1,227 Royalty-Free Audio Tracks for "Interval"

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

*Sixty-third harmonic on C = C+. Just: 63/32 = 1172.74 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 7-limit. MIDI pitch bend: 35,87 on 1100

*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

This sound is a beep like heart monitor, i created with an audio editor, i used cine wave 5000 hz with intervals of 500 ms betuin the beeps i also aplied a soft reverb. Unfortunately this people dies on the end. Sad.

*Difference between 31:16 (B: 1145.04 cents) & 15:8 (B: 1088.27 cents) on C = C (Ben Johnston's notation). Just: 31 : 30 = 56.77 cents. Limit: 31-limit. MIDI pitch bend: 21,82 on PU

*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

*7 steps in 15 equal temperament on C = F↑ (Easley Blackwood's notation). Equal-tempered: 27/15:1 = 480 cents. MIDI pitch bend: 26,83 on a P4

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

*6 steps in 15 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/15=2/5:1 = 480 cents. MIDI pitch bend: 76,89 on a M3

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

*Ninety-fifth harmonic on C = G (Ben Johnston's notation). Just: 95/64 = 683.83 cents. Equal-tempered: 27/12:1 = 700 cents. Limit: 19-limit. MIDI pitch bend: 106,90 on TT

*Just augmented fourth (45th harmonic) on C = F♯+. 45/32 = 590.22 cents. Limit: 5-limit. MIDI pitch bend: 112,60 Midi pitch bend on ~B 112,60 for 590.234375 cents rather than 600.

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

*8 steps in 15 equal temperament on C = F♯↓ (Easley Blackwood's notation). Equal-tempered: 28/15:1 = 640 cents. MIDI pitch bend: 102,76 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Gb.

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

This is a recording of me pressing buttons, flicking the stick, and making circles around the edge notches of the wii nunchuck. I do all of these things in random intervals instead of actually playing something, as the more intense sounds work better for what i recorded this for.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

13-limit just decatonic scale on C; 1/1, 12/11, 32/27, 9/7, 4/3, 132/91, 3/2, 18/11, 16/9, 176/91, and 2/1; followed by the tonic chord: C, E, G.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).

*16 steps in 17 equal temperament on C = B♮ (Easley Blackwood's notation). Equal-tempered: 216/17:1 = 1129.41 cents. MIDI pitch bend: 53,73 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M7 on ~54,73 for 1129.44 cents.

*7 steps in 72 equal temperament on C. Equal-tempered: 27/72:1 = 116.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 115.625 cents rather than 116.669. New version a m2 on 42,69 for 116.650390625 cents rather than 116.669.

*4 steps in 72 equal temperament on C. Equal-tempered: 24/72:1 = 66.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 75 for 65.625 cents rather than 66.668. New version a PU on 42,85 for 66.6503906250 cents rather than 66.668.

*35 steps in 72 equal temperament on C. Equal-tempered: 235/72:1 = 583.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 584.375 cents rather than 583.345. New version a P4 on 85,90 for 583.3251953125 cents rather than 583.345.

*5 steps in 72 equal temperament on C. Equal-tempered: 25/72:1 = 83.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 84.375 cents rather than 83.335. New version a PU on 85,90 for 83.3251953125 cents rather than 83.335.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.