301 Royalty-Free Audio Tracks for "Module"

Strange radio interference picked up between radio channels at 3am one morning. (i'm reasonably sure this some sort of strange em phenomenon rather than someone else's composition being broadcast; if i am wrong, i will be happy to take it down. ).

Bassy buzz.

Rich early-morning flip across the a. M. Radio dial.

Poorly tuned am station with several signals battling to come through at the 1600 khz setting.

| - description - |. Sine wave with pitch modulation. | - made with - |. 3xosc - fl studio. | - uses - |. For projects or whatever i wanted.

A bass that drastically lowers in pitch and automation, i used it to emphasis a "slow time" kind of effect in my current game project.

Dead air on an a. M. Radio station while lightning in the area "tickles" the frequency to create static peaks. Perhaps similar to the sounds of a radiation or metal detector.

A guitar through defective self-modulating delay. The time potentiometer went "bad" after years of hard twisting and abuse, and now it warbles and pitch-shifts on it's own. It's very temperamental, though. The pedal is a johnson "ead-2 analog echo delay". May be useful for an outro or something! let me know if you use it, i'd love to hear the results!.

Short electric buzz.

Old computer tape loading, pulse width modulation.

What can i say. . . Its trippy.

Samples i made with my korg volca fm.

Freq mod laugh synth 1 //cc0.

String patch modulated with delay and pitch bent resembling a jet or space vehicle engine revving up.

The interference picked up on the am band of the radio from a wireless mouse.

Natural modulation - a result of the wood spinning while resonating. Pitched down (recorded at 96khz, converted to 44. 1khz without resampling).

Triangle wave form from the noise reap bermuda oscillator. During the recording i'm turning the "self mod" knob cw and back.

Noises that i made with a synth. They pretty dry sounding didn't add much to them just basic eq with a low cut and sometimes different shapes to shape them a bit. Thats it just some "raw noises".

Slither of an old song i wrote, intended to loop. I'm playing a full bodied larrivee acoustic and slowed my voice down a little bit. Recorded on a $5 microphone, as always. "we've held tears and i've felt loveless. . ".

I made this sound with my microkorg, making lfo1 and lfo2 hella fast, and made them modulate the pitch and amplitude, respectively, at full strength. The values for the frequencies i don't know, but it is fun to dive in to a synth and try to replicate the sounds that you're hearing.

This is a bassline of dnb, got 16 bars on 180 bpm or 8 bars on 90 bpm. I did it with a synth using abletondon't forget there is the possibility of you having to amplifier and compress for give more punch. Feel free for use it!. A tip from me to you is cut the bassline in pieces, explore all the locations where you can use for start a song. . . Use short parts of the bassline and use stretch and pitch techniques. Just explore and imagines freaky ways of change small samplers to a big and nice bassline! :d.

Great on subwoofer!.

A complex mono electronic sound/beat generated using granular synthesis.

Simple 4 quadrant multiplier done with a lm13700 and some components.

A more intense flip across the am radio dial in the united states, this time at night.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

A little thing i wanted to record for evaluating. Is it too uninteresting?.

Short bitcrushed sound effect distorted for whatever use. Corto bitcrushed efecto de sonido distorsionado para cualquier uso.

Simple stutter effect created by altering the rate of an lfo modulation various noise sources. Added additional granular processing.

. Sliding down through the entire auditory range. The sound that occurse after turning off the phantom power of a condencer microfone.

Sample was created by looping a "heavy metal" drum pattern with fills from a yamaha pss-480 keyboard. The drums were processed through various pedals and then looped on a boss dd-20 going into a boss me-30 multi-effect.

I'm getting to know a comparator. Why haven't i used it before?extremely electronic. Yes!the comparator i'm using is bastl instruments tromsø. With the comparator i'm making the bass tone that vary in length. What! are you not amused and impressed??? in this patchi'm sending the comparator a saw-wave.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

Feeding some cv to nlc ffc. Okay. It affects the module.

Percussice clip processed with delay modulation feedback.

A post-industrial feeling created with a tone generator, layering and reverb.

Sony Battery-powered AM Radio Weak Signal Switches and Tuning. Changing stations on a manual radio.

An odd sounding voice saying "two weeks later" - kinda had a monty python-esque feel in mind when i made it.

Radio frequency interference at the 1200 khz mark of the a. M. Band, caused by varying proximity to a laptop computer. Very active and obnoxious high-pitched static and squeals.

This is the sound of a broken musical greeting card that once played the song "the best" written by chapman and knight, and sung by tina turner. Upon opening, it now sounds like static.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Just a sample of what my basses sound like :). This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

This is a short sample from a noise track i just completed. It sounds a lot like someone screaming/roaring into a microphone, but it's actually a roland juno-6 played through various fx pedals (boss metal zone, boss xtortion, boss me-30 on ring mod setting, danelectro fish & chips, and a sprinkling of various other fx pedals throughout the recording). Recorded direct to sound card.

Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.

Battery jitter earthbound signal a-xx module dc solar chemical unit.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Deep mad reese bass. Rendered at 170bpm.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).