4,292 Royalty-Free Audio Tracks for "Midi"

4-25 (French sixth) tetrachord on C

Major triad on C in first inversion.

Major triad on F in second inversion

Santa Lucia Sul mare luccica (song)

MIDI by the Mutopia Project

3-1 trichord on C: [0,1,2]. Chromatic trichord.

Os escravos de Jó

C altered scale.

Hi-hat "crescendo" from closed to open leading to the ride cymbal.

Persian scale on C.

Wo die Nordseewellen (Ostseewellen)

3-2 Son Clave Pattern in duple time.

Adagio-Thema des ersten Satzes aus Beethovens Opus 109

Anfang des dritten Satzes aus Beethovens Opus 109

Schleswig-Holstein, meerumschlungen

This is the typical arcade sound. Enjoy it :)software: cubase 5(midi file).

Sine melody, midi looper n a bit of spring reverb. Maybe useful for background padding.

D chord in drop D tuning.

Shuffle pattern with staggered thirds played on piano.

Most common "blues scale".

3/4 drum pattern.

Slendro vs whole tone scale on C

Minor major sixth chord on C.

Primay triads in c, as MIDI

ii-V substitution.

Major triad on F in first inversion

Loch Lomond (song)

In a triadic context chords with omitted thirds may be considered "indeterminate" triads.

The Queen of Hearts, 18th-century melody ([1])

4-21 (whole-tone) tetrachord on C

6-35 (whole-tone) hexachord on C

5-2B pentachord on C. Inverted version of 5-2A

6-2B hexachord on C. Inverted version of 6-2A.

An example of an ugly generation to supplement the paper, transformer neural networks for automated rhythm generation.

Anfang des zweiten Satzes aus Beethovens Opus 109

6/8 clave, third form (rumba clave)

A 130 bpm loop using synths i made in vital. The chord progression is i-iv-vii-v.

Brahms's hungarian dance arranged to create gloomily atmosphere.

Double harmonic scale on C

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

Ich dank dir, lieber Herre (BWV 347) for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

I played a little improv session on a midi keyboard, and recorded it in fl studio.

Vivaldi's linverno largo arranged to resemble lp sound.

Hrvatski: Oj ti vilo Velebita

Tone row from "Tot" ["Lifeless"], Drei Lieder, Op. 48.

Eine Muh, eine Mäh

Invention No. 10, BWV 781, by Johann Sebastian Bach

Invention No. 15, BWV 786, by Johann Sebastian Bach