bonus it clicks off at the end. Zenith consoltone. Only because the faq says so: electro voice n/d 257a through impedance transformer into crappy gigabyte motherboard realtek high definition audio. 16bits, processed at 32bits. Audacity sound editor and/or driver wouldn't record mic level so it was very noisy after amplification. Filtered with a (mathematically equivalent) fft constructed whopping 64k length zero phase filter (blackman window) with 5 wavelength width bandpass at each harmonic from 60hz to 5,520hz. For some reason a fraction of some of the harmonics didn't get through so did another pass on the residual noise and mixed that in. Near the beginning there was a sort of brief duplicate signal that descended in pitch so it didn't make it through the filter. I added that bit in. Attenuated frequencies above 3. 6khz because they are pretty much noise, but removing them didn't sound right. Cleaned up the beginning a bit in various ways, cut it down to 15 sec and carefully appended the unfiltered "click" onto the end, which i denoised 12db with audacity's noise reduction.