621 Royalty-Free Audio Tracks for "Harmonic"

Little piano melody i made for a track. Has echo which is bitcrushed, and some "izotope vinyl" plugin slapped ontop of it. 115 bpm and f minor harmonic. Enjoy!. Btw always curious about what you make from this, feel free to link your creations :).

A simple guitar gesture played on a blueridge br-63 with old strings, recorded with a zoom h4n about 8 inches away from and pointed at the sound hole, reduced to mono with audacity. This sound was recorded for the purposes of harmonic + stochastic analysis in xavier serra's coursera class, audio signal processing for music applications.

Rain sound synthesized entirely from white noise and using these plugins (in audacity): vinyl, multivoice chorus, harmonic synthesizer, gverb, and modest delay effects. This is my first attempt, i'll be trying to make more realistic ones. Until then, tell me if you liked this (rate it, comment).

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

I just tested the recently released plugin moscillator (by meldaproduction) and fiddled around with the parameters. It's always the same fundamental. But i automated the parameters for the harmonic's post-processor (sharpen, clean, harmonize, noise, compress). In the end i just put a reverb (eareverb [preset: "under the city"], 100% wet) after the oscillator.

My girlfriend brushing her teeth with an electric tooth brush. The fundamental pitch of the toothbrush motor is just near b2. The mouth shape adds the first few upper harmonics (a la throat singing). Make a pad or pull into a granular synth!. Recorded with an akg c214 into an ni audio kontrol 1.

Synthesized string ensemble short. Long decay, wide stereo image. Made to help you build tension in your amateur movie. Synthesized with zynaddsubfx inside lmms (96khz/32-bit). Edited and normalized with audacity, then saved as 24-bit flac.

I was messing around with harmonics and came up with this, hope you enjoy it is free to use but if you use it in a game or something can i at least see it? :).

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

Work in progress speech synthesis speech, all drawn in photosounder. I've drawn the basic vocalisation by drawing horizontal lines in the 100 hz range using the white spray with the harmonics modifier, and modulated that using the dark spray to create the formants. I also added a couple of fricatives with the white spray, but it's incomplete.

*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65

This is a recording of a church bell ringing before the evening service. Bell is playing a slightly flat b3 (around 240hz) with nice harmonics (very loud at d4). I was recording it on my laptop from the yard behind the church using two shure ksm32 large condenser mics and a rme fireface uc. Hpf at 60hz, no postprocessing.

Camera noises. I pressed shutter button of nikon f4, which i bought 15 years ago. It is full-automatic action, and you can hear splat the shutter makes, motor-driven film winding-up, and slight harmonics its aluminum chassis plays. I recorded it using audio-technica ae5100 connected to presonus firepod.

An explosion, blowing very close a "vocal mic: sennheiser md 431", wavelab octavic harmonics, multiband eq to cut all except low-mids, clean comp-wavelab, reverb, reshaping envelope via wavelab button "v".

An ambient sort of sound done by doodling around in photosounder. Using the white spray with the harmonics on i drew two squiggly lines across the image horizontally, then flipped the image 90 degrees counter-clockwise, then with a wide dark brush i darkened some areas of the image to make the sound progress for a narrow band continuous noise to a full bandwidth squiggly kind of noise.

A. Timmons pickup in the bridge position with mid-long reverb using some pinch harmonics on some tones. The dark airy, possibly almost cavernous, desolation you asked for. . . Be more specific regarding pitches/keys, any tweaks. . . I'll find you.

Thunder sound synthesized from a randomly generated tone, and processed (in audacity) with: multivoice chorus, harmonic sythesizer, tons of gverb, 2-second delay, and fade-in/fade-out where appropriate. Again, this is my very first attempt, i'll keep trying to make more realistic samples like this. Until then, tell me if you liked this (rate it, comment).

A piece of pump organ improvisation with very little harmonic movement, but much space for the "breathe" of the instrument and the superposition (german schwebung) between the tones, the tones that swing between the tones in different time and tones. Excuse my english, i hope one can still understand. P. S. Start and ending must probably cut off :-).

