My heartbeat, recording with low eqing and a shure sm58. There's some moving of a microphone and a little bit of breathing. Towards the end i take a sample of my computer.
Low and reverbered warrior kick:taken from an existing from freesound ( don't remember the name!)i just add exciter eq and generous reverb with logic pro.
An explosion, blowing very close a "vocal mic: sennheiser md 431", wavelab octavic harmonics, multiband eq to cut all except low-mids, clean comp-wavelab, reverb, reshaping envelope via wavelab button "v".
A dark and dissonant hit on the very low piano keys. With a bit of eq to increase the low rumble and a lot of reverb. Not a real piano but a vst instrument. Suitable for e. G. Horror films and games. The versions (a) and (b) of each sound in this pack are the same notes but on different pianos with sligthly different settings. Post-processing: eq & reverb.
Handy h2 zoom 4ch recording of supermarket checkout line. Hum is from refrigerator units nearby. Try using eq to rolloff the low end frequency hum of the refrigerator.
Low, tuned percussive sounddesign, made with a synth, a big reverb and an eq. Try to use it with a contrabass, it works really well ;)format : wav 24-bit, 44100 hz.
Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Snare tuned e. I've created it with rob papen punch software synthesizer & saturated in tapey style. It's not very fat 'cause the fundamental tone is above 300hz & it's "low-cutted" by fabfilter eq. .
Very low pitched and subtle rumbling. Protoplasm vst custom settings, applied effects delay, chorus, eq,rendered in fl studio @ 140bpmthe letter and number in the file name represent the note location of the sound.
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Original drum sample recorded straight from an original vintage yamaha psr-36 digital synthetizer from 1988. Best quality you can find online. Also, some samples aren't half bad. Use creatively and add some fx's. No eq or fx. Just some denoising.
Noises that i made with a synth. They pretty dry sounding didn't add much to them just basic eq with a low cut and sometimes different shapes to shape them a bit. Thats it just some "raw noises".
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recording of an organ excercise in the salzburg dom (austria) in 2022. Recorded with a zoom h1n in stereo wav, 48khz, 24 bit. Edited (little low end eq) en reduced to 16 bit in post.
A very simple beat useful for many styles. . . Heavily processed recorded with various microphonesprocessing involves eq, reverb, and 3 compressors working in parallel(hi tom is panned 30 right, low tom is panned 30 left).
People moving through echoey museum. Recorded in madrid. Multi-european indistinguishable voices and footfalls. Recorded at 48khz as ab stereo on tascam dr40. Some mic rumble so i've added a 100hz low pass filter to clean it up.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
A wind sound created with a white noise generator and a low pass filter on my console. I played with the cutoff frequency and a few eq peaks to vary the sound. Recorded at 44. 1k 16bit in stereo.
Knocking 4 times really loudly on my metal and hardwood table. Recorded in audacity, processed in audacity. Reverb preset: large roomgraphic eq preset: low rolloff for speech. Recorded 6/03/2020 11:12 pm.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Sound of a ships sail being deployed quickly, or released into wind. Made to become one part for a harbour ambiance. Created by waving around the blanket of my bed. Recorded with focusrite scarlett and rode nt5. Slight reverb and some eq added (especially to enhance low frequencies).
Removed the hum from cognito-perceptu's pill-bottle-4 sample. Original sample had truck in background in addition to some low frequency hum. Used the remove hum feature on izotope rx2 and, presto-chango, no distracting background noise. Now there is still a high frequency hum which i did not touch. I think this could be mitigated with a low pass filter in eq if you choose.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recording of my cat purring while laying down. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Sitting on a bench one meter by the lake starnberg, on a windy day in the end of may 2020. Recorded with a zoom h4n pro, internal microphone. Some eq editing to remove low-frequency wind noises.
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Material from a waldorf q processed in live with a waldorf dpole, the uad helios69 eq and neve compressor. Gritty low fi shifting, high frequency lfo on a bpf. Hard digital distortion effects. Highest sample rate and quality of recording for this style of effect.
Recording of my finger snap inside my living room. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recording of a cardboard being finger scratched. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
