255 Royalty-Free Audio Tracks for "Morphagene"

Series of mixes of bells and marching percussion. Like listening to bells at the approaches to hell or hades. Like a computer game mix. Rendered @48khz 32bit fp in reaper for all you morphagene fans out there. Now you know where to go. . . Enjoy!.

Acid intro (i presume) mysteron striking the notes and being droned at by the other modules. They are only envious of its great "iron bar" wavetable. Rendered at 48khz 32-bit fp with markers for all you acid head morphagene addicts out there. Don't laugh - it´s my first experiment with acid. Just enjoy!.

Driving rhythm created by dpo mapped through qmmg in lo-pass mode. Special effects through mimeophon erbe-verb and echophon. X-pan shifts the pan (before the sh-t hits it). Recorded and rendered into reaper at 48 khz 32 bit fp because i know you want it in morphagene. Sock it to me. . . And enjoy!.

Using internal suboscillator to fm modulate the frequency of xpo wavefolded low frequency outputs (stereo). Sequenced by 0-ctrl. Rumbling beats. Suitable for underlying deep trance and stuff. Rendered in reaper @48khz 32-bit fp with markers for all you morphagene fans out there. Enjoy rolling in the rumble!.

My first excursion into the ambient realm. My friends mimeophon, o-ctrl, morphagene, x-pan, erbe-verbe and the omnipresent clouds took me to somewhere i never thought i'd venture. Basically a very simple sound source, sped up and slowed down in segments, granulated and pasted back together. Quite a wet mix. Shake the drops off afterwards. . .

A bunch of strange sounds recorded while messing around with the make noise morphagene. Roughly 79bpm. Have fun :).

Simulation of fingal´s cave (mendelssohn) similar sea swell using modules of the make noise shared system and others to create the feeling of being on a small boat being borne up on the wave. Fits onto morphagene. If you want to know how i made it in more detail, pm me. Enjoy.

What do you do with graveyard bells? the semantics of cemetery chimes and so on. Mimeophone qmmg 0-ctrl 0-coast and friends up there doing the business. Rendered at 48khz 32 bit fp using reaper. Markers placed for morphagene and granularity grit. Enjoy the grind!.

Chanting drone partly tantric monks vocals with bell tones. Strega o-ctrl and o-coast easel output fed into mimeophone. Bells from karplus-strong (mu). Panned in x-pan. Totally synthetic track rendered @48khz 32 bit in reaper and with markers for all you morphagene fans out there. Enjoy!.

Just droning on, using makenoise gear and random source´s haible tau phaser for variety. Let me know if you like it/ want more. Stay safe!.

A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.

Rings chimes passed through strega both seqeunced by 0-ctrl. Effects, haible tau phaser, erbe-verb, qmmg in "both" modus, maths envelop, triggered by 0-ctrl. Mimeophon, seqeunced karplus-strong by 0-ctrl. Panning by x-pan. Lots of audio spaghetti, but rough and al dente. Something to get your teeth into. . . For morphagene fans - rendered in reaper with markers placed. Enjoy!.

I randomly selected presets from an old korg wavedrum, i think it is the world music edition, i recorded it into the mg and made the cuts with the envelope follower.

Rhythmic pattern interspersed with transients, formant sounds. 21 splices in the reel formatted and oven-ready for morphagene. Enjoy!.

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Second version. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. X-pan fully engaged this timewant to know more? get in touch.

Tropical frogs night mating calls. Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. Want to know more? get in touch.

Modulating harp sound from mimeophon (using karplus-strong mode). Various effects. O-ctrl provides the sequence gates rhythm etc. Sequence also used with dpo passed through qmmg and qpas for "sub". Rendered @48khz 32-bit fp and marked for all you morphagene fans out there. Enjoy the trip!.

Birds of paradise displaying in their usual frantic manner. Uses the dpo and edorphin. Es furthrrrrgenerator as sound sources. Mimeo phone and qpas- erbe-verb for effects. Part of signal passed trhrough morphagene, variable grain size and speed. Thanks to the guys and gals at endorphin. Es and make noise. No sponsors, just great inventive people, like all other modular manufacturers out there!. Stay safe and healthy,best,. Jim bretherick.

Qmmg gated tones from dpo into erbe-verb panned from x-pan. Nice makenoise gear. Marked up at 48khz 32-bit for morphagene. Enjoy!.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.

Created by anthony baldino for use in the make noise morphagene. "somehow making electronic music lead me to creating trailer music and sound design so it seemed fitting to make reel with a wide array of sounds from both types of music. This reel includes repurposed and re-mangled sounds that inspired music and sound design that have found their way into such trailers as interstellar, jurassic world , alien covenant, suicide squad, star wars: rogue one and others as well as glitchy beats and ambiences from upcoming electronic releases. In this reel you'll find impacts, processed orchestra, synth ambiences, modular beats and other noises that will hopefully inspire morphagene users to explore new music of their own. " - anthony baldino.

Recorded by peter speer. Formatted for use in the make noise morphagene. Footsteps over ice and snow. Recorded in stereo on a zoom h6, december 17, 2018 in asheville, nc. This reel has been divided into 24, evenly spaced 4-second splices. I've found some great textures through playing the reel back at 1x speed, with gene-size, morph, slide and organize modulated by sequencers, random cv and cycling lfos. Time stretching the reel also leads to some fantastic new environments. Enjoy!.

The orange side of plaits randomised from rnd step driven by wogglebug and instruo neoni, into harmonaig, cv to plaits. Aux channel passed through rings, one output through tau phaser the other through mimeophon and finally though qmmg moved by maths and sent through erbe-verb. Phew! enjoy! oh yes, markers are in place for morphagene.