Synthesis resulting from the transformation process performed with the harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools) on the male speech sound http://freesound. Org/people/islijepcevic/sounds/329042/. The parameters used in the analysis are:window="hamming", m=1501, n=4096, t=-80, minsinedur=0. 1, nh=200, minf0=80, maxf0=200, f0et=7, hamrdevslope=0. 01, stocf=0. 4freqscaling = [0,1. 3,0. 82,1. 3,0. 825,1. 158,0. 99,1. 158,1. 0,1. 38,1. 1,1. 38,1. 12,1. 7,1. 2,1. 7,1. 21,1. 4592,1. 278,1. 73,1. 28,1. 5,1. 45,1. 8,1. 7,1. 8]freqstretching=[0,1,1,1]timescaling=[0,0,0. 6,0. 001,0. 67,0. 071,0. 83,2. 071,1. 0,2. 4043,1. 12,2. 7377,1. 2,4. 7377,1. 28,5. 4043,1. 45,8. 071,1. 7,8. 2]timbrepreservation=1.

*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

I drew this thx deep note imitation in photosounder by drawing several lines with the white spray with the harmonics modifier. I first had a look at the original thx sound and tried to reproduce what i saw. The final chorus sounds bad because it's hand-drawn, so the right notes aren't hit plus the lines aren't straight so the pitches keep moving around a bit.

I'm new to freesound, and am loving all the ambient forest and water sounds. I wanted to get something on my account to share while i'm still in the process of purchasing good equipment to share my own ambient sounds. So i whistled a little tune into my iphone 5s just to get the sharing started. This land is my land, this land is your land with a little harmonizing :).

The source of this sound is https://freesound. Org/people/doomyd/sounds/530580/ - a clean electric guitar open a string. This sound has been processed using the harmonic plus stochastical analysis of the sms-tools package https://github. Com/mtg/sms-tools with frequency scaling and frequency stretching, to give a metallic flange & 2 octave bend effect.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

It was made with extraordinary plugins erhu guzheng yangquin and a sense of extraordinary expression, valley reverb, and glides. Authentic expression of chinese traditional instruments is hard to imitate so this scene is very short, but useful. As always, my sounds are free, but i'd like to hear your artworks when using a sound, or part of a sound. Also, it is a pleasure to me, if you're referencing this source in your credits.

My original dw toms, mixed with themselves 1 octave up [the octave up is lowered -6db and the envelope reshaped to allow loud only the attack]. Then for that resulting mixdow again the same thing [so i used the same method two times]. At all steps i was using the simple compressor[not multiband] for not allowing overlimiting. For the two general mixdowns [because it was a double process] i used hard compressor at -0. 45 dbs. And for the two octavic parallel channels i used hard compressor -3. 60 dbsbecause the octave doesn't sound realistic if not well compressed. For all my dw octavic tomsed i used the same exact method. My original dw toms are here if you want to read data or mics. These toms do not sound realistic as stand alone sounds. These harmonics work better only in a complete mixdown, and have increased audibility than the original recordings [for silent music parts use the original because low velocity of parallel instruments will expose the supportive tom-harmonics].

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:-ifrequency scaling factors= [0,1,1,0. 6],ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

A tabla loop played only with the bayan (the bass drum). The taal is kherwa (the rhythm) and the bayan isn't used at all. Recorded using behringer c-1u, recorded in adobe audition, and finally did some eqing (the major part of the eqing was removing the 60 hz hum and the obnoxious other harmonics). Enjoy!.

Here is a simple yet usefull reel for your morphagene. I sampled various noise source from various modules to be used into my shared system, as this instrument does not contain any classic one. This reel is arranged like this:splice 1 : left = white noise / right = pink noisesplice 2: left = metallic noise / right = digital noisesplice 3 : left = tuned noise 1 / right = tuned noise 2splice 4 : left = tuned noise 2 / right = tuned noise 3splice 5 : left = tuned noise 4 / right = tuned noise 5splice 6 : left = tuned noise 6 / right = tuned noise 7splice 7 : left = downsampling noise sweep / right = fluctuating random noise sweep. Most sound comes from the verbos electronics random sampling module. The tuned noises are made of white noise fming the verbos harmonic oscillator, each are one of the eights harmonics being recorded. Enjoy !.

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Output sound obtained after frequency scaling and stretching of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

A timbre (rendered with something akin paul naşca’s padsynth algorithm) which has partials of form m + n φ where φ is the golden ratio, and m, n are integers. Though not all the partials, just such a set that this all resembles a usual harmonic timbre. This sequence starts. 1. 000001. 618032. 618033. 618034. 236075. 236075. 854106. 854107. 854108. 47214. This sequence is of several powers of φ up and down from 440 hz (φ⁻² to φ⁵). Look at the spectra for a full dose of xen.

Voices and songs of gargano's country - italy. Voice of michele ciccone. Powerful voice with the 'castagnole' (it. Nàcchere or castagnette = castanets) and harmonic. He was born in mattinata in the 1922. When was young he played the 'serenate' (lovely songs typically played in the south italy, under the balcony of the sweetheart) to the girls of the country accompanied from some musicians. Recorded the 11 march 1997 thanks to angelo pantaleo's mobile recording studio.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of traditional tibetan singing bowl. Sound recorded with a zoom h4n pro. Son d’un bol tibétain traditionnel. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

An artistic experiment searching for sound emissions and the limit of human hearing. Composed of infrasonic material that have a low acoustic impedance. Humans will be able to identify tones as low as 12hz. Natural and human produced infrasonic sounds is anywhere, all the time. The artistic idea was to use background noises, signal fidelity, harmonic distortion, low-frequency in order to foster a soundscape of infrasound that travels through space. Made for project that was never released. Think somebody might enjoy or use it.

A was busy doing some big muff basedenvelope follower, envelope filteredcomposition, when it hit me, a small portioncould be used for the max. 12 second loopof a loop exercice we're doing in the class. Here, i manipulate the envelope filter twice. First, a recorded loop, of my vintage teisco60's 70's don't remember anymore, doesn't matterguitar, i found for 90 euro at an online rommelmarktlet's say. . . I put the envelope filter so that it 'just' triggerson the peaks of my audio file. . . Oww yeah !!!. The second time i trigger the envelope filter, is wheni play live on top of the recorded loop, i'm playing on purposepercussive, a coup of my hand with an immediate attack, toeven further more let the filter open & because of the amazinggrainy low-frequency based russian sovtek big muff the filtergrowls even more. . . On top of the just percussive behavior, i playof course an harmonic, content related sequence, feeling that the loopwhile being in an odd measure, already is repeating itself , the liveplaying, contrastwise, makes variation in texture & harmonic/melodice content. . . This is only a small portion of the biggercomposition, that's comin'curious ? head to. Https://jozefaleksanderpedro. Bandcamp. Com/. For support : paypal/jozefaleksanderpedro. Peace !04012021.

This sample was created by layering short, improvised passages on a yamaha psr-275 into a boss dd-20 in sound on sound mode. Loop was played into a boss me-30 on harmonizer and pitch shifter settings, processed in real time, then faded out. Audio was further processed in goldwave (compression, added hiss, vibrato, etc. ) to give it a more believeable "old vhs tape" sound. I cut it to only include the most convincing segment of audio. (it's not perfect, but it's only an emulation!) 24 kbps, stereo.

Created by hainbach aka stefan paul goetsch, formatted for use in the make noise soundhack morphagene. "i call it noir, since it is has a vibe of film noir to it. I made this with scoring for picture or theatre in mind, recording piano, percussion, synths on a telefunken m15 and nagra iii and playing that back on half speed. All music is harmonically related, so it should not grind too much when switching apruptly. I left some space for new splices in the end, as i feel that makes it more playable. ". Https://www. Hainbachmusik. Com/.