They told me it was okay, so i took some time and cut a tiny snippet outta every track and assembled it into a reel for the pleasure of all to mangle.

Pequeña captura de un paisaje nocturno cercano al mar con un sistema m/s de schoeps. Small capture of a night landscape near the sea with an m / s technique and schoeps microphones.

The classic amen break. Splice 1 plays the beak in it's entirety. It is then split int 8, 16 and 32 splices, giving 57 splices in total.

The phonogne sampler can not handle as long samples as morphagene. I descided to make a phonogne version of mithimightbe's sound https://freesound. Org/people/mithimightbe/sounds/407072/.

Hairy warbling to a dark step rhythm beat. O-ctrl used to make it squeal a little. Harmonaig generates triad chords, slightly offset.

Panning experiment with sequenced forms of stereo panning, radiation, reverb, etc. Recorded at 48khz 32bit fp stereo, because i love the morphagene. Enjoy!.

Ocean swell and tension added by sequence from o-ctrl through mimeophon. Thanks to makenoise for the sample (waterfall sampled at various stages). Wogglebug randomised splice shifting created the ocean swell ;).

Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.

Basic sound using reason 10. Modular. Edited and rendered in reaper. Loaded into morphagene. Output (left) into erbeverb to create stereo. This fed into dual lpg from buchla (thomas white eurorack version) voltage controlled by random wogglebug trigger into tempi and maths envelop and thence into mimeoophone and into mixer as stereo. Other stereo from morphagene direct through mixer to element 24 to re-edit and render in reaper. Mixer doepfer a-138bp (dual 4 track version). Please excuse the clicks - caused by the analog handling and slight clipping (i´ll do better next time, i promise :).

Industrial rhythm to describe series of 4 portraits, each with different angles of view. Strega sequenced by 0-ctrl. Markers set and morphagene oven ready (48khz and 32 bit fp).

Peach-monkeys (gibbons?) screeching to heavy percussive baseline on a beach. Markers set using reaper for morphagene at 48khz and 32 bit. Enjoy!.

O-ctrl sequenced o-coast and strega by makenoise. Alien beach scene with seabirds. 48khz rendering at 32bit fp for use in morphagene. Enjoy!.

Mind the loudness and piercing frequencies. Feedback made using only a self-patched random*source serge triple+ waveshaper, or tws+. Recorded with and formatted with splices for use with the make noise morphagene, but can use for and with whatever of course. Warning that it's it's quite high pitched so you may need to pitch it down with the morphagene's pitch knob a good bit if you want it less harsh. I think i acidentally hit splice instead of record one time so there might be a random short splice somewhere, but maybe it adds some splice length dynamics. . .

Created by hainbach aka stefan paul goetsch, formatted for use in the make noise soundhack morphagene. "i call it noir, since it is has a vibe of film noir to it. I made this with scoring for picture or theatre in mind, recording piano, percussion, synths on a telefunken m15 and nagra iii and playing that back on half speed. All music is harmonically related, so it should not grind too much when switching apruptly. I left some space for new splices in the end, as i feel that makes it more playable. ". Https://www. Hainbachmusik. Com/.

Sound of lava bubbling flowing and cracking whilst cooling. Electrostatic plaits generated rings modulated into various effects. Morphagene oven ready, markers set. Sweat baby sweat. . . Enjoy!.

Imaginary soundtrack for an underwater skirmish using mimeophon morphagene and erbe-verb from makenoise. Lots of torpedo, sonar, and dripping water and waiting. . . For the bang. . .

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Reminds me of bats and the search for the origin of the covid-19 virus. A little bit scary. . . All ours. . . Going viral - soon?.

Synthetic and musique-concrete for an experimental demo soundtrack. Used mimeophon, erbe-verb, dpo and qpas to create a "who pushed the button?" soundtrack. Great fun converting the sound of a pencil on paper to one part of the track. Enjoy!.

The reel used in my second reel play recording, a series in which i try to find out whether or not i should keep my modules. These are four guitar recordings, pretty straightforward, but i just thought they sounded nice together.

Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.

Fanfare type music as if played through a hurdy-gurdy and with the occasional sound of far-off drum. Hence the name. . . Sources furthrrrr generator (endorphins) sequenced by rené, blck_noire. Effects mimeophon, erbe-verbe. Morphagene used to reroute and twist slightly.

Nostalgic piece where a choir sings on a station platform whilst a steam train is waiting to move off. The choir is singing in kings college cambridge style in the key of c - actually rené sequencing mimeophone karplus-strong over 2 octaves :).

What it was like yesterday, living next to a construction site and trying to record. Key is the haible tau phaser, instruo cs-l, mutable instruments´ rings and makenoise´s mimeophon. Rendered to 48khz 32 bit fp for morphagene with markers. My brain is now phased. Enjoy.

White noise through s&h sampled at audio rate using neóni. Quantised sequenced in mimeophon and dpo using 0-ctrl. 1/2 signal through erbe-verb the other through mimeophon. 10 markers set. Rendered at 48khz 32bit for morphagene in reaper. Enjoy!.

Sounds expressing tension - hence the name. All makenoise / soundhack modules. Rene 2 sequencing telharmonic h output. Into mimeophon output into optomix. Maths envelope triggered by gate from rene 2. Maths lfo provides flange in mimeophon. Recorded using reaper. Rendering 48khz 32 bit stereo. Thanks to all from makenoise. A real source of inspiration.